I don’t know whether I feel relieved that the first two puzzles I’ve blogged have been so easy, or cheated out of a few hours entertainment. I know that the EV is generally easier than the Listener and Inquiisitor, but even so! And, it has to be said, MynoT puzzles have been quite tricky in the past. His last EV (number 823, Alchemy) was pretty tough, as was a recent Listener (number 3995, Past Times) with the French Revolutionary Calendar as its theme, a truly beautiful puzzle.
The clues were pretty straightforward, and most would have been at home in a 15-squared daily. Perhaps the editor is trying to be kind to novices with some easier puzzles.
A minimal preamble, requiring solvers to highlight eight examples of a LATE something by the LATE somebody, didn’t sound too difficult. I’m not normally one who goes through all the clues in order for a first pass, but for some reason that’s what I did this week. It took about 20 minutes and I solved about half the clues. At that point, HAY?? at 5A and S?MPH??? at 16D led to JOSEPH HAYDN across the top and eight of his symphonies to be identified in the grid. This was made even more easy, since the preamble stated that only one was unclued. I identified the clued ones very quickly due to my excellent knowledge of Haydn’s works and nimble fingers on the Google keyboard! The unclued one took a bit longer and was to be found in one of the NW-SE diagonals. What a SURPRISE. They appear to be the last eight named symphonies that Haydn composed, between 1785 and 1795, although he composed many other works before his death in 1809.
Solving time: just over an hour on the clues, and another 15 minutes looking through the entry for his symphonies on Wikipedia (a little easier on the eye than Groves online).
Legend:
ABC* = anagram
ABC< = reversal
abCDef = hidden
blue for Haydn and his Symphonies
| Across | |||
|---|---|---|---|
| 2 | JOSEPH | unclued | |
| 6 | HAYDN | unclued | |
| 11 | UPS | P in US | copper; I was brought up in the days that a copper was an old d — yes, I was |
| 12 | ADENOMA | ADEN+O(VERWHELM)+MA | benign tumour |
| 13 | RAX | cf RACKS | Scottish word for stretch; rack has 8 definitions, one being a young rabbit’s skin |
| 14 | EELS | (F)EEL+S | some of them have electric organs; feel (consider) minus the F plus S for soprano |
| 15 | NASAL | NAS+A+L(EATHER) | the nosepiece in a helmet; nas is Spenser-talk for has not |
| 17 | LUFF | (B)LUFF | sailing a ship close to the wind |
| 18 | ENOS | 2 meanings | son of Seth and those old fruit salts called Eno’s (I think!) — can you still buy them? |
| 20 | NAME | eNAMEl | specify; gloss paint is enamel: I seem to be the one who gets all the indirect hidden words to comment on |
| 23 | ARMS | 2 meanings | fighting and tentacles |
| 24 | RARER | RA+R+E(CUADO)R | more bloody |
| 25 | GRISLY | GIRLS*+Y | frightful (not the clue, the definition); X, Y and Z are the three letters commonly used to signify unknown |
| 26 | PEC | PE+C | muscle |
| 28 | FOLD | F+OLD | congregation |
| 29 | LOLL | LOLL(Y) | lounge |
| 30 | ASH | HAS* | cinders |
| 32 | RATLIN | TAR<+NIL< | lines forming steps of a ship’s rigging |
| 34 | OSIER | hOSIERy | willow; another indirect hidden, this time in knitted underwear |
| 36 | TOPI | uTOPIa | antelope; ind. hid. in an ideal place |
| 37 | ALEC | ALE+C(LOUT) | Guinness, for example |
| 41 | SAIL | S+AIL | project; s = is |
| 44 | DRAY | YARD< | wagon; yard is a thin branch |
| 45 | DOYEN | DO+YEN | dean; I haven’t come across that meaning before |
| 46 | SEGO | SEG(N)O | American lily; $ is segno, a sign to mark the beginning or end of repetitions |
| 47 | OUR | OUR(ALI) | that which we own; I thought at first it should be something minus ar for arab rather than ourali minus Ali |
| 48 | MIRACLE | CAR< in MILE | amazing event |
| 49 | ROC | ROC(OCO) | large bird; and (inside crock) the subject of the indirect hidden in my first blog! |
| 50 | CYANS | (N)ANCY’S* | blues; I’m not sure I really like the apostrophe in Nancy’s |
| 51 | PALLOR | PALL+OR | having lack of colour |
| Down | |||
| 1 | QUEEN | cryptic def. | promote a man in chess; the Queen symphony is also known as La Reine |
| 2 | J-PEN | JP+EN | pen with a short broad nib, defined under J in Chambers |
| 3 | OSLO | J(OLSO)N< | capital; is the apostrophe in Jolson’s justifiable to denote hidden? |
| 4 | SASSES | S(ILLY)+ASSES | sluice or lock |
| 5 | PEAL | 2 meanings | young sea-trout and loud sound |
| 6 | HOARSE | HOAR’S+E(XHAUST) | husky; I cannot find any justification for hoar being frost and snow — have I missed something? |
| 7 | AMLA | grahAM LAnd | tree; Graham Land, that bit of the Antarctic well known to polar explorer’s |
| 8 | YALT | (AT LAY)* | conference site; better known, I suspect than Graham Land |
| 9 | DRUM ROLL | DRUM+ROLL | drum = ridge and roll = wander |
| 10 | OXFORD | bOX FOR Delivery | shoe |
| 15 | NUALA | NU+A+LA | Irish girl’s name; and French for ‘naked (masc) has the’ … hmmm! |
| 16 | SYMPHONY | unclued | |
| 19 | BELIE | BELIE(F) | show the untruth of |
| 21 | AROSE | A+ROSE | sprang up; easiest clue of the day |
| 22 | MILITARY | I+LIT in MARY | uncivil; light = come down |
| 27 | CAIRN | ameriCA IRN bru | dog |
| 29 | LONDON | L+ON+DON | city; L = pupil, on = subject to |
| 31 | STOORS | TO+OR in SS | assaults; in SS = on board yet again |
| 33 | TASSEL | 2 meanings | plate in a wall (see under torsel) and gold plate |
| 35 | ETYMA | safETY MAtches | origins; of = in |
| 38 | CLOCK | 2 meanings | take a look at and Scottish word for beetle |
| 39 | ODIN | O+DIN | god; 0 din = zero din, ie quiet |
| 40 | CECA | iCE CAves | cavities, plural of cecum |
| 42 | AERO | (K)OREA< | aircraft; I would have thought that Korea was two countries, North and South |
| 43 | IGOR | I+GO+R | Prince, title of a Borodin opera |
| Diagonal | |||
| SURPRISE | unclued | runs NW to SE from last letter of EELS at 14A to second letter of SEGO at 46A | |