It may just be me, but Mudd seemed to be lacking some of his usual humour today. There were attempts at it, such as the definition in 8dn (though the overall surface didn’t make much sense), but none of the clues stood out particularly. 13ac did raise a wry smile but 28ac appeared to me to be faulty.
Across
1 LARGE INTESTINE *(AS ENGINE LITTER)
10 MAYOR MAYO (county) R (king)
11 CONTAINER *(TIN CAN OR [otherwis]E)
12 COUGH UP UGH (I’m digusted {sic}) in COUP (great achievement)
13 CREW CUT cd&d – defn. [hair]style
14 STEAL homophone of ‘steel’ (alloy)
16 IN BLOSSOM IN (not out) B[atsman] LOSS (casualty) MO (second) reversed
19 TAE KWON DO *(TAKE) WON (having secured victory) DO (participate)
20 ROAST dd
22 INGRESS INGRES (painter) [painting]S – Jean Auguste Dominique Ingres.
25 SECULAR LA (Hollywood) in SECUR[e] – ‘insecure’ needs to be split to parse the clue.
27 TREASURER U (for all to see) in *(REARREST)
28 LATHE LATHE[r] – I do not see how ‘to be concluded’ can indicate the omission of the final letter, it would need to be ‘not concluded’.
29 BANANA REPUBLIC cd
Down
2 AS YOU WERE *(SEE OUR WAY)
3 GIRTH *(RIGHT)
4 INCEPTION IN CEP (mushroom) *(ON IT)
5 TONIC dd
6 STAGE DOOR STAG (male) EDO (ego having change of heart) OR
7 IONIC I (one) ON IC[e] (held in reserve, not entirely)
8 ERRATUM [glu]E RAT (animal) in RUM (odd)
9 SMOCKS S (son) MOCKS (laughs at)
15 LOW SEASON W (western) SEAS (waters) in LOON (diver)
17 BOOTSTRAP PARTS (bits) TO O (old) B[rogue] reversed
18 SCARLATTI CAR (machine) in SLAT (fine piece) IT reversed
19 TWIN-TUB WIN (secure) in BUTT (end) reversed
21 TURKEY dd – from Chambers “a play, film, etc that is a complete failure (slang, chiefly N American)”.
23 GREEN d&cd – a reference to the number of holes on a golf course.
24 SURER R (right) in SUER (complainant)
26 CELEB C[ome] E[arlier] L[ighting] E[venings] B[rightly]
Thanks, Gaufrid.
In 28ac, I took ‘to be concluded’ as a gerundive: ‘requiring / deserving to be concluded’, as in ‘Gaufrid is to be commended for an admirable blog’. 😉
Is ‘Hollywood’ really acceptable for LA?
I quite enjoyed the – admittedly genteel – vein of humour that permeated this one, with both 3D and 6D featuring as particular satisfying moments of solving enlightment. Like Gaufrid, I thought that ‘fluff on paper’ was an inspired def’n, but one that deserved to be accompanied by far less arbitrary wordplay.
My own quibbles were centred around 24D (I don’t think equates to ‘more right’, but the question mark probably acknowledges that) and 29A (not sufficiently wry as to merit an exclamation mark; and House of Orange or Mandarin Dynasty would be less tenuous puns, in my book).
Eileen, your Hollywood/LA point is perfectly valid. But similar such examples of geographic/urban fuzziness seem to be well-established and accepted (e.g. NE/Newcastle, from either a postcode or compass-point perspective).
Hi smiffy
Yes, 3dn was a good one – and, in these days of abdominoplasty, & lit, surely? [I’ve spared you a link to the video!]
Why is “U” “for all to see”?
Tony
Film classifications. They’ve probably changed since I last went to the cinema 30 years ago but I remember U and PG being two of them.
Thanks Gaufrid.
Maybe not Mudd’s finest but I still enjoyed this puzzle and if his humour wasn’t as much to the fore as usual,i still got a few smiles from it.
LATHE just about works for me – I think you can see what the setter is getting at even if it is a bit “loose”.
25 across I enjoyed – that type of clue appeals to me.
Other favourites were IN BLOSSOM and TWIN TUB.
Thanks Gaufrid for explaining the “U”. I should have known, though I too rarely go to the cinema and in any case live in the US.