The usual eclectic mix from Azed.
I found this on the easy side for an Azed, although I can’t adequately explain 31 across. In fact, although there are plenty of obscure words, it took me less time to solve than Paul’s puzzle the previous day in the Guardian. Of course, I needed lots of help from Chambers, but the wordplay is usually so clear that it’s just a matter of checking the meaning of a word.
| Across | ||
| 2 | SCAFF-RAFF | Gorbals scum, namely associated with endless brawl, very noisy (9) |
| SC, AFFR(ay), FF. A Scottish version of riff-raff. | ||
| 10 | BOHO | Arty type in theatreland (book not succeeded) (4) |
| SOHO, with B for S. | ||
| 12 | ROUE | Rotten ordure? Take dead leaves – rake required (4) |
| *ORDURE less R(take) and D(ead). Azed often uses the misleading abbreviation R(ecipe) (Latin for take), nowadays only used (if at all) by doctors on prescriptions. | ||
| 13 | SPADIX | Flowery spike, special, delivered to Flat 9? (6) |
| SP AD IX. I can’t quite explain the “Flat”, unless it’s just to enhance the surface reading (which might explain the question mark). | ||
| 14 | LLANOS | Plains taking devoted follower completely aback (6) |
| SON ALL (rev). Sure enough, one of the definitions in Chambers for “son” is “disciple”. | ||
| 15 | COMPLIN | Night prayer, afternoon receding? Quail about that (7) |
| PM (rev) in COLIN (a type of quail). Perhaps more familiar with a final “e”. | ||
| 17 | LUNULATED | A dull tune played in sort of moony fashion? (9) |
| *(A DULL TUNE). It means “shaped like a small crescent”, so the definition in the clue is a little loose, hence the question mark. | ||
| 19 | RULING | No longer secure about love returned, requiring decision from judge (6) |
| NIL (rev) in RUG, which is apparently an old slang word for secure. | ||
| 21 | SERINE | One fishing with net swallows his last protein constituent (6) |
| SEINER with the last letter moved forward (swallowed). | ||
| 22 | ANETIC | Little energy put into prank is soothing (6) |
| E in ANTIC. | ||
| 24 | SAMPAN | Money invested in hard wood for oriental vessel (6) |
| M in SAPAN. | ||
| 25 | NAVARATRA | Ravana’s trounced, guile repelled, in Hindu festival (9) |
| *RAVANA, ART(rev). | ||
| 28 | REMBLAI | Berm transformed, mostly deposited as earthwork material (7) |
| *BERM, LAI(d). As BERM is a word associated with earthworks, the surface reading is more than usually appropriate. | ||
| 30 | IMMANE | Formerly cruel, male inside returned as a friend (6) |
| M in EN AMI (rev). Nothing in the clue warns you of the French usage. | ||
| 31 | VOMICA | Purulent lung cavity? Most of voice is interrupted by me (6) |
| MI in VOCA(l)? I’m struggling with this one, so your suggestions please. | ||
| 32 | SEJM | Polish house, some of them Jesuits in retreat (4) |
| Hidden and reversed in “them Jesuits”. | ||
| 33 | SNAR | Behave like old growlers? (Right answer is ‘backwards’) (4) |
| R ANS (rev). | ||
| 34 | RED ENSIGN | Flag from onset of nervousness during make-over? (9, 2 words) |
| N in REDESIGN. Nicely misleading use of “flag” here. | ||
| Down | ||
| 1 | OBSCURANTIST | One opposing reforms organized station curbs (12) |
| *(STATION CURBS). | ||
| 2 | SOPOR | Does it occur when nothing takes place in endless play? (5) |
| 0 in SPOR(t). A very nice surface, which I think qualifies as an & lit. | ||
| 3 | CHAMPLEVE | Church, spacious, before Italian city’s deprived of nice enamel work (9) |
| CH AMPLE VE(nice). | ||
| 4 | FOIL | Incomplete fall following smear? (4) |
| F OIL. One definition of FOIL is “an incomplete fall in wrestling”. | ||
| 5 | FAXING | Drudgery, holding nothing up in sort of communication (6) |
| NIX (rev) in FAG. | ||
| 6 | ALL-CLEAR | One’s left cellar nervously … when it’s given? (8) |
| A L *CELLAR. Another & lit clue. | ||
| 7 | FRAG | Zap with pineapple or halved strawberries (4) |
| FRAG(aria) (the strawberry genus). Pineapple here refers to a slang term for a fragmentation grenade. | ||
| 8 | DUODENA | Portions within poem penned by Auden, English cut and moved around (7) |
| ODE in *AUD(e)N. As a definition, “portions” is somewhat cryptic, the full definition of the singular form being “the first portion of the small intestine”. | ||
| 9 | RESIDENTIARY | E.g. canon from Derry is worried about attributes? The opposite (7) |
| ENTIA in *(DERRY IS). One of the definitions of “canon” is “a clerical dignitary belonging esp to a cathedral … obliged to reside there part of the year”. | ||
| 11 | ALNUS | Some trees light up with a luminance at the top (5) |
| A L, SUN(rev). | ||
| 16 | STIPPLING | Seurat’s head leaning round edge of easel, demonstrating pointillism? (9) |
| S, (ease)L in TIPPING. | ||
| 18 | UNIRONED | Rule in marriage: married wife’s quit without pressing (8) |
| R in UNION, (w)ED. | ||
| 20 | UNARMED | Lacking defence, like Venus famously? (7) |
| This statue is indeed famous for having no arms. I confidently, and wrongly, wrote in “ARMLESS”! | ||
| 23 | CAREX | Caught a rabbit in lakeside genus? (5) |
| C A REX. | ||
| 24 | STEVEN | Dialect voice from Hertfordshire location, long time lost (6) |
| STEVEN(age). I have never come across this usage: Chambers doesn’t say which dialect it is to be found in. | ||
| 26 | TACAN | Ground-to-air pilot’s guide in Alberta (Canada) (5) |
| Hidden in Alberta Canada. | ||
| 27 | KAME | Without artillery, day to surrender Scottish fort? (4) |
| KAME(RA D) (German for a shout of surrender). | ||
| 29 | MOSS | Highland fog heads for mountains of southern Scotland (4) |
| First letters of “mountains of southern Scotland”. | ||
*anagram
Thanks, Bridgesong. I shared your puzzlement about 31, briefly. I think it turns on how the ‘of’ is read. I think your parsing is correct, and it’s how I saw it.
Thanks for the blog, bridgesong. I was a bit unsure about 32a too, but I think you’re right on the structure: MI = ME in tonic sol-fa; for VOCA I can’t decide between “most” (=almost) VOCAL (of voice), or “most of” VOCAL (= voice, as in “backing vocals” etc).
In 13a I think “special” is just S, leaving PAD IX for “flat 9”.
You’ve removed a bit too much of the AFFRAY in 2a.
I also put in ARMLESS!
Thanks, Andrew, I’ve corrected the blog. And I think you’re right about 13a as well.