The EV clock has ticked over to 12:00 – midday/noon, or midnight? Will this be significant? We celebrate another century of EVs with … yet another jigsaw (gaaahh!). Chambers defines ‘RULE OF THUMB’ as ‘A rough-and-ready practical method, found by experience to be convenient‘, which pretty much describes my approach to these jigsaw-type puzzles!
The preamble states that:
“In accordance with the speaker’s RULE OF THUMB, as presented in the third and fourth lines of the first verse of a song, clues are not presented in the conventional order, but rather in an order to be determined. The wordplay in each clue leads to the answer and an additional letter not to be entered into the grid; in conventional clue order, these give the sixth and seventh lines of the verse. Solvers must highlight a cryptic representation of the fifth line (11 cells). Chambers Dictionary (2014) is recommended, and one entry is an abbreviation.”
So…we have a barred puzzle but no numbers, unnumbered clues in a to-be-determined order, and some extra letters giving us lines from a song…plus some hidden thematic material. But where to start?
My ‘rule of thumb’ for crossword jigsaws is to make a list of possible entries in descending size order..so there are two 11s and two 10s, ten 7s, eight 6s, two 5s, fourteen 4s…and a solitary 3…so at least I know where one answer will go! And the 10s, 11s and 5s seem a good point of entry, especially as the 11s and 10s intersect, as do the 11s and 5s. My second preparatory step is to take an enlarged copy of the grid and mark entry lengths around the perimeter, so the first row has a 6 to the left and a 4 to the right, etc. I find this helps at the filling stage, not to have to count and re-count all the blank spaces when looking for somewhere to put a word. And lastly, use a pencil and have an eraser handy!
Enough dallying…on with the puzzle…at which point I found that it is all very well knowing your point of initial attack, but it doesn’t help if your first few passes don’t throw up any 5s, 10s or 11s to work with… As is often the case with these jigsaws, I found myself coming back several times and picking away at things, until there was a flurry of activity (with a couple of lucky guesses and plenty of rubbing out!) when the bulk of it fell into place. Good job we have nearly 3 weeks to do these in…
I had one of the 10s – HABERGEONS – early on, and guessed (fortuitously) at it being in the second row, rather than second to last. I also had the 5s – OGLER and USAGE – so toyed with the permutations of these in either position to see how they helped with the 11s. The central 3 would have helped, but that didn’t fall until much later! However the flurry began with OSCILLATION and UNREWARDING, and I had a very rewarding session slotting in many of my other answers, and finding crossing letters for as yet unsolved entries.
Back to the preamble and the extra letters/order of the questions – I eventually had plenty of the extra letters, but couldn’t use them to make the phrase until I had enough answers in to be able to make out the ‘conventional’ order to make them into something useful. It didn’t help that I was writing the answers down in my separate list of descending order of lengths, rather than next to the clues on the printed puzzle, but at some point I realised that the printed clues were coming out in reverse alphabetical order of their answers – WHIPPET first down to AIRLINE last…so that helped to narrow down and wheedle out a few of the remaining answers.
And eventually I had a full grid – 11 by 13, so no symmetrical diagonals to search for thematic material – and although I could see the name ‘TALLULAH’ across the middle row, I couldn’t work out why it had ‘REP’ next to it.
So, more elbow work needed – a fresh blank grid with clue numbers manually added this time, and then work through the ‘conventional’ order of clues and the extra letters, to get:
‘SO IF YOU REALLY NEED TO YOU’LL KNOW HOW TO FIND ME’
as the 6th and 7th lines of the song.
This didn’t trip off the tongue for me, but a bit of Wiki-oogling threw up the song ‘My name is Tallulah’, from Bugsy Malone:
Line 1:   My name is Tallulah
Line 2:   My first rule of thumb
Line 3:   I don’t say where I’m going
Line 4:   Or where I’m coming from
Line 5:   I try to leave a little REPutation behind me
Line 6:   So if you really need to
Line 7:   You’ll know how to find me
So that explained the middle row, with TALLULAH (me, the speaker) and REP (a little reputation, behind) – as the cryptic representation of the 5th line. But I still don’t quite see how lines 3 and 4 indicate the ‘reverse alphabetical’ order of the clues? There didn’t seem to be any numerological connection to the puzzle number, 1200 – unless I have missed something. And the original Bugsy Malone film was released in September 1976, so no obvious anniversary or other connection – maybe it is just a favourite of Jaguar’s? Never mind – the theme was worked out, the denouement had been arrived at, and a final, tidied up, version of the puzzle was submitted! Time to go for a lie down…
I have been gently chided (chid?) in the past for describing a tough puzzle I (eventually) solved and blogged as a ‘slog’ – as this was perceived to have negative connotations. But, going back to Chambers, it has this as ‘a strenuous spell of work; something which requires strenuous, esp protracted, effort’, which seems to fit the bill here – mental exertion, at least – and as any self-respecting masochist knows, a hard ‘slog’ up a hillside on a cold and rainy day has it’s own special enjoyment, and when you get to the top the views can make it all the more worthwhile!
Some excellent clueing – not too hard in themselves, maybe, but extra thought needed with the added complication of picking out the extra letters. Particularly enjoyed the surface reading of OGLER! A few new (to me) words, like HABERGEONS, TAMISE and IWIS.
With that – many thanks to Jaguar for the challenge, and congrats to everyone involved with the EV series – editor, setters, solvers and bloggers – on notching up another century…onwards and upwards!…
| CLUES (in order presented) | ||||
|---|---|---|---|---|
| Clue No | Extra Letter | Solution | Clue (definition underlined) / Logic/Parsing (extra letter in [s]quare brackets)  | 
|
| * | Y | WHIPPET | Speedy tank driver with sense of duty? One’s not shown (7) / WHIP (driver, or coachman) + P(I)ET[Y] (sense of duty, without I, one)  | 
|
| * | S | WHEEZE | Gag in Edinburgh’s to silence almost 2000 English (6) / WHEE[S](H) (almost WHEESH, Scottish, hence ‘in Edinburgh’, interjection for ‘silence!’) + Z (2000 in Roman numerals) + E (English)  | 
|
| * | E | USAGE | Apply for backing to join mature practice (5) / [E]US (sue, or petition/apply for, backing) + AGE (mature)  | 
|
| * | O | URANIUM | Element discovered by German or French braincase having removed carbon (7) / [O]U (ou, ‘or’ in French) + (C)RANIUM (brain case, with C – carbon – removed)  | 
|
| * | N | UNREWARDING | Dull sister artist’s recalled in gallery’s entrance (11) / [N]UN (sister) + REWARD (drawer, or artist, recalled) + IN + G (first letter, or entrance,of Gallery)  | 
|
| * | A | ULA | USB initially prepared with small microchip with unconnected logic circuits (3) / U (USB, initially) + [A]LA (prepared with, cooking, as in ‘a la mode’)  | 
|
| * | O | TAMISE | Thin fabric for a payment given to a king, once (6) / T[O] (for) + A + MISE (payment made to a new king, once)  | 
|
| * | E | STIBIUM | Bitumen is ground with Nitrogen extracted to produce antimony (7) / anag, i.e. ground, of BITUM[E](N) IS, without N – Nitrogen)  | 
|
| * | T | SINE | Without knight in position (4) / SI[T]_E (position) around N (knight, chess)  | 
|
| * | F | PRELUDE | Introduction to unusual penny dreadful Danny curiously overlooked (7) / anag, i.e. unusual, of PE(NNY) DRE(AD)[F]UL with the letters of DANNY overlooked  | 
|
| * | Y | POSH | Smart, humourless and bashful (4) / PO (humourless, po-faced) + SH[Y] (bashful)  | 
|
| * | O | POCHARD | Habit-forming heroin’s left behind Dog & Duck (7) / PO[O]CH (dog) + (H)ARD (habit forming, of a drug, with H – heroin – left off)  | 
|
| * | O | PIGEON | Dirty fellow and Eastern Beatles wife’s affair (6) / PIG (dirty fellow) + E (Eastern) + ON[O] (Yoko Ono, Beatle’s – John Lennon’s – wife)  | 
|
| * | Y | PEAG | Shell money in Peru colourful, in retrospect (4) / PE (Peru) + [Y]AG (gay, colourful, in retrospect)  | 
|
| * | W | OSCILLATION | Crazy actions over will bringing regular instability (11) / anag, i.e. crazy, of ACTIONS + O (over) + [W]ILL  | 
|
| * | I | OPUSES | Old Greek character once observes compositions (6) / O (old) + P[I] (Greek character) + USES (observes, archaic, or once)  | 
|
| * | W | ONAGER | Secured advanced German siege engine (6) / [W]ON (secured) + A (advancd) + GER (German)  | 
|
| * | L | OGLER | He may cast amorous glances, at first looking on girlfriend’s lovely effeminate rear (5) / first letters of ‘[L]ooking On Girlfriend’s Lovely Effeminate Rear’  | 
|
| * | T | LEGIBLE | The French returning large half of letter that’s easy to read (7) / LE (definite article, in French) + GIB (big, large, returning) + LE[T] (half of LETter)  | 
|
| * | U | IWIS | Maori tribe found in US? Certainly, once (4) / [U]_S around IWI (Maori tribe)  | 
|
| * | E | IDEM | I think the same (4) / I + DE[E]M (think)  | 
|
| * | O | HALO | Husband mostly reserved, showing ideal glory (4) / H (husband) + ALO[O](F) (mostly aloof, or reserved)  | 
|
| * | I | HABERGEONS | Begin a hero’s intricate light mail coats (10) / anag, i.e. intricate, of BEG[I]N A HERO’S  | 
|
| * | O | FUST | Mouldy smell of earth with no end of mould (4) / [O]F (D)UST (of earth, with no D – the last letter, or end, of moulD)  | 
|
| * | D | FUME | Give off not entirely enjoyable medicine (4) / FU(N) (not entirely fun, or enjoyable) + ME[D] (medicine)  | 
|
| * | K | FOOLISH | Battered fish look silly (7) / anag, i.e. silly, of FISH LOO[K]  | 
|
| * | O | EXHUME | Again mention former residence outside university (6) / EX (former) + H[O]_ME (residence) around (outside of) U (university)  | 
|
| * | R | ENIGMA | Cipher, German, Rejewski ultimately cracked (6) / anag, i.e. cracked, of GE[R]MAN + I (ultimate letter of ‘RejewskI)  | 
|
| * | L | EGER | Bore on… very nearly an age! (4) / [L]EG (on, the ‘on’ side in cricket) + ER(A) (nearly an age)  | 
|
| * | U | EECH | Bard’s to augment revenue, alternately, with church (4) / EE[U] (alternate letters of ‘rEvEnUe’ + CH (church)  | 
|
| * | R | DRAM | Maybe have a whisky and hock after drive (4) / DR (drive) + [H]AM (hock)  | 
|
| * | F | DECORUM | Drunkard originally enjoying 50% coffee and rum, showing good manners (7) / DE (Drunkard and Enjoying, originally?) + CO[F] (50% of COFfee) + RUM  | 
|
| * | L | DECIDUA | What’s discharged after giving birth to twin after December 1? (7) / DEC I (1st of December) + DUA[L] (twin)  | 
|
| * | D | COLUMNATED | Like some old temples of St Columba, lacking soul and old-fashioned (10) / COLUM(BA)N (of St Columba, lacking BA – soul) + [D]ATED  | 
|
| * | L | CANDOR | Perhaps Obama’s frankness can defeat Rand Paul’s extreme points (6) / CAN + DO (defeat) + R[L] (extreme letters of ‘Rand pauL’)  | 
|
| * | M | AYAH | Old maid’s expression of surprise seeing another maid (4) / [M]AY (archaic/poetic word for ‘maid’) + AH (expression of surprise)  | 
|
| * | N | ARUM | Titan perhaps in North America – strange! (4) / [N]A (North America) + RUM (strange)  | 
|
| * | E | ANIL | Australian river plant (4) / A (Australian) + NIL[E] (river)  | 
|
| * | N | AIRLINE | Glaswegian’s iron railway – one is owned by Richard Branson (7) / AIR[N] (Scottish, or Glaswegian, for iron) + LINE (railway)  | 
|
| ACROSS – conventional order) | ||||
| Clue No | Extra Letter | Solution | Clue / Logic/Parsing (extra letter in [s]quare brackets)  | 
|
| 1 | S | WHEEZE | Gag in Edinburgh’s to silence almost 2000 English (6) / WHEE[S](H) (almost WHEESH, Scottish, hence ‘in Edinburgh’, interjection for ‘silence!’) + Z (2000 in Roman numerals) + E (English)  | 
|
| 6 | O | FUST | Mouldy smell of earth with no end of mould (4) / [O]F (D)UST (of earth, with no D – the last letter, or end, of moulD)  | 
|
| 9 | I | HABERGEONS | Begin a hero’s intricate light mail coats (10) / anag, i.e. intricate, of BEG[I]N A HERO’S  | 
|
| 11 | F | DECORUM | Drunkard originally enjoying 50% coffee and rum, showing good manners (7) / DE (Drunkard and Enjoying, originally?) + CO[F] (50% of COFfee) + RUM  | 
|
| 12 | Y | POSH | Smart, humourless and bashful (4) / PO (humourless, po-faced) + SH[Y] (bashful)  | 
|
| 14 | O | POCHARD | Habit-forming heroin’s left behind Dog & Duck (7) / PO[O]CH (dog) + (H)ARD (habit forming, of a drug, with H – heroin – left off)  | 
|
| 16 | U | IWIS | Maori tribe found in US? Certainly, once (4) / [U]_S around IWI (Maori tribe)  | 
|
| 17 | R | ENIGMA | Cipher, German, Rejewski ultimately cracked (6) / anag, i.e. cracked, of GE[R]MAN + I (ultimate letter of ‘RejewskI)  | 
|
| 18 | E | USAGE | Apply for backing to join mature practice (5) / [E]US (sue, or petition/apply for, backing) + AGE (mature)  | 
|
| 20 | A | ULA | USB initially prepared with small microchip with unconnected logic circuits (3) / U (USB, initially) + [A]LA (prepared with, cooking, as in ‘a la mode’)  | 
|
| 22 | L | OGLER | He may cast amorous glances, at first looking on girlfriend’s lovely effeminate rear (5) / first letters of ‘[L]ooking On Girlfriend’s Lovely Effeminate Rear’  | 
|
| 23 | L | CANDOR | Perhaps Obama’s frankness can defeat Rand Paul’s extreme points (6) / CAN + DO (defeat) + R[L] (extreme letters of ‘Rand pauL’)  | 
|
| 25 | Y | PEAG | Shell money in Peru colourful, in retrospect (4) / PE (Peru) + [Y]AG (gay, colourful, in retrospect)  | 
|
| 26 | N | AIRLINE | Glaswegian’s iron railway – one is owned by Richard Branson (7) / AIR[N] (Scottish, or Glaswegian, for iron) + LINE (railway)  | 
|
| 28 | E | ANIL | Australian river plant (4) / A (Australian) + NIL[E] (river)  | 
|
| 30 | E | STIBIUM | Bitumen is ground with Nitrogen extracted to produce antimony (7) / anag, i.e. ground, of BITUM[E](N) IS, without N – Nitrogen)  | 
|
| 31 | D | COLUMNATED | Like some old temples of St Columba, lacking soul and old-fashioned (10) / COLUM(BA)N (of St Columba, lacking BA – soul) + [D]ATED  | 
|
| 32 | T | SINE | Without knight in position (4) / SI[T]_E (position) around N (knight, chess)  | 
|
| 33 | O | EXHUME | Again mention former residence outside university (6) / EX (former) + H[O]_ME (residence) around (outside of) U (university)  | 
|
| DOWN – conventional order) | ||||
| Clue No | Extra Letter | Solution | Clue / Logic/Parsing (extra letter in [s]quare brackets)  | 
|
| 1 | Y | WHIPPET | Speedy tank driver with sense of duty? One’s not shown (7) / WHIP (driver, or coachman) + P(I)ET[Y] (sense of duty, without I, one)  | 
|
| 2 | O | HALO | Husband mostly reserved, showing ideal glory (4) / H (husband) + ALO[O](F) (mostly aloof, or reserved)  | 
|
| 3 | U | EECH | Bard’s to augment revenue, alternately, with church (4) / EE[U] (alternate letters of ‘rEvEnUe’ + CH (church)  | 
|
| 4 | L | EGER | Bore on… very nearly an age! (4) / [L]EG (on, the ‘on’ side in cricket) + ER(A) (nearly an age)  | 
|
| 5 | L | DECIDUA | What’s discharged after giving birth to twin after December 1? (7) / DEC I (1st of December) + DUA[L] (twin)  | 
|
| 6 | K | FOOLISH | Battered fish look silly (7) / anag, i.e. silly, of FISH LOO[K]  | 
|
| 7 | N | UNREWARDING | Dull sister artist’s recalled in gallery’s entrance (11) / [N]UN (sister) + REWARD (drawer, or artist, recalled) + IN + G (first letter, or entrance,of Gallery)  | 
|
| 8 | O | TAMISE | Thin fabric for a payment given to a king, once (6) / T[O] (for) + A + MISE (payment made to a new king, once)  | 
|
| 10 | W | OSCILLATION | Crazy actions over will bringing regular instability (11) / anag, i.e. crazy, of ACTIONS + O (over) + [W]ILL  | 
|
| 11 | H | DRAM | Maybe have a whisky and hock after drive (4) / DR (drive) + [H]AM (hock)  | 
|
| 13 | O | PIGEON | Dirty fellow and Eastern Beatles wife’s affair (6) / PIG (dirty fellow) + E (Eastern) + ON[O] (Yoko Ono, Beatle’s – John Lennon’s – wife)  | 
|
| 15 | W | ONAGER | Secured advanced German siege engine (6) / [W]ON (secured) + A (advancd) + GER (German)  | 
|
| 19 | T | LEGIBLE | The French returning large half of letter that’s easy to read (7) / LE (definite article, in French) + GIB (big, large, returning) + LE[T] (half of LETter)  | 
|
| 20 | O | URANIUM | Element discovered by German or French braincase having removed carbon (7) / [O]U (ou, ‘or’ in French) + (C)RANIUM (brain case, with C – carbon – removed)  | 
|
| 21 | F | PRELUDE | Introduction to unusual penny dreadful Danny curiously overlooked (7) / anag, i.e. unusual, of PE(NNY) DRE(AD)[F]UL with the letters of DANNY overlooked  | 
|
| 22 | I | OPUSES | Old Greek character once observes compositions (6) / O (old) + P[I] (Greek character) + USES (observes, archaic, or once)  | 
|
| 24 | N | ARUM | Titan perhaps in North America – strange! (4) / [N]A (North America) + RUM (strange)  | 
|
| 27 | D | FUME | Give off not entirely enjoyable medicine (4) / FU(N) (not entirely fun, or enjoyable) + ME[D] (medicine)  | 
|
| 28 | M | AYAH | Old maid’s expression of surprise seeing another maid (4) / [M]AY (archaic/poetic word for ‘maid’) + AH (expression of surprise)  | 
|
| 29 | E | IDEM | I think the same (4) / I + DE[E]M (think)  | 
|

Thanks for the blog, mc, and the congratulations on passing another double zero erial number. Just to clarify that this was not one of my own puzzles; I wish I still had a) time to set thematic puzzles, and b) space in the schedule in which to publish them!
Oops…confusing Jaguar with Samuel … have adjusted my intro…
I’ll take being confused with Samuel any day! Unfortunately, the last part of his post could just as well be mine, as I’ve not found time to put a setter’s hat on for the last year or so, now. Ah, well.
This one probably took less time to write than it should have done. Apparently the theme was a little more obscure than I’d realised (I first came across it when my High School put on a production, and since then it’s stuck in my head), so perhaps a few more hints dotted through the clues or final grid would not have gone amiss. The link between the third and fourth couplet of the song and the clue arrangement is meant to be that the clue numbers aren’t given (“won’t say where I’m going”) and the order of their presentation isn’t given explicitly either (“or where I’m coming from”) — so a jigsaw seemed justified, although perhaps it’s a little tenuous in retrospect. Never mind — apparently, a fair number of people enjoyed it and that’s the main thing.
Bugsy Malone’s quite a good film, mildly entertaining at any rate, and perhaps it will inspire a few people to watch it who hadn’t before. Glad to have picked up an important milestone in the EV series as well. Long may it continue!