Punk has favoured us with a delightful little crossword today. Just right for a daily cryptic. He has another incarnation, as Mudd in the FT, and I once posted on the blog of one of his puzzles to say that we don’t always appreciate how good he is. This crossword does nothing to change my view.
Definitions underlined, in maroon.
At a cursory glance I counted eleven clues that are connected with horses. But my suspicion is that this isn’t all.
Across | ||
8 | DERRIÈRES | Riders e’er reckless as those upon the saddle? (9) |
(Riders e’er)* | ||
10 | GHANA | Horse caught by a horse back in the country (5) |
h in (a nag)rev. | ||
11 | INCOG | Characters at the back in Saudi Arabian music video twerking under assumed names (5) |
{Saud}i {Arabia}n {musi}c {vide}o {twerkin}g | ||
12 | PRESIDENT | Commander in chief available to embrace Independence Day, for starters (9) |
pres(I D)ent — ‘commander in chief’ seems a bit strong: there are plenty of presidents of organisations who are not commanders-in-chief so I should have thought a ‘perhaps’ or something like that was necessary | ||
13 | THIRSTY | Figure drinking first of sherries, dry (7) |
thir(s{herries})ty | ||
15 | DIORAMA | Little scene, as Christian priest drops cap (7) |
Dior [as in Christian Dior] {l}ama | ||
17 | HAGGARD | Rider, evidently weary? Difficult to grip a horse (7) |
I think it’s one definition and then two bits of wordplay: evidently weary, ‘evidently’ I suppose because to look haggard is the result of being weary; and h(a gg)ard | ||
19 | PANACHE | Style required long past eternal youth (7) |
Pan ache. the ‘past’ indicating that it comes second | ||
21 | MEDULLA | Punk on grey with a bit of a brain (7) |
me dull a — Punk is the setter of this crossword, the writer | ||
23 | PIEBALD | Horse able to manoeuvre during swim, doing the backstroke? (7) |
(able)* in (dip)rev. | ||
25 | CELESTIAL | Divine end to piece captured by a cellist in rhapsody (9) |
{piec}e in (a cellist)*, the anagram indicated by ‘in rhapsody’ | ||
27 | WAGON | Continue to shake as a carriage (5) |
wag on — go on wagging | ||
28 | OBAMA | Old US state, not in the style of 12 (5) |
o {Ala}bama — 12 = PRESIDENT | ||
29 | See 26 Down | |
Down | ||
1 | ADRIFT | Notice split is wide of the mark (6) |
ad [= notice] rift [= split] | ||
2 | CRACKING | Breaking up is great (8) |
2 defs | ||
3 | WING | Hen bit some sparrow in garden (4) |
Hidden in sparroW IN Garden — a wing is a bit of a hen | ||
4 | TROPHY | Old war horse’s place to claim local prize (6) |
Tro(PH)y — the old war horse’s place is Troy, it being the Trojan horse | ||
5 | UGLI | Fruit far from a peach, we hear? (4) |
“ugly” — far from beautiful | ||
6 | FAVELA | Preferred US city, seeing Brazilian shantytown (6) |
fave LA | ||
7 | RAG TRADE | Selling of clothes, classic in fashion (3,5) |
rag(trad)e | ||
9 | SPEED UP | Drugs at an increased level, put your foot down (5,2) |
speed [= drugs] up [= at an increased level] | ||
14 | SNAIL | L’Escargot caught up by Italian stallion (5) |
Hidden reversed in ItaLIAN Stallion — escargot is the French for snail | ||
16 | OUNCE | Cat in Australia, briefly? (5) |
Australia briefly is Oz, and oz. is short for ounce | ||
17 | HAM ACTOR | Player ideally taken off – or a match abandoned? (3,5) |
(or a match)* | ||
18 | DIARIST | Frank, perhaps, in frightful joint, loosely speaking? (7) |
“dire wrist” — Frank Harris was a writer most famous for his sexually-explicit diary My Life and Loves — it looks as if the policy here is to say ‘perhaps’ when it’s a first name (as here) but not when it’s a second name (as in ‘Christian’ in 15ac) — I’m not sure why or whether this is the universally approved system | ||
20 | CHARGERS | Horses caught Shergar far from stable (8) |
c (Shergar)* — the anagram indicated by ‘far from stable’ | ||
22 | DALLAS | Everyone breaking down upset, in US city (6) |
all in (sad)rev. — ‘breaking’ the inclusion indicator, ‘upset’ the reversal i. | ||
23 | PULLET | Chicken – don’t push it through one’s ears! (6) |
“pull it” — the homonym indicated by ‘through one’s ears’ — if you don’t push it you pull it | ||
24 | DANCER | European houses chuffed at first with Russian principal in Nijinsky, perhaps? (6) |
Dan(c{huffed})e R{ussian} — ‘houses’ a verb, the containment indicator — Nijinsky wasn’t just a horse | ||
26/29 | STAY THE COURSE | Chasers out, yet to beat Never Say Die (4,3,6) |
(Chasers out yet)* | ||
27 | WHOA | Wild horse overly accelerating initially – stop! (4) |
W{ild} h{orse} o{verly} a{ccelerating} |
*anagram
I suspect the 18d diarist is Anne Frank
17a is the author Rider HAGGARD, “King Solomon’s Mines”, “She”…
I agree with commenters 1 and 2 as to the writers Punk wanted us to remember.
A splendid crossword with lots to smile at so thank you to Punk and John
Thanks John and Punk
For 2d I initially had SMASHING.
Not as tricky as Picaroon in today’s Graun, but every bit as enjoyable (and that’s saying something)
Thanks to Punk and John
Just about right for me, this one. I agree about Frank and Haggard (the latter an author I seem to have quite a few books by).
I had a go at this after reading John’s preamble, glad I did. Very enjoyable. I could not explain OUNCE, and I am kicking myself now. Australia = OZ, of course!
Thanks to John and Punk.
17d: ‘Ham Actor’ is also an anagram (indicated by abandoned) of ‘or a match’