An Azed competition puzzle this week – one of his ‘Right and Left’ offerings where each written clue is formed of two clues side by side without telling you which yields an answer in the right of the grid and which yields an answer in the left.
Clearly the numbering in the printed grid was wrong but it wasn’t a difficult task to renumber it correctly.
The preamble stated “Apart from 1 Across, which is normal, each clue is really two clues, side by side but not overlapping, the answers to which are to be entered in the two similarly numbered spaces in the diagram, either side of the central bold line. Either word may be clued first, and the division is not necessarily marked by punctuation. Solvers must determine which goes where. The individual clues forming part of each double clue may not make much sense.’
I got half of 1 Across very quickly where DOUBLE was obviously going to from part of the answer. For a while though I was hung up on the entry being an anagram of DUBONNET, L for large and something else. Eventually the penny dropped.
I made good progress on what I assumed was the NW corner but didn’t enter it all until I was satisfied that 1 Across began with DOUBLE rather than ended with DOUBLE.
I thought the clues were generally easier than normal, for an Azed puzzle, but I think that’s often the case with puzzles that aren’t plain.
The only clue I can’t really parse is the final one for ANGRY at 14 Down Right. It looks like an anagram of GRAIN excluding I plus Y but I can’t see how it all fits together. I look forward to being told I’ve missed something more obvious.
As ever with a competition puzzle, there was an entry, or in this special case, two entries clued only by definition.
The final grid looked like this:
| Across | |||||
|---|---|---|---|---|---|
| No. | Clue | Wordplay | Entry | ||
| 1
|
I’ll have a large one, with a dash of Dubonnet, like the rest here (12)
|
DOUBLE FOR ME (I’ll have a large one) + D (first letter of [hint of] DUBONNET)
DOUBLEFORME D |
DOUBLE-FORMED (having or combining two forms, or in this case ,two clues as are all the remaining clues [the rest])
|
||
| 6 | After hitch wealthy endlessly flourish flower aloft in procession? (6,6) | ||||
| 6L
|
After hitch wealthy endlessly flourish (6)
|
RUB (impediment; hitch) + RICH (wealthy) excluding the final letter (endlessly) H
RUB RIC |
RUBRIC (flourish after a signature)
|
||
| 6R
|
Flower aloft in procession? (6)
|
UP (aloft) contained in (in) LINE (procession)
L (UP) INE |
LUPINE (variant spelling of LUPIN [flowering plant])
|
||
| 7 | Ivy delivering song that includes a line writer set in cunning bit of old France (6,6) | ||||
| 7L
|
Writer set in cunning bit of old France (6)
|
PEN (instrument used for writing; writer) contained in (in) ART (cunning)
AR (PEN) T |
ARPENT (an old French measure for land (still used in Quebec and Louisiana) varying from about 50 to 35 ares [11/4 acres to 5/6 of an acre]; a bit of old France)
|
||
| 7R
|
Ivy delivering song that includes a line (6)
|
ARIA (song) containing (that includes) A + L [line])
AR (A L) IA |
ARALIA (a plant of the ARALIA genus of the ivy family,
|
||
| 8 | Wine festival coming round mum’s holding poster – very little attention about that for a month (6,6) | ||||
| 8L
|
Wine festival coming round mum’s holding (6)
|
MA (mother) containing (holding) GALA (festival) reversed (coming round)
M (ALAG<) A |
MALAGA (sweet dessert wine made from partially-dried grapes, from MALAGA, in Southern Spain.
|
||
| 8R
|
Poster – very little attention about that for a month (6)
|
(V [very] + EAR [attention]) containing (about) AD (advertisement; poster)
V E (AD) AR |
VEADAR (an intercalary month in the Jewish calendar, following Adar in embolismic years)
|
||
| 10 | Cone-shaped wild alpine acacia, sturdy, Jock’s set on one side (6,6) | ||||
| 10L
|
Acacia, sturdy, Jock’s set on one side (6)
|
GID (sturdy) + JEE (Scottish [Jock’s] word for ‘to set on one side’)
GID JEE |
GIDJEE (variant spelling of GIDGEE [small acacia tree])
|
||
| 10R
|
Cone-shaped wild alpine (6)
|
Anagram of (wild) ALPINE
PINEAL* |
PINEAL (shaped like a pine cone)
|
||
| 11 | Objects of lust for satyr, say (extra-large round stomach), going off satyr that’s dissolute but filled with energy (6,6) | ||||
| 11L
|
Objects of lust for satyr, say (extra-large round stomach), (6) | OS (outsize; extra large) containing (round) READ (ruminant’s fourth stomach)
O (READ) S |
OREADS (mountain nymphs who could well be objects of lust for a satyr [a very lecherous man]; satyr also defines a Greek god of the woodland)
|
||
| 11R |
Going off satyr that’s dissolute but filled with energy (6)
|
Anagram of (that’s dissolute) SATYR containing filled with) E (energy)
R (E) ASTY* |
REASTY (rancid; going off)
|
||
| 15* | Impudent; dull (6,6) | ||||
| 15L* | Dull (6)
|
No wordplay as these are the definition only clues for use in the competition.
|
MOPISH (dull)
|
||
| 15R* |
Impudent(6)
|
No wordplay as these are the definition only clues for use in the competition.
|
BRAZEN (impudent)
|
||
| 16 | Some tough footwear, black, variation from type I noted in a clique making short outdoor excursion (6,6) | ||||
| 16L
|
Some tough footwear, black, variation from type (6)
|
B (black) + ROGUE (variation from type)
B ROGUE |
BROGUE (stout shoe)
|
||
| 16R
|
I noted in a clique making short outdoor excursion (6)
|
I contained in (noted in) (A + RING [clique; especially one organised to control the market)
A (I) RING |
AIRING (short outdoor excursion in the open AIR))
|
||
| 17 | Superlatively rich, but not No. 1? Manifest approach going round court is something very sweet (6,6) | ||||
| 17L
|
Superlatively rich, but not No. 1? Manifest (6)
|
FATTEST (most [superlatively] rich) excluding the first letter [not No. 1] F)
ATTEST |
ATTEST (manifest)
|
||
| 17R
|
Approach going round court is something very sweet (6)
|
NEAR (approach) containing (going round) CT (court)
NE (CT) AR |
NECTAR (anything very sweet or pleasant)
|
||
| 18 | What sounds like heaven, for some yucky hell, that includes yen for a cluster of stars (6,6) | ||||
| 18L
|
Hell, that includes yen for a cluster of stars (6)
|
HADES (underworld; hell) containing (that includes) Y (symbol for YEN, the Japanese currency)
H (Y) ADES |
HYADES (cluster of five stars in the constellation of the Bull, supposed by the ancients to bring rain when they rose with the sun)
|
||
| 18R
|
What sounds like heaven, for some yucky (6)
|
GLAURY (sounds like [what sounds like] GLORY [heaven])
GLAURY |
GLAURY (like a mire; unpleasantly messy; yucky)
|
||
| Down | |||||
| 1 | Strong gents maybe with a special style play ace after a tipple (5,5) | ||||
| 1L
|
Play ace after a tipple (5)
|
DRAM (tipple) + A
DRAM A |
DRAMA (play)
|
||
| 1R
|
Strong gents maybe with a special style (5)
|
F (forte; strong) + LAV (toilet; e.g. Gents) + A
F LAV A |
FLAVA (special style)
|
||
| 2 | Monsieur’s OK after swallowing most of unusual poisonous plant charm, accepting old-style practice for buck? (6,6) | ||||
| 2L
|
Monsieur’s OK after swallowing most of unusual poisonous plant (6)
|
OUI (French [Monsieur] for yes [OK]) containing (swallowing) RARE [unusual] excluding the last letter (mostly) E
OU (RAR) I |
OURARI (variant spelling of WOURARI [the plant yielding curare [paralysing poison]; poisonous plant)
|
||
| 2R
|
Charm, accepting old-style practice for buck? (6)
|
OBI (fetish or charm) containing (accepting) URE (obsolete [old style] word for use or practice)
O (URE) BI |
OUREBI (variant spelling of ORIBI [small S African antelope, the palebuck.])
|
||
| 3 | Quality of some beers? Stupid after switching a couple Mad Jake opens excellent Scotch? Hard to say (8,8) | ||||
| 3L
|
Mad Jake opens excellent Scotch? Hard to say (8)
|
Anagram of (mad) JAKE contained in (opens) BRAW (Scottish word for excellent)
BR (EAKJ*) AW |
BREAK-JAW (very difficult to pronounce accurately)
|
||
| 3R
|
Quality of some beers? Stupid after switching a couple (8)
|
MINDLESS (stupid) with the N and the L replacing each other (switching a couple [of letters])
MILDNESS |
MILDNESS (descriptive of the quality of some ales)
|
||
| 4 | Ace in twiddling computer applied to moor sailing yacht – it’s berthed there (5,5) | ||||
| 4L
|
Applied to moor sailing yacht – it’s berthed there (5)
|
LINGY (hidden word in [it’s berthed there] SAILING YACHT)
LINGY |
LINGY (heathery; descriptive of some moorland)
|
||
| 4R
|
Ace in twiddling computer (5)
|
Anagram of (twiddling) ACE IN
ENIAC* |
ENIAC (an early American electronic computer)
|
||
| 5 | See cats ailing: more than one stretching abnormally died prematurely, number interred secretly (7,7) | ||||
| 5L
|
See cats ailing: more than one stretching abnormally (5)
|
Anagram of (ailing) SEE CATS
ECTASES* |
ECTASES (plural of [more than one] ECTASIS [a medical term for abnormal stretching])
|
||
| 5R
|
Died prematurely, number interred secretly (7)
|
D [died] + (N [number] contained in [interred] EARLY [prematurely])
D EAR (N) LY |
DEARNLY (secretly)
|
||
| 9 | One continent wherein I must yield to sort of discharge in dropsy spreading horribly as toe-pad works without attribution (8,8) | ||||
| 9L
|
Horribly as toe-pad works without attribution (8)
|
Anagram of (horribly) AS TOE-PAD
ADESPOTA* |
ADESPOTA (anonymous works; works without attribution)
|
||
| 9R
|
One continent wherein I must yield to sort of discharge in dropsy spreading (8)
|
AN (one) + (ARC [type of discharge] contained in [in] ASIA [continent] excluding [must yield] I)
AN AS (ARC) A |
ANASARCA (diffused dropsy in the skin and subcutaneous tissue; dropsy spreading)
|
||
| 10 | Exploratory rod present with old gold coin close friend in bog pool brought up: boom, fantastic (7,7) | ||||
| 10L
|
Close friend in bog pool brought up: boom, fantastic (7)
|
Anagram of (fantastic) BOOM contained in (in) HAG (pool in a bog) reversed (brought up)
G (OOMB*) AH< |
GOOMBAH (associate or close friend)
|
||
| 10R
|
Exploratory rod present with old gold coin (7)
|
PR (present) + OBANG (old Japanese oblong gold coin)
|
PROBANG (slender flexible rod, tipped with a sponge or button, for passing down the throat and into the oesophagus, in order to apply medication or remove an obstruction; exploratory rod)
|
||
| 12 | Sailor holding bird in palm is American in case of Delaware neglect (6,6) | ||||
| 12L | Is American in case of Delaware neglect (6)
|
(IS + US [American]) contained in (in case of) DE (abbreviation for the State of Delaware) )
D (IS US) E |
DISUSE (neglect)
|
||
| 12R |
Sailor holding bird in palm (6)
|
TAR (sailor) containing (holding) HEN (bird)
T (HEN) AR |
THENAR (palm)
|
||
| 13 | Love before lesson coming up in college maybe fortified (like drink) piano tyro, unsteady (5,5) | ||||
| 13L
|
Fortified (like drink) piano tyro, unsteady (5)
|
Anagram of (unsteady) (P [piano] and TYRO)
PORTY* |
PORTY (of the nature, taste or colour of port [fortified wine])
|
||
| 13R
|
Love before lesson coming up in college maybe (5)
|
O (zero; love score in tennis) + LEIR (lesson) reversed (coming up; down clue)
O RIEL< |
ORIEL (reference ORIEL College, Oxford University)
|
||
| 14 | Appetizers wife heated with special grain unspecified one consumes heated (5,5) | ||||
| 14L
|
Appetizers wife heated with special (5)
|
W (wife) + HET (dialect past tense of hot; heated) + S (special)
|
WHETS (appetizers)
|
||
| 14R |
Grain unspecified one consumes heated (5) |
I don’t really understand how the wordplay works here. It looks like an anagram of GRAIN excluding I [one] + Y (an unspecified or yet to be ascertained value) but I’m not clear what the anagram indicator is (heated, doing double duty?) or how I is excluded (consumes?)
ANGR* Y |
ANGRY (heated) | ||

Thanks for the blog, duncanshiell.
In 14R, grain=GR and unspecified one=ANY.
I thought I would be able to cope with the mismatch in the numbering if I wrote the two numbers from the grid next to each clue, but I found myself reading at a number in the grid and looking for the same number in the printed clue numbers more often than not.
I parsed 14d right as GR for grain inside ANY, as in press any key.
It took me a while to get 1ac, and the first few clues I got were all at the bottom of the grid. My strategy was to find the pdf of the grid online and print it off. I then started filling that in so if when I got 1ac it was the wrong way round, I could go back to the grid in the paper. As luck would have it, I chose the right way round at my first guess and completed it all just before the Superbowl was due to start.
Matthew@1: Snap.
Thanks, Duncan. Totally agree with you about the numeration not being a big problem. I thought too much was made of it by one or two. I note a misprint in your grid solution at ‘9’ down. ENIAV for ENIAC. For ANGRY I take that to be simply ‘gr in any’. Perhaps a comma after ‘grain’ has been overlooked.
Bob Sharkey @4 – “I thought too much was made of it by one or two”. Presumably that refers to online commenters’ complaints (which I haven’t seen), but I do think it’s a poor show that Azed seems to be treated too cavalierly by the Guardian/Observer site. Hardened setters would have sussed the errors out fairly quickly, but how many people new to Azed would have been put off? This was a comparatively friendly competition puzzle by Azed standards, and it’s unfortunate that it was mistranslated.
Agree with Michael @5. Could not put it better.
Thanks Azed and Duncan
I took the parsing of 12L down slightly differently, taking “case of” to mean “first and last letters of” rather than being part of the inclusion indicator. Either interpretation works with Delaware.
I definitely am among the one or two who made much of the wrong numbering, and I agree entirely with Michael at #5. I used the same approach as Matthew at #1 and this helped, though like him I found myself distracted by the printed numbers. Still, the puzzle was very enjoyable and the clues were not as hard as they have been in recent plain puzzles. Probably that was deliberate.
I saw “case of” as setter-speak for “outer letters of” in 12 L, though as has been pointed out, both interpretations work here.
According to today’s paper, the competition deadline has been extended a week.
I wondered whether what actually happened was that someone at The Observer was trying to be helpful – ‘This one’s been numbered funny – I’ll just put it right’ sort of thing.
Phi, that’s exactly what I assumed happened.
I’m reminded of the message the composer Charles Ives is supposed to have sent to his copyist. “Please don’t correct my wrong notes. The wrong notes are the right notes.”
My guess is that it wasn’t some misguided keenie at the Observer who caused the wrong numbering, but that the numbers were automatically computer-generated as for a normal puzzle and nobody noticed.
@12 ‘my guess’ – it can be fun to keep guessing, but is there a chance that somebody at the paper might tell us? Does Azed himself know how these things happen?