Delivery by Eclogue
The delivery of the definition in each clue has lost a letter which solvers should reinstate prior to solving. In clue order, these letters spell out samples of work created by 9.The unclued 23 and 29 are the recipients of a delivery also created by 9. In the completed grid, solvers should highlight the items ordered, the carrier and what was actually delivered (23 cells in total). One plural is verified by the SOED.
A bitter-sweet puzzle for me. In order to keep the negativity to a minimum I’ll concentrate on the sweet.
I don’t remember seeing extra letters generated in this way before and I enjoyed the challenge. Though I did wonder about the word “delivery” in the preamble – presumably just there to tie in with the title.
I started the puzzle on Sunday afternoon on the Cairnryan to Belfast ferry and managed to get about a third of the way through. All settled at home and dog cuddled (and cuddled again, and again and again) by about 8pm I attacked it some more and had it mostly finished by bedtime.
First to fall was 37a due largely to misreading “sage” as “stage” – a happy accident. As the grid began to fill, I could see the makings of VICTOR in 9d so I set my unreliable memory on a hunt for famous Victors. Then the first few generated letters began to look like PAT AND MARGARET. I had never heard of Pat and Margaret but while typing “PAT MARGARET VICTOR” into a famous search engine, it suggested VICTORIA WOOD. Another search, this time for “VICTORIA WOOD DELIVERY” revealed Victoria Wood as seen on TV and a sketch about delivering two bowls of soup. Eventually the extra letters generated PAT AND MARGARET, ACORN ANTIQUES, DINNERLADIES, none of which I’ve ever seen.
Now, here’s the bitter part 🙁 I was never a very big Victoria Wood fan and, even having watched the sketch (for this blog) it fails to amuse me. I could go on but let’s leave it at that.
The essence of the sketch is that some doddery waitress eventually takes orders for TWO SOUPS (a1-d1, a2-d2) and, having spilled the contents, delivers TWO BOWLS (f11-k11, f12-k12). The waitress is played by Julie WALTERS (d3-j9). Finally, the recipients of the delivery were played by Celia IMRIE and Duncan PRESTON.
Back to the sweet, some nice obscure clues which were a challenge to solve but ultimately satisfying. The two I had most trouble with were 26a and 27d.
An enjoyable puzzle and I’m sure that it will bring smiles to the faces of some solvers. Thanks very much to Eclogue.
Across |
|||
Clue |
Entry |
Extra letter |
Wordplay |
1 [p]Airs anything local over seventy (4) |
TWOS | P |
OWT (anything; local)+Seventy |
4 W[a]its once advanced office (6) |
AGENTS | A |
Advanced+GENTS (office [as in toilet]) |
10 Completely taken in by large [t]apes in Glasgow (4) |
OUPS | T |
UP (completely) inside OS (outsize: large) |
12 C[a]rib’s source of poison settled briefly after period failed to start (6) |
OURALI | A |
hOUR (period; failed to start) + ALIt (settled; briefly) |
13 More than one ble[n]d, bishop regrets, according to Edmund (5) |
BREWS | N |
Bishop+REWS (rues according to Edmund [Spenser]) |
14 Unsettle[d] defector in fine surroundings (7) |
ERRATIC | D |
RAT (defector) inside ERIC (fine) |
15 Intrinsically, Yoruba allowed in fusion of [m]any gods? (4) |
BAAL | M |
yoruBA ALlowed (hidden: intrinsically) |
16 Old p[a]late fiddles time (4) | GUST | A |
GUS (fiddles)+Time |
17 Ma[r]ine organ’s drawing several into Church (5) |
CTENE | R |
TEN (several) inside CE (church) |
18 Soldiers’ doctor din[g]es in East London (5) |
GISMO | G |
GIS (soldiers)+MO (doctor) |
19 Group that breaks [a]way, way outside of city (4) |
SECT | A |
STreet (way) surrounding UR (city) |
22 Compound tinged like live[r] power in helium and argon (5) |
HEPAR | R |
Power inside HElium and ARgon |
24 Pointer is out (not in) for [e]lector (5) |
OPTER | E |
POinTER (not IN; anag: out) |
26 [t]Ait where hot meal is served upon return (4) |
HAET | T |
Hot+TEA (meal; rev: served upon return) Though I can’t work out the definition. TAIT (maybe??) |
28 B[a]ring all undies off with second to spare (5) |
NUDIES | A |
UNDIEs (Second spare; anag: off) |
31 Divinity in [c]old regions, mist almost always in the north rolling back (5) |
FREYA | C |
FREt (mist; almost)+AY (always [northern]; rev: rolling back) |
32 Antique to[o] time working (4) |
ITEM | O |
ITEM (anag: working) |
33 Ta[r]o, for instance, old principles to assist righteous universal mankind (4) |
ARUM | R |
Assist+Righteous+Universal+Mankind (first letters) |
34 She may cha[n]t very softly, organised with leader of orchestra (7) |
SOPRANO | N |
SO (very)+P (softly)+RAN (organized)+Orchestra (leader) |
35 By which something may be sh[a]red in court yielding power to queen (5) |
RATIO | A |
pATIO (court) R (queen) replaces Power |
36 One measuring spa[n]s? First to follow traditional Indian medicine (6) |
TIMIST | N |
TIM (Traditional Indian Medicine) IST (1ST: first) |
37 S[t]age name of rocker, name inscribed in endless tome (4) |
BONO | T |
BOOk (tome) containing Name |
38 What’s occupying depression? Shr[i]ek! (6) |
BEHOWL | I |
EH (what?) inside BOWL (depression) |
39 Do this to [q]ATS to promote tea production perhaps – ends badly! (4) |
SNED | Q |
ENDS (anag: badly) |
Down |
|||
Clue |
Entry |
Extra letter |
Wordplay |
1 Providers of sno[u]t? Basic cot’s awash with it! (12) |
TOBACCONISTS | U |
BASIC+COT+SNOT (anag: awash) |
2 Large tub[e]s of meat in Berlin streets after most of freezing time (6) |
WURSTS | E |
WÜRm (freezing time)+STS (streets) |
3 Work space awareness pr ogramme gives free[s]t (7) |
OPENEST | S |
OP (work)+EN (space)+EST (awareness programme) |
4 These are like [d]iota handles, helping to make Romans aesthetic? (5) |
ANSAE | D |
romANS AEsthetic (hidden: helping to make) |
5 Qua[i]nt peers changing roles (5) |
EORLS | I |
ROLES (anag: changing) |
6 Feature of Mediterranean la[n]d possibly – after roll up starts to appreciate great Havana experience (7) |
NURAGHE | N |
RUN (roll; rev: up)+Appreciate+Great+Havana+Experience (starts to) |
7 Auricular [n]odes, mostly very sad (5) |
TRAGI | N |
TRAGIc (very sad; mostly) |
8 Plant belonging to mir[e] where one liberal lives with mother (6) |
ALISMA | E |
A (one)+Liberal+IS (lives)+MA (mother) |
9 See preamble (12, 2 words) |
VICTORIA WOOD | ||
11 A[r]ran’s swimmer to close on champion (6) |
SEALCH | R |
SEAL (close)+CHampion |
20 East Midlands be[l]t before with dust (7) |
EREWASH | L |
ERE (before)+With+ASH (dust) |
21 A bishop restrained by rope is to be [a]verse in The Scotsman (6) |
TARROW | A |
A+RR (bishop) inside TOW (rope) |
23 See preamble (7) | PRESTON | ||
25 Soup, it could be what’s used to daub [d]elf? (6) |
PUTOIS | D |
SOUP IT (anag: could be) |
27 It may credit P[i]Cs with policy (6) |
BYLINE | I |
BY (with)+LINE (policy) |
29 See preamble (5) | IMRIE | ||
30 Production of Yul[e]? Social worker’s in chamber (5) |
PANTO | E |
PO (chamber [pot]) containing ANT (social worker) |
31 Hide mainly old compound[‘s] derived |
FUROL | S |
FUR (hide)+OLd (mainly) |
Apart from the bit about the ferry and google not deigning to lead me to the two soups, two bowls, your blog (for which thanks) pretty much reflects my own solve and thoughts.
Like kenmac I saw ‘Victor’ forming at 9d and tried to think of possible artists/authors/etc. that it could be. The penny dropped when I had IMRI- at 29 down and realising that would be Celia Imrie. From there I could fill in PRESTON and begin to look for phrases relating to soup.
I also struggled with 26a and entered it without fully understanding. I also made things more difficult for myself by entering SANTA at 30d and BRUES at 13a.
Very enjoyable, thanks Eclogue.
I could go on about this being yet another example of the dreary format we have been more and more subjected to over the last few years, namely extra or missing letters giving useful information, followed by “Only Connect” end games … but I won’t, mainly because I did love Acorn Antiques, and admired Victoria Wood … and so felt inspired to look for “Two Soups” on YouTube. My joy at then watching it was slightly tempered by the realisation that I now walk just like the waitress, and am just as clumsy.
I wondered why I couldn’t find the items delivered – I made a mess of 31d, and completely failed to spot the obvious. Oh well. 🙂 The rest I got without too much trouble, at least as far as these go, and found quite enjoyable. Thanks Eclogue also for reminding me of some comedy gold I’d long forgotten.
I think this puzzle may have been scheduled to coincide with the first anniversary of her death.
I liked Victoria Wood but was not familiar with her stuff(may have seen an ep of Dinner ladies-and maybe a chat with Clive James or someone)
so a real slog for me.So many obscure answers with rather tricky clues.I had to email a friend who is better at these things than me but we both agreed that it was like pulling teeth especially If you didnt know the sketch.
Whereas if it was “Four Candles”…..
Bravely blogged kemnac!
Like some others, I’m not a fan of slapstick. (Farce can be quite funny, but that’s not the same.) However, the sketch is fairly well-known and strongly associated with Victoria Wood.
nmsindy @5: yes, I too noticed that it was the first anniversary of her death.
As to the clue for HAET at 26a: Chambers gives
haet (Scot) = a whit = the smallest particle imaginable; the least bit;
and
tate or tait (Scot) = a small portion.
But I was a bit puzzled by EREWASH at 20d being described as a “belt” (in the East Midlands).
Thanks setter & blogger — I’d give the puzzle a solid three stars out of 5.
I didn’t realize that it was the first anniversary of VW‘s death.
Although I was never a fan, I remember being shocked when the news alert came through on my phone.
And, copmus @6: what do you want wiv ‘andles for forks? 😉
As someone who never (not deliberately) watched anything by VW, I didn’t have any idea of the theme. But enjoyed the challenge nevertheless.
Not sure about the “dreary format” comment (Murray @3). What format(s) would you prefer?
I’m surprised by some of the negative comments here, but each to their own. I understand Murray Glover’s concerns about the occasional lateral thinking leaps required to make connections in some puzzles between messages and hidden items, etc., but I don’t think that is a fair comment in this instance. While acknowledging that not everyone will be familiar with the sketch, the instructions seemed perfectly fair to me and the hidden words in the grid are all directly related to the theme. I felt that the endgame was on the more straightforward end of the scale.
A complete outlier here:
– found it quite easy, generally finding missing letters more obvious than extras etc
– was familiar with all the thematic material. My in was also the forename after oddly dallying with the surely less common “Hector” for a spell
– I replayed the sketch and very much enjoyed it
Horses for courses indeed! Thanks to the setter.
Well, well! What a load of negative killjoys you are (apart from Kippax and Trebor)! My wife and I loved Victoria Wood and I got the theme from IMR?? in 29D. I had recently watched the retrospectives on the BBC and saw the three titles quite early. I searched the diagonals for Walters, who had to be there somewhere, and found the Two Soups. my only quibble was the placing of the two bowls, which were unconnected to Imrie, Preston or Walters. Otherwise one of my favourite IQs.
Victoria Wood was one of the most innovative comediennes this country has ever produced, and wrote some stirring and funny sketches as well as some moving longer pieces. My thanks to Eclogue and to Kenmac for keeping his negativity to a minimum!
Enjoyed by me too. When I got the C in the right-hand column it was obviously going to be some Scot beginning with MAC, and when the first I followed it was obviously going to be MICHELANGELO, but after a couple more false trails I saw ACORN ANTIQUES in the letters below, remembered IMRIE’s frequent appearances in Victoria Wood shows, and started hunting through my books of VW sketches and playlets. No luck (either I don’t have the right book or this one wasn’t published), but web searches eventually led to the actual sketch on YouTube.
I had a terrible cold at the time, and “Providers of snot” in 1D seemed all too pointedly appropriate.
I’m with Hi oh Hihoba. I was really surprised to see such stonyfaced responses to what for me was a reminder of a very funny woman (and indeed Julie Walters who I’ve always been fond of). I suppose it’s a bit like how I feel when yet another Flanders and bloody Swann themed puzzle appears….
chesley@9. I just meant that we now seem to be having the vast majority of so-called “ultra-cryptics” requiring us to solve nearly every clue before we can understand an instruction and start meaningful grid-filling … and even when we’ve done that, we have to discover increasingly obscure connections between “thematic” items. Not only does it make these puzzles far more of a slog than some of us have time for, but it’s almost as if new solvers and new setters assume that this, and only this, is the required format for today’s “ultra-cryptics”.
I started doing Listeners in 1991 when the Times took them over, and Inquisitors in 2006, when a kind neighbour passed them on to me. In what I look back on as a Golden Age, we had staggeringly inventive puzzles by brilliant setters, such as Dimitry, Sabre and Arcturus. Answers pinged round grids like balls on a snooker table, grids converted into stealth bombers or maps of the UK, often codes and ciphers were used in both clues and answers, (including our old friend Playfair, from setters who had learned it during National Service ?) knights’ moves, circular puzzles … but, in all of them, you could work steadily through a series of PDMs to acquire the critical mass needed for final success. And we didn’t even have Google back then.
Of course crosswords, like language and everything else, evolve. (I have learned to keep quiet now when I hear “a criteria” or “a phenomena”.) If this is what today’s solvers enjoy, then so be it. You may well look back on TODAY as a Golden Age, in twenty years, Chesley. Panta rhei.
As it happens, “Delivery” was only a mild version of “hidden instruction/Only Connect”. As well as liking all Victoria Wood’s work, can I nail my colours to the mast and say how much I truly love Rising Damp, Reggie Perrin, Hi-de-Hi, Dad’s Army and MASH … the latter on every evening between 7.00 and 8.00 on Freeview Channel 61.
I enjoyed this, and it was good to be reminded of what a great sketch it is. And bravo to Eclogue for the use of a novel (to me at least) way of generating the extra letters. I always try to get away from the ‘extra letter in wordplay’ method, but nearly always fail miserably. It’s no mean feat to use it in every clue, and this approach was great.
I’m another one in the ‘Really enjoyed it’ camp! It’s the first one I’ve finished in a while, and I found it just the right side of challenging and infuriating. Many thanks to Eclogue
I also liked the way extra letters were generated; and I very much liked being ‘obliged’ to rewatch the sketch. As for the placement of the two bowls, it’s surely right that they are in between the two actors? Thanks to Eclogue and kenmac.
I enjoyed solving the clues but the rest of the puzzle passed me by completely. At least I knew of Victoria wood, and managed to insert her name OK. Just about everything else thematic I had not heard of at all. What comes from living most of my life without a TV set I suppose. No complaints, a fair puzzle, just not my bag as a theme really. Thanks all.