Chalicea is a fairly regular setter in the Inquisitor series. She last appeared at the end of November 2018
The preamble was fairly short: "Extra letters given by the wordplay of 21 clues, read in clue order, will help solvers discover what is to come". This must be one of the shortest and most comprehensible preambles we have had for a while.
I felt this puzzle was towards the easier end of the Inquisitor spectrum, but it serves as a good introduction for new solvers. The clues weren’t too difficult and the end game was clear.
Chalicea is fond of clues where the wordplay require the solver to extract or reject letters from words in the clues. I reckon some twenty of the forty-six clues used such a device.
The message from the twenty-one clues with an extra letter in the wordplay tells us to: READ FOURTH CLUE LETTERS
These letters spell out a further 46 letter message: SHADE THE FOUR STAGES IDENTIFIED BY THE UNCLUED PERSON
The unclued person in the grey shaded cells is ART LINKLETTER. I’m guessing the horizontal bars were inserted to show the name as three normal words within the grid. I understand that LINKLETTER (born July 17, 1912) is a Canadian-American radio and television personality and the former host of two of the longest-running shows in United States broadcast history: House Party, which ran on CBS radio and television for 25 years, and People Are Funny, on NBC radio-TV for 19 years. LINKLETTER was famous for interviewing children on House Party and Kids Say the Darndest Things, which led to a successful series of books quoting children
A little bit of research shows that LINKLETTER stated that the four stages of man are INFANCY, CHILDHOOD, ADOLESCENCE and OBSOLESCENCE. These can all be found in the grid in rows 1, 5, 8, 12. I guess we all start to become OBSOLESCENT once we have got through the ADOLESCENT stage. Some of us are a lot further down the road than others.
When solving the clues I wasn’t conscious that there had been some clever writing to get the fourth letters to spell out a long message, which indicates that the surface reading wasn’t strained to generate the required result
The filled grid, including all the highlighting is shown immediately below. Note I have highlighted the text rather than shade the cells to avoid two different colours of shading in column 6. After the grid, the meat of the blog shows the various messages derived from extra letters and fourth letters.
The title, TO COME, is fairly self explanatory.
| Across | |||||
|---|---|---|---|---|---|
| No. |
Clue |
Fourth letter | Wordplay |
Letter |
Entry |
| 1 | Goes nimbly over as do spiders (4) |
S |
NIPS (goes nimbly) reversed (over) SPIN< |
|
SPIN (spiders SPIN a web) |
| 5 | Without commitment in mismanaged fray with fencer (9) |
H |
Anagram of FRAY and FENCER FANCY-FREE* |
R |
FANCYFREE (free of responsibilities; without commitment) |
| 10 | Moraliser with hint of ardour destroyed book of heraldic devices (9) |
A |
Anagram of (destroyed) MORALISER and A (first letter of [hint of] ARDOUR) ARMORIALS* |
E |
ARMORIALS (books of coats of arms [heraldic devices]) |
| 13 | Wild, dirt-poor traitor (8) |
D |
Anagram of (wild) DIRT-POOR PRODITOR* |
|
PRODITOR (traitor) |
| 14 | Novelist from France recalled snakes (5) |
E |
SAGAN (reference Françoise SAGAN [1935 – 2004], French novelist and playwright) reversed (recalled) NAGAS< |
|
NAGAS (snakes) |
| 15 | Restore equipment! Royal Engineers formal command (5) |
T |
RE (Royal Engineers) + FIAT (formal or solemn command) RE FIT |
A |
REFIT (restore equipment) |
| 17 | Urchin substituted for another hapless lad heartlessly filched (8) |
H |
Anagram of (hapless) LAD excluding the middle letter (heartlessly) A and FILCHED ELFCHILD* |
D |
ELFCHILD (child supposed to have been left by elves in the place of one stolen by them; urchin substituted for another) |
| 20 | Outer garment principally hiding gourmet (5) |
E |
H (first letter of [principally] HIDING + FOODY H OODY |
F |
HOODY (HOODed jacket or sweatshirt; outer garment) |
| 22 | The former Malabar military caste, but once with a right (5) |
F |
NAY (archaic [once] for but) + A + R (right) NAY A R |
|
NAYAR (people of Kerala who were formerly a noble and military caste of the Malabar coast and who practised a peculiar system of polyandry and matriliny) |
| 24 | Ace old artificial language (3) |
O |
O (old) + NEO (artificial language launched by an Italian, Arturo Alfandari, in 1961) O NE |
O |
ONE (ace) |
| 25 | In Australia, most well-oiled organised kit in use (7) |
U |
Anagram (organised) KIT IN USE INKIEST* |
U |
INKIEST (Australian describing the drunkest [most well-oiled] person) |
| 27 | Sparingly now and then to an appreciable extent (3) |
R |
ANY (letters 3, 6 and 9 [now and then] of SPARINGLY) ANY |
|
ANY (to an appreciable extent) |
| 28 | First of dramatic actors’ parts, small portions (5) |
S |
D (first letter of [first of] DRAMATIC) + ROLES (actors’ parts) D OLES |
R |
DOLES (small portions)
|
| 31 | White pilgrim’s garment for starters it hides striking head (5) |
T |
IH (first letters [for starters] of each of IT and HIDES) + RAM I H RAM |
|
IHRAM (scanty white cotton garment worn by Muslim pilgrims to Mecca) |
| 33 | Scratched end of text on harbour entry rules, primarily, for business person (8) |
A |
TEXT excluding (scratched) the final letter (end of) TEXT + PORT (harbour) + ER (first letters of [primarily] of each of ENTRY and RULES) EX PORT E R |
T |
EXPORTER (example of a business person) |
| 35 | Disgust expressed without hesitation for thin soup (5) |
G |
BROTHER (expression of disgust) excluding (without) ER (expression of hesitation) BROTH |
|
BROTH (water in which vegetables and meat, etc have been boiled, used as soup; thin soup) |
| 38 | Freed according to old poet, reluctant when imprisoned (5) |
E |
AS (when) contained in (imprisoned) LOTH (reluctant) LO (AS) T |
H |
LOAST (Spenserian [according to old poet] word for loosened [freed]) |
| 39 | Oil source used by caterer (8) |
S |
Anagram of (used) BY CATERER TEABERRY* |
C |
TEABERRY (wintergreen [plant of the genus Pyrola, also of Chimaphila; a plant of the genus Gaultheria, whose oil (oil of wintergreen) is an aromatic stimulant, used in flavouring confectionery and in medicine) |
| 41 | Pupil once, without wife, sadly can easily at first become redundant (9) |
I |
OB (old boy of a school ore college; ex pupil …) + SOLE (… without [husband or] wife) + SCE (first letters of [at first] each of SADLY, CAN and EASILY) OB SOLE S C E |
|
OBSOLESCE (be in the process of going out of use; become redundant) |
| 42 | Leading event in series welcoming Lord’s drill formation (9, 2 words) |
D |
OPENER (first event in series) containing (welcoming) LORD OPE (OR D) ER |
L |
OPEN ORDER (spaced-out formation for drill, etc) |
| 43 | The English, according to Spenser, prosper (4) |
E |
THE + E (English) THE E |
|
THEE (Spenserian word for prosper) |
| Down | |||||
| 1 | Top-notchers who succeed or mess up calamitously (8) |
N |
Anagram of (calamitously) OR MESS UP SUPREMOS* |
|
SUPREMOS (leaders with unlimited powers) |
| 2 | Part of funeral ceremony virgin clasping body finally (4) |
T |
PURE (virgin) containing (clasping) Y (last letter of [finally] BODY) P (Y) RE |
U |
PYRE (pile of combustible material for burning a dead body; part of funeral ceremony in some countries) |
| 3 | In line of fire, error by striker (5) |
I |
IN-OFF (hidden word in [in] LINE OF FIRE) IN-OFF |
E |
INOFF (a stroke in which the cue ball falls into a pocket after striking another ball. In snooker, if it is the cue ball that goes into the pocket, then that is an error. There are other instances of snooker scoring, where, depending on the balls involved, then an IN-OFF is not an error. In billiards an IN-OFF with the cue ball generates a positive score) |
| 4 | The focal points of infections turning up in heart of bodies (4) |
F |
IN reversed (turning up; down clue) + DI (middle letters of [heart of] BODIES) NI< DI |
|
NIDI (focal points of infections) |
| 5 | Beliefs following revolutionary Shia with hint of tolerance involved (6) |
I |
F (following) + (T [first letter of {hint of} TOLERANCE] contained in [involved] SHIA reversed [revolutionary] ) F AI (T) HS< |
|
FAITHS (beliefs) |
| 6 | Free lodging for Lord once, regularly cool room and dry (6) |
E |
CORODY (letters 1, 3, 5, 7, 9 and 11 [regularly] of COOL ROOM DRY CORODY |
|
CORODY (originally [once] the right of the lord to claim free lodging from the vassal) |
| 7 | Are ducks fiction he’s come up with in Physics Unit (5) |
D |
YARN (fictional story) excluding (ducks) A (abbreviation for are representing an area) + HE reversed (come up; down clue) YRN EH< |
|
YRNEH (unit of reciprocal inductance; physics unit) |
| 8 | Outburst of horseplay by essentially show-offy fellow, dealer in waste cloth (8) |
B |
RAG (horseplay) + WO (central letters of [essentially] SHOW-OFFY) + MAN (fellow) RAG WO MAN |
|
RAGWOMAN (WOMAN who collects or deals in RAGs [waste cloth]) |
| 9 | Slay pursuing beginnings of enemy siege attempt (5) |
Y |
ES (first letters of each of [beginnings of] ENEMY and SIEGE) + SLAY E S SAY |
L |
ESSAY (attempt) |
| 11 | A tutor raising everything after a short time (5) |
T |
MO (moment; second; short time) + ALL (everything) reversed (raising; down clue) MO LLA< |
|
MOLLA (Muslim schoolmaster or teacher) |
| 12 | Fishy place and activity of performer and client (8, 2 words) |
H |
Anagram of (fishy) PLACE AND LAP DANCE* |
|
LAP DANCE (DANCE performed by a night-club stripper who comes very close to clients and sits briefly on their knees) |
| 16 | Gatekeeper‘s liquor (6) |
E |
PORTER (gatekeeper) PORTER |
|
PORTER (dark brown malt liquor) double definition |
| 18 | Group of murderers performing incomprehensibly sadly inspire not at all (8, 2 words) |
U |
LYNCH MOB, when formed as an anagram [sadly] with INSPIRE, and the superfluous E can form INCOMPREHENSIBLY*, so working backwards we have an anagram of [sadly] INCOMPREHENSIBLY excluding (not at all) INSPIRE will generate LYNCH MOB LYNCH MOB |
E |
LYNCH MOB (group of incensed or angry people who are intent on putting someone to death without due legal process) |
| 19 | Stinging organs producing a clamour raised in church (6) |
N |
(A + DIN [clamour] reversed [raised; down clue]) contained in [in] CE (Church of England) C (NID A)< E |
|
CNIDEA (nematocysts [stinging organs in jellyfishes]) |
| 21 | The cover for mechanism‘s organised storage space, not novel spot (8) |
C |
This clue is like the one at 18 down for LYNCH MOB where we have a compound anagram of the entry, GEAR CASE and SPOT Again working backwards, if we exclude (not) an anagram of (novel) SPOT from an anagram of [organised] STORAGE SPACE we can form GEAR CASE. GEAR CASE |
|
GEAR CASE (cover for a GEAR mechanism) |
| 23 | Spelled but not pronounced similarly, I crack once, it’s said (8) |
L |
EYE (sounds like [it’s said] I) + RHYME (sounds like [it’s said] RIME) [old word [once] for chink, fissure or crack) EYE RHYME |
|
EYERHYME (similarity of words in spelling but not in pronunciation) |
| 26 | See unexpectedly pest circling over yard (4) |
U |
Anagram of (circling) PEST + Y (yard) ESP* Y |
T |
ESPY (discover unexpectedly) |
| 29 | Fife‘s fits of hysterics occur, with ecstasy absorbed (5) |
E |
EXIST (occur) containing (with … absorbed) E (ecstasy) EXI (E) S |
T |
EXIES (Scottish [Fife] word for fit of hysterics or ague) |
| 30 | Buddy from Canberra, company briefly with bit of bread and ale (6) |
D |
CO (abbreviation for [briefly] company) + B (first letter of [bit of] BREAD) + BEER) CO B BER |
E |
COBBER (Australian [Canberra] word for buddy) |
| 31 | Complicated logo attached to institute for housing of northeners (5) |
P |
I (institute) + an anagram of (complicated) LOGO I GLOO* |
|
IGLOO (dome-shaped Inuit house made of blocks of hard snow; sometime housing for Inuit or Eskimo [northern people]) |
| 32 | Able seaman maybe, endlessly depressed pursuing trading place (5) |
E |
MART (market; trading place) + LOW (depressed) excluding the final letter (endlessly) W MAT LO |
R |
MATLO (seaman) |
| 34 | Surroundings of church overlooked by hill set alight (5) |
R |
TOR (hill) + CH (first and last letters of [outskirts of] CHURCH) TOR CH |
|
TORCH (set alight) |
| 36 | Fissure to traverse formerly with caution essentially (4) |
S |
REN (old word [formerly] for RUN [traverse]) + T (middle letter of [essentially] CAUTION) REN T |
|
RENT (fissure) |
| 37 | To corner and initially trap bird (4) |
O |
T (first letter of [initially] TRAP) + REE (female of the ruff, a breed of pigeon; bird) T REE |
|
TREE (corner) |
| 40 | Wrong case for star player (3) |
N |
Anagram of (wrong) CASE ACE* |
S |
ACE (star player) |

Duncan, at 17 I had “hapless lad” not “heartless lad”, so hapless was the anagram indicator.
@1 Yes, “hapless lad” it is. Not an exhaustingly difficult IQ but enjoyable and neatly designed.
The usual thanks to Chalicea and duncanshiell
@1 and @2
Oops – sorry – it’s a silly transcription error on my part when typing the clues. I’ll update the blog
Another top-notch puzzle from Chalicea, many thanks to her. Puzzles that manage to hide messages within the clues in this way will always get a thumbs up from me.
Thanks Duncan for the blog.
A welcome bit of light relief, thoroughly enjoyed. A regular offering from Chalicea to balance some of the more mind-bending Inquisitors suits me just fine. 🙂
Lovely elegant puzzle, as we have come to expect from Chalicea. Balm to the brain after the previous week’s offering!
Lovely gentle puzzle this, and I echo the applause for getting the clues to read normally whilst still getting the message from the fourth letters
A pleasant puzzle from Chalicea with a sensible preamble!
I do prefer more of a challenge, but very much take Duncan’s point that puzzles such as this serve as a good introduction for novice solvers. Thanks all round.
I was expecting a poetry theme from Chalicea, after the 2 last year. The middle column filled up pretty quickly. ART came first and guessed the last word could be LETTER. A bit confused until I googled “famous people named Art” and the rest of it came quite quickly.
Yes, no one will complain that the preamble was overcomplicated this week (I suspect editorial humour to have this following last week’s). I spent much too long looking at the letters of the fourth clue before sense prevailed.
This was a more approachable puzzle than the last one I tackled (no. 1584 by Jetdoc) with a gentle theme that took much less time to complete. I thought it was well constructed, with the four ‘ages’ incoporated very neatly into a symmetrical grid.
As often happens, I completed the grid before I noticed anything thematic, apart from the vaguely familiar name that appeared in the shaded cells. ADOLESCENCE was the first item I spotted, and the others quickly followed. I now know the origin of the Four Ages of Man.
It was pleasant to complete a puzzle without having to use Google at all, whether for specific or speculative searches.
I too couldn’t help noticing how often single-letter indications were used. I also noticed that there were more indications of initial and final letters of words than single-letter abbreviations – in fact about twice as many. The phrase ‘hint of’ (used twice) is one of a handful of apparently vague indications that have become established in crosswordland, a ‘bit of’ (used once) being another one. There seems to be a rule or convention that a phrase like that only ever indicates one letter.
Thanks to Chalicea for a satisfying puzzle and to Duncan for he blog.
Good to have a puzzle where the only use of Google was to check up on what I had already found in the grid. Chalicea’s puzzles are always elegant and at the simpler end of the IQ difficulty scale. Thoroughly enjoyed by me. Thanks to setter and blogger.
Yes, Ylo, I believe I exhausted the poetry themes last year producing war-poetry themed ones for every outlet I set for but it was a rather fruitful theme with the hundredth anniversary of the armistice.
Indeed, the editor opted for this crossword to balance Jetdoc’s of the week before and I am happy that it was not far too easy after that challenge (which we couldn’t complete).
Thanks for the prompt about the (over)use of single-letter indications – I will try harder! The comment about ‘hint of’ and ‘bit of’ was made to me only last week by the editor of the Toughies – where it is frowned on/banned as it is impossible to know which ‘touch’ or ‘hint’. The problem is, of course, finding new ways to use H, A, U, E, or O, say, in wordplay – not ‘husband’ with more ‘energy’ in another ‘old’, ‘adult university hospital’. All advice welcome.
Many thanks to Duncanshiell, as always, for such a generous, meaty blog and to all of you.
Chalicea @14
And thanks for your setter’s view of this puzzle and of the use of single-letter indications in particular.
On the matter of using first and last letters of words (as opposed to single-letter abbreviations), I would just note, by way of crude comparison, how many instances of this device were used in a daily cryptic I completed a few hours ago. Of 26 clues, nine had such an indication (‘first of, ‘finally’, …). I don’t know if this sort of ratio is typical, but I wouldn’t be surprised if it was, and I think we can talk about use rather than overuse.