Inquisitor 1658: More Than One Problem by Ifor

Ifor is a frequent setter, this is his 31st puzzle and his third this year. None of them is easy!

Each down clue contains a letter that must travel up or down within that clue (11 of each) before solving.  In clue order these spell out some advice and its source. As solvers move through the grid they will encounter two problems. One affects individual entries in two rows; the other collectively affects entries in another two rows. Solvers must highlight 25 symmetrically placed cells showing both problems (each usually prefixed by the definite article) together with those showing a more gradual, and safer, transition. The final grid contains only real words if empty cells are ignored; numbers in brackets count cells available.

This one was multi-layered and had a remarkably well hidden set of displaced letters in the down clues. I (Hi) had to trade answers with Ho to get a decent start and really struggled for a long while, getting an occasional bit of inspiration and moving on a step, then pausing. In contrast to last week’s puzzle (1657), which I finished in 90 minutes after waking 6 a.m., this one wasn’t done and dusted until Monday afternoon after many hours of struggle and collaboration.

The puzzle revolved round two pairs of rows, two at the top and two at the bottom. When I solved CONSISTED at 39A and HIP at 1A it seemed to indicate that there were missing letters in the top section and extra ones in the bottom.

I found the clues “challenging” (a euphemism for difficult).

After much scratching of head I realised that the extra letters had nothing to do with GEORGE (my name) and referred to a standing catchphrase from the wartime radio comedy ITMA (It’s That Man Again with Tommy Handley) which ran from 1939 (before my time) to 1949 (not before my time, but before I listened to radio comedy). My parents referred to it often. The show spawned many memorable phrases including “Shall I do you now, sir?”, “I don’t mind if I do”, “After you Claude” – “No, after you Cecil” and the relevant one here “DON’T FORGET THE DIVER”. If you want to read more about the show, the Wiki article is here. So the linking theme was diving.

The top row (now complete) contained the word BENDS. “The Bends is a problem caused by the gas which was in solution in the blood at lower depths forming bubbles as the diver comes up to the surface. One form of the bends (more properly known as decompression sickness) is musculoskeletal which affects the joints – hence the “bubbles” in HoIP, TOoE, ANKLoE and WoRIST.

Another diving problem is Nitrogen narcosis, commonly known as The Narks This affects divers at depths over 100 feet. The condition causes hallucinations, disorientation, behaviour as if drunk and, at its worst, can lead to loss of consciousness.

Now my bottom row was not complete at this point, as 42A had eluded me, but I realised that if 42A was ARK I would have NARKS in the middle of the bottom row, at “depth”, and BENDS in the middle of the top row at the “surface”. I already had CON as extra letters from 39A CONSISTED, 3 extras from FASCISTI at 40A, OU from 41 A, OUT-ASK and possibly SES from 43A SESSPOOL. So if the effect of the was loss of CON-SCI-OU-SN-ESS, then 40A, FASCISTI had to lose SCI, 42A had to lose SN and 43A had to lose ESS. This helped me to solve 24D TRECENTO and finally 42A SNARK. After omissions all the remaining entries are real words.

There you had it, but what of these 25 letters to highlight? Well as you rise up to the surface to relieve the narks you should do it slowly to avoid the bends. So to slowly change NARKS to BENDS, every third row contains a “transition word” with one letter different from the one before. So NARKS becomes NARDS, BARDS, BANDS and finally BENDS.

A few quibbles – the rubric instruction to move letters “up” or “down” in the clues is inaccurate – left/right or forwards/backwards would be better – I worried that the letters might have to be moved in the vertical down answers. Also the gradual, safer transition letters are not symmetrically placed. Two of the entries (NARDS and BANDS) are to the left of centre. The only symmetricality is by row. They are evenly spaced vertically, not symmetrical. Finally, two of the up/down, left/right moves (book to boko and song to snog) were ambiguous. In boko it could have been the k moving up or an o moving down and in snog it could have been the n moving up or the o moving down, so the 11 of each hint was not as helpful as it might have been.

Ho and I were very impressed by the grid construction – four joints with bubbles and loss of consciousness were terrific. Despite the clues being hard, they were all fair and able to be parsed, often with hindsight.

 

Across

 No.  Clue (definition)  Answer  Wordplay (anagram indicator in italics)  
1 One admitted to leaders in high places, knowing about political developments (4) HoIP H(igh) +P(laces) round I (one)
5 Consequences of document signed after letter that’s changed in the middle (4) ENDS EN (letter – middle of chaNged) + D(ocument) + S(igned)
8 Projection from base to base (4) TOoE TO + (base) E
12 Joint from longhorn breed, with nothing going to waste (6) ANKLoE ANKOLE (longhorn breed) minus O (nothing)
13 Engine’s connecting pin bent regularly inwards, either side of tappet (6) WoRIST [I(n)W(a)R(d)S]* bent + T(appet) {or (tappe)T}
14 One drawing close to what he used to possess (5) TOWER (wha)T + OWER (OWE = own in Chambers, so OWER is an obsolete form of OWNER)
15 Hit above to start with, then once below (5) NEATH [A(bove) THEN]* hit
17 Catholic world; an object devoted to God as promised (6) CORBAN C(atholic) + ORB (world) + AN
18 Peasant already gathering timber (6) SANTAL Hidden in peaSANT ALready
21 Pasture-land finished off confused dullard long ago (7) LURDANE [(past)URE-LAND]* remove PAST (finished) confused
22 Some housing promises no longer in favour being broken (5) SEMIS [(pro)MISES]* remove PRO (in favour) broken
23 Grasps old spades, then works (5) HENTS [S(pades) THEN]* works
25 Step over trench, going from one side towards the other (3) SAP PAS (step) reversed
28 What’s drawn over ground (not now, unfortunately) (3) ARD Excellent &lit clue – old word for a plough: DRAWN +O(ver) minus NOW is [DRA]* ground
29 Discover by looking before weather includes onset of rain (4) SKRY SKY (weather) round R(ain)
30 Pride in oneself feels wrong, as not having a proper backing (10) SELF-ESTEEM [FEELS]* wrong + (a)S (AS not having A) +MEET (proper) reversed
31 Excited daughter wet pants, hiding the fluid (7) WHETTED [D(aughter] WET]* pants round [THE]* fluid
34 Tomfool in Glamis put on reindeer’s head and danced (7) DONNARD DON (put on) + [R(eindeer) AND]* danced
36 Stone block ancestors originally carried off, not to arch (6) SARSEN [AN(c)ES(to)RS]* arch remove C(arried) and TO
37 Impudence knew no bounds, with extremes of cheek (4) NECK (k)NE(w) (with no bounds) + C(hee)K (extremes)
38 Overheard mischief, once intended for delivery of goods on trust (8) BAILMENT Sounds like (overheard) BALE (mischief – archaic) + MEANT (intended)
39 Was compatible disc one that’s remixed with sustained hush? (6) {CON}SISTED [DISC ONE]* remixed round (sustained) ST (‘st is hush) CON
40 Rome’s right-wing extremists reactionary so unlikely to run outside Italy (5) FA{SCI}STI SIC (so) reversed in FAST (dyed, unlikely to run) + I(taly) SCI
41 Open University’s set work to publish final union notice locally (4) {OU}T-ASK O(pen) U(niversity) + TASK (set work) OU
42 Number occupying island put down in speech (3) {SN}ARK N(umber) in SARK (island) SN
43 Waste collector’s deficiencies holding operator back (5) S{ESS}POOL LOSSES (deficiencies) round OP(erator) all reversed ESS

Down

 No.  Clue (definition) {x} old position x new position  Answer  Wordplay (anagram indicator in italics)    
1 Breed of cat that’s troubled, min{d}ing hands (5) HATCH HH (hands) round [CAT]* troubled D  up
2 Casual marriage – nothing in boko{k} [or bo{o}ko] (6) NOOSE O (nothing) in NOSE (boko) O  up/down
3 Most common translation
of Bible, also originally set in sno{n}g [or s{o}nog] [(9)
PLEBBIEST PET (snog) round [BIBLE]* translation and S(et) N  up/down
4 TArt tin{t} (6) BRASS Double definition – brass is a prostitute (tart) and money (tin) T  up
5 Optics of Scotch {f}reef inn to drop margins (3) EEN drop margins of (r)EE(f) (i)N(n) F down
6 One lacking {o}pinions left producer of points (7) NEEDLER NEEDER (one lacking) round (pinions) L(eft) O down
7 Bursts street trade{r}s demonstrating expertise (7) STARTS ST(reet) + ARTS (trades demonstrating expertise) R  up
9 What begin{g}s kept in exotic oriental vessel? (9, 2 words) OIL TANKER K (kept begins) in exotic [ORIENTAL]* G  up
10 Study Head{e}s from Styx, crossing at night (5) SCAN First letters (heads) of S(tyx) C(rossing) A(t) N(ight) E  up
11 Courage succeeded without metres{t} intentions of Macbeth (6) ETTLES METTLE (courage) minus M(etre)) + S(ucceeded) T  up
16 Read abandoned newspaper stor{t}ed separately (7) ASUNDER SUN (newspaper) stored in [READ]* abandoned T  up
19 Generosity pleases men struggling after losing {h}earth (9) AMPLENESS [PLEASES M(e)N]* struggling LOSING E(arth) H down
20 Ship with a l{e}ake in her (6) WHALER W(ith) + A L(ake) in HER E down
24 Giotto’s apogee until {d}riven by done not long ago (8) TRECENTO Giotto is the apogee of trecento (14th century art): TO (until) riven by RECENT (done not long ago) D down
25 Waste of wood – was raised stud l{i}abile? (7) SAWDUST SAW (was reversed) + [DUST]* labile I down
26 Beginning of {v}ague hope in a wavy, lacking energy in absence of voice (7) APHONIA A(gue) + [HOP(e) IN S]* wavy minus E(nergy) V down
27 Neon{e} returned after bill covers time applied to writer (7) BETAKEN BEAK (bill) round T(ime) + EN (Ne – neon reversed) E  up
29 Image of heavenly sh{r}iners drifting past with power veiled (7, 2 words) STAR MAP [PAST]* drifting round ARM (power) R down
32 Hides fiscal wa{i}vers, avoiding taxi in the end (5) CALFS [F(i)SCAL]* wavers minus (tax)I I down
33 Uncovered outline alter{t}ed up to the point when … (5) UNTIL [(o)UTLIN(e)]* uncovered and altered T  up
35 Isla{m}’s challenge mended purdah after unveiling (4) DAUR [(p)URDA(h)]* mended M down
36 Frasier’s focus; a thousand gains in Se{a}ttle (4) SINK (fra)S(ier) + K  (a thousand) round (gains) IN A up

 

 

19 comments on “Inquisitor 1658: More Than One Problem by Ifor”

  1. Pretty tricky as you say, but doable. I had no idea why NARKS was the condition at the bottom of the grid, but BENDS was pretty clear and the word ladder was only ever going to lead to one entry.

  2. Ifor’s puzzles are never easy and this was no exception. FOI was 4D where I erroneously amended the clue to “Rat tint” and entered CANARY (double definition). I continued steadily to complete (correctly) just over half the grid and then came to a grinding halt, with no inklings of the “problems”. Eventually, my first PDM!: 43A was (SES)SPOOL, later found to be S(ESS)POOL. The bottom two rows then fell fairly quickly and finding the theme word was PDM2. The top half remained sparse until PDM3, 12A: ANKLE with a space, so clearly my 4D was wrong. PDM4 was finding that the spaces also affected some down answers. Having pretty well completed the grid, PDM5 was finding and interpreting the catchphrase: so loss of CONCIOUSNESS at the bottom of the sea and BUBBLES in the blood on rising to the surface. PDM6 was rapidly spotting the BENDS and the NARKS, the latter being confirmed by Chambers. I then wasted too much time on the internet looking for diver’s jargon for the gradual transitions before the final PDM, the wonderful Word Ladder jumped out at me – how had I not seen it sooner?

    A terrific puzzle. Quite hard but with PDM nuggets throughout, no internet needed and a finish which brought a smile to my face. Another one to please Murray Glover, a welcome returnee to this site. There were some wickedly misleading clues which were easy once the correct parsing was spotted, 5A being a good example. I had trouble with 42A which had to be (SN)ARK but I did not understand the definition and 36D where I got the definition but not the Frasier’s focus bit (thanks, Hihoba for explaining)

    Thanks to Ifor for a great puzzle and to Hihoba for a thorough blog

  3. I found the grid fill frustratingly hard and the endgame took me even longer. It was straightforward enough to find NARKS and BENDS, but  the remaining 15 cells eluded me for ages. I was looking for a variant of “decompression” going up the grid (it’s sort of there, if you spell it wrong).

    To be honest I enjoyed this retrospectively rather than when solving. I do have one query: if the gradual changes from NARKS are supposed to represent a safe ascent, wouldn’t you be pretty hacked off to get the bends when you came to the surface? No doubt I’ve missed something here.

  4. @3 – your last point is precisely why this didn’t work for me. It’s hardly safe to move from getting the ‘narks’ to getting the ‘bends’ at the surface!

  5. A pig of a gridfill, with the blank cells causing me all sorts of problems; I did eventually appreciate their significance.  I agree with you that the instructions were unnecessarily misleading in their reference to letters travelling up and down, but I suppose it was intended to be thematic, and to be fair the instructions (“safer transition”) immediately made me think of the bends.  Luckily I am also old enough to have heard of the catchphrase, which helped me solve some of the remaining down clues once it emerged.  Unfortunately I had never heard of the narks and I never understood the significance of the omitted letters in the bottom two rows.  I did finish the grid and saw the word ladder at which point (it was now Thursday!) I decided I had spent more than enough time on one puzzle.

  6. Cruciverbophile #3. I agree entirely that the “gradual transition” from depth should have been to AVOID getting the bends. Again (apart from my other three quibbles about it) I find the rubric inadequate, though it didn’t stop me from solving the puzzle.

  7. As with everyone else it seems, a three-pipe problem. Most of my wasted time was spent on finding the 15 letters to highlight after I’d spotted “bends” and “narks” but once the word-ladder was spotted it was obviously the solution! I’m still not convinced by the phrase “and safer”. Is this because a ladder is a safe way to climb?

    Old enough to have heard of ITMA but far too young to have heard it!

    Overall, an enjoyable diversion. Thanks to Ifor and Hi(hoba).

  8. A DNF for me. In fact it was a HGS (hardly got started!) I found the clues tricky, especially the moved letters and it just felt too much like hard work.
    Well done George for persevering and doing your “duty” for our family of bloggers.

  9. Re the blogger’s comment on symmetry, the words are symmetrically placed, but the symmetry is not obvious to the eye. The symmetry is a mirror symmetry around the horizontal axis formed by a line drawn through the middle of row seven.

    Like Cruciverbophile I spent ages looking for some variant of ‘decompression’ or the equivalent of ‘a slow ascent’. I thought a zig-zag path would be appropriate since that would lead to a gradual ascent.

    I see I’m not alone in thinking the endgame thematically unsatisfactory, as summed up by Bingybing @ #4

  10. Bingy and Andy said it. I spotted Ramp and Tank, symmetrically placed, as two means of coming up safely and gradually, but the remaining 7 letters then had to be found and they went missing, obviously.

  11. As usual I must offer thanks for a very thorough blog, and to those who commented thereafter.  I’ll try to address the quibbles:

    “Symmetry” is an open-ended term, but the preamble speaks of symmetrically-placed cells, not a symmetric grid, in line with Chambers’ “exact correspondence of parts either side of a straight line” as referred to by Andy.

    I’d suggest that “…within that clue” is pretty clear.  Up / down are of course thematic, and I agree ambiguous in terms of direction; whence the “11 of each”, without which I wouldn’t have used the terms.  And I’m comfortable with the few letter ambiguities: each permits a decent surface reading and none affects the key words in a statement verifiable in ODQ.

    The word ladder represents intermediate acclimatisation points sometimes provided for divers.  I’d hoped that the symmetry consideration (probably via spotting BENDS, which positions the perhaps less-well-known NARKS…) would significantly cut down the search.

    And do please take the trouble to glance at the published solution, which explains something not mentioned by anyone here or elsewhere – the apparently anodyne title.

    Ifor

  12. I’m guessing that the title refers to DIVERS in both of its meanings.

    Maybe there are some famous divers in the the grid, “coming up for air”, but I couldn’t see any.

  13. Spot on with your comment at 12, Ylo; thanks for pointing it out. No named divers, famous or otherwise – there are limits to what can be accommodated within a grid.

  14. I’ve always liked Ifor’s puzzles, which is why I really persevered with this one, even though it was slightly above my pay-grade. Solved the bottom two thirds, but the top third remained stubbornly unsolved, even though I had the ITMA quote. As always, in retrospect, I should have done better…

    Thanks to Ifor and Hihoba (busy week, hence late entry)

  15. Another tough puzzle from Ifor, and I had to concede defeat once I’d filled in most of the grid and got the catchphrase etc,mainly because I couldn’t do any of the clues in the bottom two rows. Bit of a stumbling block that. I have nothing but admiration for the grid construction and the way the subject was tackled, but I don’t think I would have ever thought of a word ladder in the end game. Thanks for the challenge Ifor.

  16. Am I alone in always having though that the word was DIVERSE. I would never have considered divers as being correct and, if I read it in a book or article, I would have assumed it was a misprint! I know, I know it’s in Chambers, but it shows you can reach an advanced age with some misconceptions. Anyway that is why I missed the meaning of the title, Ivor. Thank you for the puzzle and the comment.

  17. I had this down as “too hard to be enjoyable” – sorry Ifor, especially as I’m a big fan of your puzzles. And there’s no way I’d have found the word ladder by myself.
    Well done to Hi and others who did.

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