Inquisitor 1671: Double Take by Encota

Double Take by Encota

Four unclued thematic entries must be completed. Clue numbers must not be entered initially. Nine clues are common to each pane and must be entered in the same place in each. The remaining twenty should be entered into appropriate panes, where they fit. Wordplay in these clues results in an extra letter. Read in normal clue order, a panel at a time, they instruct the solver what final additions to make, one per pane. An ambiguity is resolved using the last extra letter from the left hand pane and the first extra letter from the right (both in normal clue order).

Blimey, what have we here? Two tiny grids for the price of one. Not only that, four entries are unclued. And, if that’s not enough, nine clues are common to each pane. Furthermore, there are no entry numbers and we’re not even allowed to put them in!

Talk about constraints!

Normally, with jigsaw type puzzles, the clues are presented in alphabetical order of answers but here we have the clues in alphabetical order. The order starts again with the down clues.

Now, confession time, I struggled with this and if it hadn’t been for two things, I might not have persevered. Firstly, it’s my week to blog The Inquisitor. Secondly, and most importantly, my daughter – the lovely elmac – did the lion’s share of the donkey work. (I guess that means that I did the donkey’s share of the lion work.)

There’s a lot going on this puzzle despite its diminutive appearance.

I’ve no idea why but my eyes were led to the fourth from end clue (starts “Turn astutely”) and gave me the answer UEY with an extra S. Then, it ground to a halt for a l-o-n-g time.

Eventually a few more started to fall and I noticed a lot of cartoon-y references in the clues but as yet I had no idea what that meant, if anything.

Then we hit on the idea of counting the number of entries vs the number of clues per answer length. That helped a lot, though it caused a lot of confusion along the way.

Slowly we (I mean elmac) started to fill the grid by tentatively putting ORIGIN in both grids. After much trial and error, we had the grids filled except for top line and centre column. At this stage, we had determined that all the messed about answers crossed one of those two entries but then we were stuck.

Top row would be:

x O x D x A L
R R E U

Middle column would be:

D
R
O
U
O
P
E N
E R
x
B
E
U
A
R
R
Y

Time for the often successful overnight adjournment and, sure enough, next morning I suddenly remembered that I’d heard of a cartoon called DOONESBURY though I didn’t recall any of the details. A quick trip to Wikipedia revealed that Doonesbury celebrated its 50th anniversary on October 26th. The other letters form RUPERT BEAR. Another Wikipedia visit reveals that Rupert Bear turned 100 on November 8th.

Doonesbury was penned by Gary TRUDEAU and Rupert Bear by Mary TOURTEL as seen in the top rows.

OK, we have two grids but Encota tells us that we have to resolve an ambiguity to decide which grid goes on which side. We do this by taking the generated letters in order grid by grid. Taking a liberty, by giving the clues letters, gives us:

Grid 1
Across
n T
g W
b O
j T
c H
a E
d M
Down
e E
c D
d C
Grid 2
Across
k L
o U
d E
f N
l U
p M
h B
Down
b E
l R
j S

So, the generated instruction is TWO THEMED CLUE NUMBERS but what does that mean? Perhaps the last part of the preamble will help, and it does. The two letters involved are CL, which, in Roman numerals is 150. I take this to mean that the 100th anniversary goes on the left and the 50th anniversary goes on the right. and, I guess that the final addition to be made is to add 100 and 50, as appropriate in the cell at the start of YEARS.

So that seems to be it. I can’t see if there’s any link between Rupert and Doonesbury other than they’re both celebrating “significant” anniversaries around the same time.

I found the puzzle to be a bit of a slog and I didn’t really enjoy it too much. I’m sure I’ll be in a minority. Nevertheless, thanks to Encota for the puzzle.

Across
Clue
Entry
Extra letter
Wordplay
a Airborne men in reversed Mexican shawl (5) PARAS E
SARAPE (Mexican shawl) rev
b By deception gets vintage fine rosé that’s drunk (7) FINEERS O
FINE ROSE (anag: that’s drunk)
c • Cartoonist Remi trailing special material (5) SERGE H
Special+[Georges Prosper] Remi (aka HERGÉ)
d • European language for rorquals (7) FINNERS E
FINN (European)+ERSE (language)
e Fixedly watching brilliant and merciless cartoon villain (7) STARING M
STAR (brilliant)+MING (the merciless, cartoon villain)
f • Flaky feline mascot returns after introduction to Easter Island (4) EYOT N
E[aster] (introduction to)+TONY (the tiger; “flaky” as in Frosted Flakes; rev: returns)
g Forwards in front of a boat as an afterthought (5) PROPS W
PROW (front of boat)+PS (afterthought)
h • Good man crying out for suspension (7) STAYING B
ST (saint: good man)+BAYING (crying out)
i • It’s liable to be dislodged when initially given out? Perhaps (3,4) LEG BAIL   LIABLE+G[iven] (initially) anag: out
j • Lacking uniform, have a go at tenant farmer (4) RYOT T
TRY O[u]T (have a go at; lacking Uniform)
k • Loaves cooked in dry white wine (5) SOAVE L
LOAVES (anag: cooked)
l • Objectively we push for a significant increase (5) SURGE U
US (objectively we)+URGE (push)
m • One mostly seen in academia (3) UNI   UNI[t] (one; mostly)
n Sophisticated drone in place (5) SUAVE T
SET (place) around UAV (drone: Unmanned Aerial Vehicle)
o Stops in Ayr, French novelist losing time comprehending nothing (5) PROOS U
PROUS[t] (French novelist; losing Time) around O (nothing)
p • Weather guys tracking usual fish (5) PARRS M
PAR (usual)+RMS (weather fellows: Royal Meteorogical Society)
Down
a • Bugs Bunny feature follows the money in Japan for many seasons (5) YEARS   Yen (Japanese money)+EARS (Bugs Bunny features)
b Enthusiastic nursing (6) RARING E
(double def) REARING (nursing)
c Eternally in linked verses (4) EVER D
linkED VERses (hidden: in)
d • Lucy’s capital city is supported by Snoopy’s last line (3) LEY C
L[ucy] (capital)+EC (City of London)+[snoop]Y (last)
e Rowing unsettled a region (6) OARING E
A REGION (anag: unsettled)
f • Son Chip may be spiky when blue (5) SONIC   *Deleted*
SON CHIP (anag: may be)

*Correction*
SON+IC (integrated circuit: chip)

Sonic the Hedgehog

g State of beta test not ideal surroundings (4) ÉTAT E
[b]ETA T[est] minus BEST: ideal, surrounding
h Store securely using Internet address provided by Pixar production fellow (6) UPFURL   UP (Pixar production)+Fellow+URL(internet address)
I found this clue a bit woolly. UPFURL doesn’t exist, in its own right, in Chambers. It seems to mean the same as FURL but FURL doesn’t seem to mean “store securely.” So, I’m wondering if I’ve missed something.
i Successes for United Press Syndicate started here (3) UPS   First letters of United Press Syndicate.
Again a bit woolly. What is “here” doing there?
j Turn astutely ignoring the odds (3) UEY S
[a]S[t]U[t]E[l]Y (ignoring odd-positioned letters)
k Used this to draw rent providing support for Peppa’s place (6) STYLET   STY (Peppa: Pig’s place)+LET (rent)
Strictly speaking, as far as I understand, Peppa Pig lives in a house, not a sty.
l Vow of one yearning to go topless (4) AVER R
[c]RAVER (one yearning; minus first letter)
m • Where Fox and Disney finally get together in spring (6) ORIGIN   [fo]X + [disne]Y are the usual representatives of the “origin” of a graph, etc.

 

18 comments on “Inquisitor 1671: Double Take by Encota”

  1. Many thanks for the explanation. I cracked a number of clues and felt the cartoony ambience, but got distracted and never finished. Having totally forgotten Tony the Tiger didn’t help!

  2. Pretty tricky to complete, and an unclear instruction at the close I thought (not helped by Google insisting incorrectly that Doonesbury was 49 years old). If like me you wrote the grids in the wrong order, and your message read LUE ??MBERS TWO THEMED C, then any ambiguity was swiftly resolved. Satisfying to get it all complete, though I did come close to throwing in the towel.

  3. You are not alone, kenmac.  Looking back at my copy, I see that I solved almost all the clues and made a start at filling the grids and then ground to a halt.  I could see that we were dealing with cartoons but I never identified either Doonesbury or Rupert, despite being familiar with both (although I would have had to research the artist responsible for Rupert).  There were just too many variables to deal with, meaning that the solution could only be obtained by a laborious trial and error process.

    Incidentally, “upfurl” is listed in Chambers under “up” but is undefined.  I share your reservations about that clue and the one for UPS.

  4. Took a while to get going but there were just enough breadcrumbs laid out to eventually reach the end of the trial…helped by the distinct whiff of comics and cartoons. However I failed at the very last hurdle: I didn’t understand the message spelt out by the extra letters but thanks to the blog it all makes sense now and I am (figuratively) kicking myself. Thanks to setter and blogger. I notice we’re in the middle of a “Listen with others” takeover of IQ!

  5. I finished it, obviously thanks to Google for the dates and Tourtel, wasn’t too sure if I enjoyed it or not, and am grateful for the parsing of Origin and Suave.

  6. This came at a very busy time for me, and after one session, revealing some answers but little in the way of possible entry method, I abandoned ship with some relief. Checked back in today because I guessed it was going to be super clever (and cartoony).

  7. I managed to get there in the end (a team effort alongside Terrier), and I’m glad that we persevered. It was clear from the clues that there would be a cartoon theme and as is usually the case with jigsaws, once a few clues are entered then things begin to rapidly slot into place. For me it made sense to work from the bottom up due to the shared ‘S’ in the bottom left corner. It then dawned that many of the letter variants would fill the central column and ‘….BEAR/BURY’ quickly appeared.

    I enjoyed several of the cartoon links in the clues – I needed help to understand Tony but smiled when I got it, and the same for SONIC.

    Thanks Encota. It must be so satisfying to find the shared dates and word lengths between TOURTEL/TRUDEAU and their creations.

  8. I like cryptic jigsaws if I find that I can cold-solve most of the clues before I attempt to fit the pieces together, but that can be difficult if the thematic design puts further obstacles in the way of either solving the clues or doing the jigsaw.

    Solving 12 of the 16 Across clues was simply not enough in this case. If I had been able to get all of the 5-letter entries from that set of clues it would have been worth starting on the Down clues, but I was three short and decided to stop there and then. I now see that the theme would have been tough for me too.

    I have good memories of Encota’s previous puzzle last year (with Monty Python underlying the theme), and I positively look forward to the next one.

  9. Thanks for the blog – a tough one to have to do – my experience of solving was similar to yours (or should I say your daughter?).  Most clues cold solved & then some tentative grid filling which surprisingly quickly resolved the grids  – helped in the order by the extra letters.

    But not helped by initially having OATH instead of AVER  – parsing works as Vow (OATH) = O (of) A (one) (I)TCH (yearning to go topless) with C as the extra letter – unusual to have 2 answers both fitting such a convoluted clue – but the fact that that gave me too many 4 letter down entries meant I fairly quickly identified the anomaly.

    One change to the blog – SONIC is simply SON +IC (integrated circuit) for Chip – it doesn’t work as an anagram.

  10. shikasta @9
    Re: SONIC

    Oops, one that slipped through the net. I knew it at the time of solving but somehow keyed it wrongly.

    Fixed now – thanks

  11. Yes, a slog, but satisfying when I’d got two completed panes and the instruction. But disappointed when I didn’t understand what to do with it. (There is no ambiguity about left & right once you have the message as Jon_S says @3.) I got the C & the L but as I didn’t notice the two anniversaries I didn’t know what to do with them, so the YEARS in each pane were left unadorned. Ah well.

    Thanks to setter & blogger for their noble efforts.

  12. I agree with most of what has been said. A tough one with a sprinkling of cartoon references which gave a clear hint of the area of the theme. (I recall that Encota used the same ruse with his Monty Python puzzle). I was pleased to complete the grid eventually and the message but the last small step was just one step beyond (to quote Prince Buster). I considered CL as 150 but could not see what ambiguity this resolved – as stated, the grid order was obvious if the message was to make sense!

    A nice idea, ingeniously executed, and a challenge which I ultimately enjoyed. A pity the preamble was misleading.

    Thanks to Encota and to ken/elmac.

  13. I also found this a slog in the early stages. Trial and error was my method for filling the grid too, and the obstacles to answer entry required making a number of bold assumptions. I ended up with the grids the wrong way round (of course!), and realised this from the swapped halves of the generated message rather than the CL which, I felt, was more of a final detail than a resolution. Perhaps some of the clueing could have been tighter for an entry method of this complexity – I’m thinking of the examples already mentioned above, such as the unnecessary “here”  in the clue for UPS. The revelation  of the theme was satisfying, so the effort was (I think) worth it.

  14. I loved Rupert bear when I was about 6 then I loved Doonesbury when I was about 36. They both appeared in dreadful rags, one in UK and the other in Oz. But I challenge the assertion that there are 4 unclued entries.  Unless Doones is a word.

    Otherwise I loved it but needed a co solver. I didnt bother with the last  but being lazy but wish Mr Trudeau could do an election special

    Anyway for me it was a tale of two Ruperts.

  15. Oh dear. Oh dear. Oh dear.

    It seems that most solvers either gave up or needed lots of extra help to complete this.

    Maybe Encota really didn’t want anyone to solve this one?

  16. I don’t often comment on the IQ these days as I found I was spending most of the time repeating myself.

    I just thought I would pop in this week as a lone voice in the wilderness to say I thought this was great.  Not having any grid numbers is a bonus as far as I am concerned, and the similarities and apparent ambiguities in the two grids made the grid filling even more enjoyable.

  17. Well I rather enjoyed this one. A bit of a change of style. Put off a little by the clues being unordered: I don’t normally like having to puzzle-fit all the answers by trial and error. But either SONIC (smile) or YEARS help; get both and a lot is locked down. One or two of the 3-letter answers also narrow things down.

    Was held up for a while by my incorrect solution to VOW: I had “leaver” for “one yearning to go”, which I was pleased with, but which gave me E not R.

    Thanks Encota, and thanks kenmac+

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