Another special this weekend. Thank you Azed.
Specials bring some welcome variation in writing up the blog. I have long run out of things to say about the standard puzzles, everything has been said many times before.
I won’t explain again how a Playfair code works, Azed’s instructions are actually quite clear for once! Most of the puzzle can be solved in the usual manner, the Playfair code is only required to fill in a few final characters in the grid.
For those who have not tried one of these before I will explain how I went about it. First ignore the Playfair entries and solve as many of the standard clues as you can, I managed all but a handful. Then try and solve the themed asterisked clues: I got three of the four: STOPPARD, COWARD, PINTER and ????????. Now to go any further I need to have a look at the Playfair coded grid entries so I split the encoded entries and the answers I have into letter pairs. At this point in the solve I have
ST OP PA RD => ?S ?U L? YF CO WA RD => HZ ?? YF PI NT ER => ?R ?? FW ?? ?? ?? ?? => CP ?D EF S?
An obvious idea for the theme (and so the code-phrase) is PLAYWRIGHTS. I notice the letter F occurs quite often in the encoded entries so start there. I have YF, YF FW and EF.
I guess that FY/RD and FW/ER are at corners. I don’t know about EF but as the letters are sequential guess that they are on the same row rather than another corner. The Playfair grid might contain vertically aligned row fragments as so:
Y W R D E F
This idea is supported by PLAYWRIGHTS containing one of these groups and DEF being part of the remaining letters (in alphabetical order) not found in PLAYWRIGHTS. The playwrights I have so far are all British, the code phrase is two words and the other word is an abbreviation so guess at GB PLAYWRIGHTS or UK PLAYWRIGHTS. I can’t have GB since the letter G can only be used once. Filling in UK PLAYWRIGHTS in the Playfair grid gives:
I can now get some more information on my missing playwright by decoding the letters I have in the grid so far:
SA ?? DE ?? => CP ?D EF S?
With some extra letters I can now solve this as SAUNDERS, never heard of him. Wikipedia tells me James Saunders is a prolific British playwright so all is good! I can now use the Playfair grid to finish encoding the playwrights.
ST OP PA RD => BS VU LU YF CO WA RD => HZ GK YF PI NT ER => LR EC FW SA UN DE RS => CP AD EF SF
Entering these coded answers into the grid gives me the help I need to solve my few outstanding normal clues.
ACROSS | |||
No. | Grid Entry | Decoded | |
1 | BSVULUYF | STOPPARD |
Pop, poorly, in care of brilliant daughter (8)
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anagram (poorly) of POP inside (in care of) STAR (brilliant) D (daughter) – playwright Tom Stoppard | |||
8 | ABBA |
Bishop in usually striped cloth? Not necessarily (4)
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ABBA is a type of cloth, usually striped – it is not necessary for one B (bishop) to be there as ABA is an alternative spelling. Another explanation: definition is Bishop and the semi-&lit wordplay is B (another bishop, not necessarily the one in the definition) inside ABA (usually striped cloth) – thanks to Nick and MunroMaiden for this. | |||
11 | SPINAL |
Piano’s left out of tune, though not old, relating to a chord? (6)
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anagram (out of tune) of PIANo’S L (left) missing O (old) | |||
12 | AIRIER |
Somewhat debonair, i.e. rather more jaunty (6)
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found inside (somewhat) debonAIR IE Rather | |||
13 | POLEMIC |
Controversial, extreme, provided with amplifier (7)
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POLE (an extreme) with MIC (microphone, amplifier) | |||
14 | DANDY |
What implies Benin is swell (5)
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D AND Y implies DY, the IVR code for Benin (formerly Dahomey) | |||
17 | TRY HOUSE |
Oil extraction centre, where you find youngsters, dropping out, in old breeches (8, 2 words)
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YoutH (youngsters) missing OUT inside TROUSE (breeches, old) | |||
18 | SCAR |
Mark reef at sea: there’s bony fish (4)
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triple definition | |||
19 | HZGKYF | COWARD |
Fish that’s not cooked inside, sent back (6)
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COD (fish) contains RAW (not cooked) reversed (sent back) – playwright Noel Coward | |||
21 | SPERRE |
Poet’s bar, supplying special, was out mostly (6)
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SP (special) then ERREd (was out, mostly) – the poet using this spelling of bar is Edmund Spencer | |||
23 | OIKIST |
Lout is last on list for founder of colony (6)
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OIK (lout) IS then lisT (last letter on) | |||
25 | LRECFW | PINTER |
Cask soak knocked back (6)
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PIN (cask) then RET (soak) reversed (knocked back) | |||
26 | SNOD |
Members of high table after retiring in snug at St Andrew’s (4)
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DONS (members of high table) reversed (after retiring) – at St Andrew’s indicates a Scottish word | |||
27 | CLUELESS |
AZ knows his solvers are never this stupid (8)
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if you are solving an Azed puzzle then you will not lack clues | |||
33 | SARAN |
Plastic resin: it was liquid (5)
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SA (it, sex appeal) then RAN (was liquid) | |||
34 | OVERAGE |
Rediscover agenda with peripheral pruning, excessive amount (7)
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rediCOVER AGEnda with some outer (peripheral) letters pruned | |||
35 | GLORIA |
Wild gale or rain? Have this brolly fabric near (6)
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an anagram (wild) of GALE OR RAIN gives GLORIA (this brolly fabric, the answer) NEAR | |||
36 | ANGLER |
He has line dipped in bait? (6)
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L (line) inside (dipped in) ANGER (bait) | |||
37 | DOWD |
Frump cut short, wife interrupting (4)
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DOD (cut short, of hair) contains (with…interrupting) W (wife) | |||
38 | CPADEFSF | SAUNDERS |
Subordinate in specialized army regiment (8)
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UNDER (subordinate) inside SAS (specialized army regiment) – playwright James Saunders | |||
DOWN | |||
No. | Entry | Playfair entry | |
2 | SPOOR |
Track in bad condition after minimum of sweeping (5)
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POOR (in bad condition) follows Sweeping (first letter, the minimum amount of) | |||
3 | VILL |
Old manor: worried when it’s not included in deed (4)
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DEvillED (worried) when VILL (it, the answer) is not included gives (in, is found in) DEED | |||
4 | UNETH |
Some Beaune that’s almost out of date (5)
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found inside (some of) beauNE THat – out of date indicates an obsolete word (Ed Spencer again) | |||
5 | LAMBOYS |
Treat youngsters cruelly, Squeers-style – protective garb needed (7)
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LAM BOYS (hit boys, as Dickens’s bully Squeers used to do) | |||
6 | YACK |
Rabbit college used as stuffing for ox (4)
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C (college) inside (used as stuffing for) YAK (ox) | |||
7 | FIDGE |
Shuffle letter sequence around (not hard?) (5)
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anagram (around) of DEFGHI (a letter sequence) missing H (hard) | |||
8 | ARAYSE |
Resurrect from the past eras obscured, for ever interred (6)
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anagram (obscured) of ERAS contains (with…interred) AY (for ever) – now obsolete | |||
9 | BING |
House denied love latterly, a heap of waste (4)
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BINGo (house, number game) missing final letter (denied latterly) O (love) | |||
10 | BEDWARF |
After battle of the sexes perhaps following shrink? (7)
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BED WAR (battle of the sexes perhaps) then (after…is…) F (following) | |||
11 | SPATHOSE |
What might describe mineral fragments? Well, not these (8)
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SPA (well) then THOSE (not these) | |||
15 | YUFT |
Binding material you fit with similarly placed cuts (4)
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YoU FiT each word having a letter cut in a similar place – material for binding books | |||
16 | BREWSTER |
Tennents? This aye disposes of watery beers (8)
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BREWSTER (this, the answer) AYE is an anagram (disposes of) WATERY BEERS – Hugh and Robert Tennent perhaps, founders of the Scottish brewery Tennents | |||
20 | ZINCALO |
Vagrant confined to California and cross about it (7)
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IN (confined to) CAL (California) inside (with…about it) ZO (a cross, cross-breed animal) | |||
21 | SLUT |
Traipse south over clay, losing energy (4)
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S (south) then (over, in a down solution) LUTe (clay) missing E (energy) – a slattern | |||
22 | PREHEND |
Rarely grasp what was written about soil’s efflorescence (7)
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PEND (written, old spelling, what was) contains (about) REH (soil’s efflorescence) | |||
24 | ID CARD |
I had vehicle before duke – it’s uniquely personal (6, 2 words)
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I’D (I had) CAR (vehicle) then (coming before) D (duke) | |||
27 | CYNIC |
Philosopher, Chinese by the sound of him (5)
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sounds like “Sinic” (Chinese) | |||
28 | LARGE |
Elgar’s variation that’s extensive (5)
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anagram (variation) of ELGAR | |||
29 | SAGES |
Group of seven? Faces losing six (5)
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viSAGES (faces) missing VI (six) – the Seven Wise Men of Greece | |||
30 | TROW |
Small boat, not quite deserving to be upended (4)
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WORTh (deserving, not quite) reversed (to be upended) | |||
31 | SOAP |
Crumpet, very good with a bit of preserve (4)
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SO (very good, interjection) with Preserve (first letter, a bit of) – slang words for young women | |||
32 | CALF |
It’s included among anatomical features (4)
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found inside (it’s included in) anatomiCAL Features |
Thanks PeeDee. SAUNDERS was my first thematic answer, prompted by the possibility of the EF being an encoded DE. That had me looking for FRENCH of course. At that point I had all but FIDGE of the normal answers – I do think the clue for that is unfair: obscure word, allusive wordplay.
SLU? had me puzzled for a while, not knowing that meaning of ‘traipse’ and ‘lute’ taking a while to come.
An interesting process of constructing the code grid, thanks Azed.
One thing missing from the Playfair rules was what to do if you are encoding a double letter. Apparently you change the second to Z, though that leaves the question of how you encode e.g. BUZZARD.
In 1a, ST should be encoded to BS not CS. I think two letters appearing consecutively in a row or column but in the ‘wrong’ order require the most thought to encode correctly.
I’ve seen various methods of encoding double letters, e.g. encode to the double letter diagonally down and right, or insert a letter unlikely to appear doubled (say X or Q) between each double letter. I think from a crossword perspective it doesn’t matter because the answers should be chosen so that no double letter needs to be encoded, just like the answers to be encoded always have even length.
Thanks for the blog , most of the rules missing in the paper but seen them many times.
I actually thought the four undefined were very friendly and gave playwrights straight away.
SAUNDERS also gave DEF on the same row which had to be the fourth realistically.
For once my first guess at the square was very lucky, I put DEF at the start of the fourth row and left 2 letter gaps before and after playwrights as BC was missing. Matching up pairs gave me U in the top left and hence UK and all over quickly for once, I usually have to mess a few times with my first guess to get the square correct.
As Matthew@3 very minor typo for very first square.
Agree with Gonzo @1 for FIDGE the wordplay is very weak
POLEMIC , MIC is not in my Chambers 93, it is still MIKE, also a microphone is definitely NOT an amplifier . It is a transducer converting sound energy to an electrical signal which may then be amplified.
TENNENTS is new to me but the clue was obvious.
Surprised we really need to have SLUT in the crossword, many other words will fit there.
Thanks for the (unusually detailed) blog; my solving experience was very similar to yours (I had also forgotten James Saunders). I just guessed UK PLAYWRIGHTS as the key and was delighted to find that it worked.
Doesn’t the clue for VILL work better if “not” is omitted?
Hi Roz, MIC for microphone is in the most recent Chambers. Personally I am fine with a word being used in a technically incorrect manner if it is done outside a technical context. This is a word puzzle is about the English language, not an electronics text book.
If I was told that the singers in a musical were using microphones then it would be obvious that the speaker is telling me the production uses amplification. One would have to be very obtuse to conclude that the singers have microphones but only for decoration and still have to sing at the top of their voices to reach the back row.
Matthew @3 – well spotted. It will take a while to fix this everywhere, I will get on to it as soon as I have time.
bridgesong @6 – yes! I had to jump through hoops to find a way to fully explain VILL. Without not it would have been so much easier.
PeeDee @ 8 I agree that we should not insist on precise technical definitions for science words in a crossword, however in this case it simply wrong and not even difficult for any person to spot.
Would you be happy to call a turntable an amplifier ? It has an identical role to a microphone.
Roz @10 – no, I would not call a turntable an amplifier, but then I don’t hear people saying that in everyday speech. I do hear my daughter and her classmates (drama students) talking about productions being “miked-up” and similar phrases. I also hear similar phrases used in arts programs on the radio. They mean amplified.
Turntable amplifier speakers , identical in form to microphone amplifier speakers. Each has a separate and very different role.
I am Playfair-phobic but at least Azed makes these things more palatable by giving a generous hint to the key phrase, so that it’s not necessary to waste hours on the mind-numbingly tedious chore of cracking the code the “hard” way. In this case the coded clues were easy to solve and, thanks to the hint about the abbreviation, UK PLAYWRIGHTS was the obvious choice for the phrase.
The crossword proper was excellent, of course, and I think slightly harder than Azed’s puzzles have been of late.
Quite so Roz, but the English language doesn’t always follow logical rules. If a train pulls into a station then one expects to see the the whole thing, not just the carriages behind the engine. If all hands are on deck then one expects to see entire sailors, not just their hands. The mic stands in for the entire amplification system the same way the train and the hand stand in for the entire body.
What a happy Sunday for me last week – I had completed a Playfair for the first time ever! The key was a tic of Azed: if “soak” is in the wordplay it nearly always codes for “ret” (such a useful little word) so PINTER was a good prospect for 25a, confirmed by COWARD. And then a lucky guess for the codephrase (but could it be anything else?) and I was off. I’m expecting to be contacted by a shady figure from Bletchley Park any day now.
Miked up simply implies an amplified performance requiring speakers as well of course. Would you call the speakers amplifiers ? They are as much amplifiers as microphones are.
My last words, if you do not understand already you never will.
I got into this with solver COWARD first, although with undefined clues you are never really sure until it all fits. Some good cluing here this week.
Ref. 8ac – I made this B in ABA? Also 6dn may need explaining to overseas solvers -cockney rhyming slang: RABBIT AND PORK = TALK (=YACK).
Hi Roz, the reason one doesn’t say “speakered up” is the same as the reason why one doesn’t say “all feet on deck”. For some reason some phrases get adopted into the language and some don’t. It just happens that “microphone” got used for an entire amplification system and “hands” got used for entire sailors, but “feet” and “speakers” didn’t.
You arguments clearly show that this is not a logical approach. I agree with you entirely there.
Rer 13ac – my take on this clue when I solved it; read it as ‘(it’s) provided with amplifier’. To me I never gave it a second thought.
Last example I promise , the pick-ups on an electric guitar are essentially microphones , plug into an amplifier and you increase the amplitude, plug that into speakers and get a very loud sound.
The pick-ups or the electric guitar are not an amplifier.
Re #4., much of the Playfair explanation was missing in the printed paper, but was on the Guardian website, which is open to all.
Ros – I agree with that, and your earlier examples. The linguistic process where some parts adopt a meaning beyond their physical form or function is synecdoche https://en.wikipedia.org/wiki/Synecdoche. It is a feature of the language, not an intrinsic feature of the items themselves. A microphone is not an amplifier, but through the use of language the word microphone can acquire the meaning of amplifier.
Well people were saying last week how easy this was and, after I found the complete instructions online (and found an earlier blog of a Playfair to clarify a confusion I had) I set to work. I only managed less than half of the straight clues by Monday night at which point I made my usual decision that I was not going to get any further and put it away. (I do have other things to do.)
The last Playfair blog seems to be dated in 2015 and I only started getting The Observer delivered in 2016. I think I may have done a Playfair when I was getting The Observer back in the early eighties, but I can’t remember how I got on then.
Hello early risers. Wasn’t this a treat?
I finished it on Sunday in spite of many other things to do, held up a bit by not reading the (truncated) explanation and so puzzled by the lack of definitions in the coded words. Once I’d sussed that, the process was pretty much as you describe it. As a keen amateur actor in better days PLAYWRIGHTS came to me immediately though SAUNDERS had slipped my memory.
Many thanks to Azed and PeeDee and a particular welcome to anyone who’s never done a Playfair before.
I thought the same as bridgesong @6, that 3dn parses more easily if “not” is omitted. Also, my take on the parsing of 8ac was (like Nick @17) B for bishop in ABA (usually striped cloth) making ABBA, which can mean a Syrian or Coptic bishop. Thus it’s a form of &lit clue, meaning a bishop who is not necessarily in striped cloth.
For the first time in yonks I didn’t finish an Azed. I only solved Coward, and then the Pinter one was, for me, either Butter or Nutter, impossible to unsee. Never heard of Saunders and having googled him I’ve never heard of anything he’s written.
[Of course, for many years on Top of the Pops, bands were mic’d up but miming ;)]
Clearly Saunders is less familiar than some other British 20th century playwrights; but in view of the comments by Gonzo@2 and Matthew @3, I’m grateful that Azed overlooked the claims of Alan Bennett (although of course with seven letters he could never have been a candidate).
[ Very good Gonzo @ 27, we watch Sounds of the 60s/70s and most on Top of the Pops are not even plugged in. Other shows from that time seem mainly live though, Jimi Hendrix on the Lulu show of all places. ]
[I’m not an aficionado of popular beat music, but I recall an embarrassing incident on Top of the Pops back in the sixties where Hendrix found himself miming to Alan Price.]
[“Popular beat music” – I like that, Dormouse!]
I managed to get all but SLUT, together with all the playwrights. The Playfair reverse engineering I found virtually impossible apart from seeing that DEF were in a line. However, UK PLAYWRIGHTS jumped into my mind and magically everything worked.
Matthew@3: I think the neatest way of dealing with double letters is to use the one diagonally opposite, so here DD would become GG and SS unchanged.