As I may have mentioned before, my natural instinct on seeing a ‘carte blanche’ used to be to avert my eyes and walk in the other direction to avoid it…but I have gradually persuaded myself that I must at least try them…and needs must when one falls on my blogging slot!
The preamble states that:
“The final grid would show 180-degree symmetry in the bars that could be unambiguously entered. However, several answers could only be read in full if bars limiting other answers were omitted. Hence, neither bars nor numbers are to be entered on solutions, but solvers must FOLLOW THE INSTRUCTIONS revealed. Chambers Dictionary (2016) is recommended.”
Short and sweet! No mention of jigsaws, or clues in alphabetical order of solutions, etc.; but, equally, no mention of clues being in ‘regular order’, which I decided must be the default case here. And I didn’t really make much sense of that second sentence from the first couple of reads, so I decided to get on with some cold solving to see what would transpire.
(I also mentally prepared myself to reach out to my fellow bloggers, for help, or even to have someone take over the blog, if I didn’t make sufficient progress…)
No clue number, no bars, no enumeration – the coldest type of cold solving there is – somewhere on the Kelvin scale of solving!
After several sessions of scanning, picking off the occasional clue and then putting it down again, it seemed I was destined to ‘phone a friend’ and admit defeat. But then SHAD-BELLIED jumped out at me – most likely an anagram of SHIELD and BLADE, and a little anagram solver use and checking that it is a word confirmed that. Given its position as the fifth Down clue, I took an educated guess and pencilled it in down the middle column.
That allowed me to put ESSAY down next to it, and EASTER along from its last E…again guesses, but with reasoning. That gave me AD in row 4, and I tentatively put SHAHADA in there, although that seemed a little low down. Looking back, it could also have used the SH in row 2, which might still allow for three Across clues before it.
With EASTER and DESCRY across the bottom right corner, I pencilled in SENSORY and NESTER.
And then I moved to a technological solution – I created the grid in an Excel spreadsheet, copy-pasted the clues in and started putting the solutions so far next to them. Now I could experiment much quicker, and undo any blind alleys or wrong turns without having to destroy my working copy with an eraser!
The first PDM came when I got TAMASHA – if that was the third Across, and SHAHADA was the fourth, then either SHAHADA had to go be in the fourth row, or they could overlap – TAMA|SHA|HADA. This kind of tallied with that second sentence of the preamble – putting the bar in for either would invalidate the other.
Those two allowed a few more Down clues to be tried out, and then another potential overlap appeared – MUSCA|DET|AIL. At this point, I started highlighting the overlaps in my Excel sheet, to make them more obvious.
And, as is often the case with cartes blanche – jigsaw or regular order – once you reach a critical mass of entries, as long as you have enough solved fodder they will usually start to slot in more easily. And the more you slot in, the more possible crossers you get to help you go back and solve the stragglers…and momentum builds….
The overlaps seemed to be every other row, and with my highlighting I eventually saw the instruction take shape: ‘SHADE THESE AREAS’.
And that seemed to be that – time to transcribe it all on to a clean copy and scan/submit. A fiercely daunting puzzle, on first sight, that actually fell out quite nicely, once I’d had that first revelation/educated guess with SHAD-BELLIED. And the dénouement was fairly simple – no grid manipulation or substitutions – just SHADE THESE AREAS, which I had serendipitously already done!
There were several obscure/new to me words – TAMASHA, SHAHADA, AMICES, HESIONE, SHAD-BELLIED, BAEL, to name a few, which meant a lot of checking of meanings in Chambers. There was also, I’m not ashamed to admit, a lot of use of pattern matching in e-dictionaries, and anagram solvers. Interesting to see LAB in wordplay twice – as a dog (Labrador) and a workroom (laboratory). I also didn’t help myself by initially solving the last clue as LINE, which slowed the momentum down a bit in the final knockings!
Overall, it was still a pretty tough challenge – for which thanks to Kcit – and a satisfying one to finish. I trust all is clear below…
Across | ||||
---|---|---|---|---|
Clue No | Solution | Clue (definition underlined)
Logic/Parsing |
||
* | AMICES | Novelist’s written about church garments for religious orders
AMI_S (Kingsley or Martin, novelist) around CE (Church of England) [from long experience, ‘novelist’ can often be one of the AMISes] |
||
* | SAPS | Sources of water recalled in such drains
SPAS – sources of water, reversed, or recalled = SAPS – drains |
||
* | TAMASHA | Entertainment in Chennai: Cheers (a US show imported)
T_A (thanks, or cheers) around(importing) A + MASH (US TV show) |
||
* | SHAHADA | Quiet area possessed a statement of faith
SH (interjection, quiet!) + A (area) + HAD (possessed) + A |
||
* | ONERS | Experts on energy leading body of scientists
ON + E (energy) + RS (Royal Society, body of eminent scientists) |
||
* | FREE | King brought in charge, seeing no charge in force?
F_EE (charge) around (bringing in) R (Rex, king) |
||
* | MUSCADET | Quantity of money backed Kiwi training to produce variety of grape
MUS (sum, amount of money) + CADET (New Zealand, or Kiwi, for one in training/apprenticeship) [this was my last one parsed – LOP)] |
||
* | DETAIL | Expression of thanks interrupting Schubert song recalled in particular account
DE_IL (lied, or song, in German, of which Schubert was a celebrated exponent) around (interrupted by) TA (thanks, again!) […although Schubert was actually Austrian…] |
||
* | BALD | Bare workroom reflected on department
BAL (lab, or work room, reflected) + D (department) [LAB is clued twice in this puzzle, here as a ‘work room’ – laboratory – and later as a ‘dog’ – Labrador] |
||
* | SLASHES | Criticises line adopted by bands
S_ASHES (bands) around (adopting) L (line) |
||
* | HESIONE | Prisoner of monster is held back by male individual
HE (male) + ONE (individual), around (holding) SI (is, back) [Greek mythology, she was rescued from a sea-monster by Hercules] |
||
* | REAL | Queen’s putting out good material
RE( |
||
* | AREAR | River behind field? No longer behind
AREA (field, realm) + R (river) |
||
* | EARLINESS | Auditors accepting punishment, arriving too soon?
EAR_S (auditors) around (accepting) LINES (punishment at school) |
||
* | LAER | Exotic defensive structure subsequently seeing centre destroyed
LA( |
||
* | MESTO | Succeeded when interrupting most of campaign empowering women, sadly
ME_TO( [mesto being a musical direction to play ‘sadly’] |
||
* | PANACEAS | Remedies article stuck in internal organ – right for excision
PAN_C( |
||
* | EASTER | European boss cancelling start of music festival
E (European) + ( [again, from long experience, ‘festival’ is often Easter)] |
||
* | ISLE | Man, perhaps, confused when out of care of doctor
( […and ditto with Man <-> Isle (of Man)] |
||
* | DESCRY | Condemn annexing special spot
DE_CRY (condemn) around (annexing) S (special) |
||
Down | ||||
Clue No | Solution | Clue (definition underlined)
Logic/Parsing |
||
* | ATOMISM | Girl, without repetition, skewering a male philosopher’s theory of indivisibility
A + TO_M (male) around (skewered by) MIS( |
||
* | MANUAL | Source of guidance one used to catch wildcat? On the contrary
MANU_L (Pallas’ Cat, Asian wildcat) around (catching) A (one) – i.e. not ‘one’ catching ‘wildcat’ |
||
* | CARCASE | Ruin traffic offence?
CAR (traffic) + CASE (offence) [carcase, or carcass, can refer to a framework generally, so a ruin, as well as a dead body] |
||
* | ESSAY | French are to speak, or try
ES (French, are) + SAY (to speak) |
||
* | SHAD-BELLIED | Sloping away, waving shield and blade
anag, i.e. waving, of SHIELD and BLADE |
||
* | SAVE | Spare line removed from connected mechanism
S( |
||
* | PARADOX | Bumpy road welcomed by passengers? It’s apparently absurd
PA_X (passengers, abbreviation used in transport, particularly aviation) around (welcoming) RADO (anag, i.e. bumpy, of ROAD) |
||
* | SDEIN | Players dismissing one in scorn? Not any more
S( |
||
* | BAEL | Dog upset after eating English quince
BA_L (lab, Labrador, dog, upset) around (eating) E (English) |
||
* | CAREENS | Turns over, concern being expressed here
CARE (concern) + ENS (entity, being) |
||
* | LIONESS | Agreed upon blocking fake news with singular element of pride
LI_ES (fake news) around (blocked by) ON (agreed upon), plus S (singular) |
||
* | SENSORY | Nurse with timeless tale affecting the feelings
SEN (State Enrolled Nurse) + S( |
||
* | NESTER | Many a bird never collecting stone
NE_ER (never, poetic) around (collecting) ST(stone) |
||
* | BRAAI | A lot of intelligence about a party in East London
BRA_I( […and again, from long experience, East London can sometimes lead you to Cockney rhyming slang, or to East London, a city/port in South Africa] |
||
* | RIMAE | Argon no longer trapped in ice in fissures
RIM_E (ice, frost) around (trapping) A (obsolete for Argon, now Ar) |
||
* | ALPS | Hollows with elevated area forming mountain pastures
LAPS (hollows) with A (area) elevated (for a Down clue) gives ALPS (mountain pastures) |
||
* | RACE | Stock snatch of poetry
double defn. – one’s RACE can be one’s stock, or lineage; and RACE is Spenserian, i.e. poetic, for ‘snatch’ [I had this initially as ‘LINE’ – a line of stock; a line of poetry…] |
There’s a setter’s blog now up at: http://phionline.net.nz/setters-blogs/follow-the-instructions/
Thanks for the blog, Kcit. I had a similar experience to that of our trusty 225 blogger. Once I figured out that ‘shad-bellied’ was an anagram and likely had to run down the centre, the rest felt straightforward and I understood the shared letters scheme quickly. However, I briefly read the message as ‘shade the S.E. areas,’ so not too bright on that score. I hoped that clues were in conventional order … happy that turned out to be true. They were a mix of those easy to cold-solve and harder ones. After seeing BRAAI twice in a few weeks, I finally discovered on my own that East London does not always mean the east side of the English city. But thanks to mc_rapper67 for pointing that out and for the rest of the blog.
I found this tough going at first, at one point wondering whether the clues were pitched a bit too high for me, but when some answers seemed to link together nicely in the top few rows of the grid I pencilled them in, giving myself something to build on. A problem then arose in the second row, and then a similar problem in the fourth row – it dawned on me that the two words in each of those rows overlapped. Obviously anticipating more of the same (bearing in mind the declared rotational symmetry), the rest of the puzzle became more tractable – helped also by getting SHAD-BELLIED (the only time, surely, I will ever see this word) – and it was a pleasure solving all the remaining clues, which I thought were excellent.
For a while I could see no ‘revealed’ instructions, but eventually something made me study just the overlapping cells, which were sets of three in alternate rows. What a clever (and unique?) idea – the instruction to shade certain cells was in those cells! I think I must have laughed out loud.
Thanks to Kcit, and to mc_rapper67 for an excellent blog.
Thanks for the comments, ub and Alan B – much appreciated, as ever.
Any more takers out there?!