I’ve never watched the TV show of the same name, so if that is the theme I will need to Go-ogle to complete it!
The preamble states that:
“Six entries (including one plural), thematically connected with the unclued entry, are undefined. A single letter should be dropped from the remaining clues, always leaving real words, which when read in clue order provide an adapted line of verse and the original author. Together, these all allude to the tableau to be highlighted by solvers (17 cells in two separate straight lines), illustrating a suspension in the LINE OF DUTY. Chambers Dictionary (2016) is recommended, but omits 33 which is in Collins.”
On an initial scan, the second clue (7A) looked like an undefined one, and jumped out at me as RAPIER. As did 34A – ‘go’ in El Salvador for EPEES, the plural one from the preamble. So fairly early on it seemed like SWORDS had something to do with things. And when I got STEEL crossing with EPEES, I thought it might be something to do with CROSS-SWORDS.
That early progress soon ground down to a slower pace as the process of removing letters and solving some fairly obscure/new (to me) words ensued – BATHYBIUS, CANAIGRE, BAGWIGS, GOIANIA, ARILLODE, EUPHROE, CUSHITIC, LEMNISCI all needed some verification, once I had an educated guess based on wordplay and crossers/anagram fodder, etc.
Once I had SWORDHAND going down at 16D I did wonder whether the four unchecked letters above might be C-R-O-S, as per my original theory, but as the top left gradually filled that became H-A-I-R, and the ‘tableau’ was completed, with a SWORD suspended by a (horse’s) HAIR, above DAMOCLES along the bottom row.
The dropped letters took some teasing out – I had what looked like ‘TOWER’ and ‘G CHAUCER’ at the end quite early on, but only really retro-completed the phrase at the end, once I was starting to dot the i’s and cross the Ts for the blog. It stated:
“Above where seated in his tower – G Chaucer”
Which is a fairly heavily adapted version of the first line of the following, from The Canterbury Tales:
“And high above, depicted in a tower,
Sat Conquest, robed in majesty and power,
Under a sword that swung above his head,
Sharp-edged and hanging by a subtle thread.”
The final piece, for me, was to find the unclued entry, which had to be DIONYSIUS. And my lack of (or time/beer-induced loss-of) classical education meant I did need a little e-research to confirm that it wasn’t Dionysus, the Greek god of wine, equivalent of Bacchus, but DIONYSIUS II, or the Younger, of Syracuse. He supposedly took umbrage at his courtier Damocles for implying that being a ruler was an easy job, and offered him all the trappings of luxury with the stipulation that he had to have the jeopardy of said sword suspended above him by said hair, to show the risks and dangers that also come with the responsibilities of power…
(Perhaps some of our recent and current politicians could give this a try as well – for ‘horse hair’ and ‘sword’ maybe substitute ‘WhatsApp group’ and ‘journalist’?!…)
I hope I haven’t missed anything, after what was a fairly challenging – and educational – solve. Nothing to do with contemporary police dramas, but I did need a bit of Wiki-oogling in the end, after all!
My thanks to Eclogue for a tough workout, and I hope all is clear above and below…
Across | ||||
---|---|---|---|---|
Clue No | Dropped letter | Solution | Clue (definition underlined)
Logic/Parsing (dropped letter in ()s) |
|
1 | A | BETHS | Hard beast composed letters to the Hebrews (5)
anag, i.e. composed,of H (hard) + BE(A)ST |
|
7 | RAPIER | Charge that is right (6)
(not defined) RAP (charge) + IE (id est, that is) + R (right) |
||
12 | B | ASIAN | Continental god to institute ban (5)
AS (Norse god) + I (institute) + (B)AN |
|
13 | O | ARILLODE | Constructed oriel with load for seedy outgrowth (8)
anag, i.e. constructed, of ORIEL L(O)AD |
|
14 | V | HAIRBALL | Gastric concretion locks valley, maybe (8)
HAIR (locks) + BALL ((v)alley, taw, or large marble) |
|
15 | TUCK | Nonplussed, scratching head (4)
(not defined) ( |
||
17 | E | EXMOUTH | Direct from game Scottish and West Country town (7)
EX (direct from) + MOUTH (gam(e), Scottish) |
|
19 | W | BAGWIGS | Adult clearing leftmost way from VIPs in fancy syrups (7)
B( [ay = obscure variant of I; syrup here = Cockney rhyming slang – ‘syrup of fig’ = wig!] |
|
20 | H | CANNAE | Scots are unable to bear, according to the Bard, turning thin first (6)
CAN (t(h)in) + NAE (ean, or bear young, Shakespearean) [cannae = Scottish variant of cannot] |
|
24 | E | UPHROE | Block heroine after success by English following run out (6)
UP (success, an up as opposed to a down) + H (heroin(e)) + RO (run out, cricket) + E (English) |
|
25 | R | OSCULAR | Coral runs with us distraught by kissing (7)
anag, i.e. distraught, of CO(R)AL + R (runs, cricket) + US |
|
27 | E | SUN DISC | Stare at record in ancient symbol (7, two words)
SUN (star(e)) + DISC (record) |
|
29 | S | BISH | (S)trip cleric avoiding work (4)
BISH( [Here the dropped letter is in the definition, rather than the wordplay – a bish being a mistake, or a trip] |
|
30 | E | SPIT CURL | Bare twist for ringlet, perhaps (8, two words)
SPIT (bar(e)) + CURL (twist) |
|
32 | A | MANEATERS | Great white sharks, say, panicked Tara seamen (9)
anag, i.e. panicked, of TARA SE(A)MEN |
|
33 | T | LEMNISCI | Nice milts blended in fillets (8)
anag, i.e. blended, of NICE MIL(T)S |
|
34 | EPEES | Go into El Salvador (5)
(not defined) E_S (El Salvador) around PEE (urinate, go) |
||
35 | E | BELDAM | Fury baled me out (6)
anag, i.e. out, of BAL(E)D ME |
|
36 | D | LESTS | Listens to Spenser having dunder about Tokay initially (5)
LES_S ((d)under) around T (initial letter of Tokay) |
|
Down | ||||
Clue No | Dropped letter | Solution | Clue (definition underlined)
Logic/Parsing (dropped letter in ()s) |
|
1 | I | BATHYBIUS | Hot yen I found in coach chasing bait for marine substance (9)
BA(I)T before (chasing) H (hot) + Y (yen) + B_US (coach) around I |
|
2 | ESPADA | Bounces up in local channel (6)
(not defined) E_A (dialect, i.e. local, for running water, or channel) around SPAD (daps, or bounces, reversed, or up) |
||
3 | N | TIDINGS | Kelson’s mood over northern meadows for authors’ news (7)
TID (mood, in Scotland, i.e. Kelso(n)) + INGS (Northern dialect for meadows) [‘authors” indicates that ‘tidings’ is often used in a literary sense] |
|
4 | H | SNOBS | (H)old scabs head aboard ship (5)
S_S (steamship) around NOB (head) [Again, the dropped letter is in the definition, snob being an obsolete word for a blackleg, or scab, in the sense of breaking a strike] |
|
5 | I | CANAIGRE | Cain bitter in French dock (8)
CA(I)N + AIGRE (bitter, in French) |
|
6 | S | ARYL | Some old lakes yielding radical (4)
ARY (some, old) + L (lake(s)) |
|
8 | T | ALISMAS | Water plants tail off and almost become ruined (7)
ALI (anag, i.e. off, of (T)AIL) + SMAS( |
|
9 | O | PLUTONIUM | Element out concerning current in choice (9)
PL_UM (choice) around (O)UT + ON (concerning) + I (electrical current) |
|
10 | W | EDICTAL | Lad twice defaulted on order (7)
anag, i.e. defaulted, of LAD T(W)ICE |
|
11 | E | RECK | Matter concerning corpse by knight (4)
RE (concerning) + C (corps(e)) + K (knight) |
|
16 | R | SWORDHAND | Special term and name in hard member that wields weapon (9)
S (special) + WORD (term) + HA_(R)D around N (name) |
|
17 | ESTOC | In France, is only child (5)
(not defined) EST (French, is) + OC (only child) |
||
18 | G | HEARTLESS | Glisten over time with minor that’s cruel (9)
HEAR ((g)listen) + T (time) + LESS (minor) |
|
20 | C | CUSHITIC | East African has Will’s leg armour on cit with endless reserve (8)
CUSH (Shakespearean variant of cuisse, or leg armour) + (C)IT + IC( |
|
21 | H | EPUISEE | Record acceptable to his eye in Perth – female’s worn- out in Paris (7)
EP (Extended Play, record) + U (acceptable, not non-U!) + (H)IS + EE (eye, Scottish, i.e. in Perth) |
|
22 | A | GOIANIA | Scotsman after Goa, returning first class for Brazilian city (7)
GO (Go(a)) + IAN (generic Scotsman!) + IA (A1, or first class, returning) |
|
23 | U | BLOUSES | Bourn contemptuous people in loose garments (7)
B (bo(u)rn) + LOUSES (contemptuous people) |
|
26 | C | AFREET | Work craft over early English demon (6)
AFR_T (anag, i.e. work, of (C)RAFT) around EE (Early English) |
|
28 | STEEL | Slippery character below street (5)
(not defined) ST (street) + EEL (slippery character!) |
||
29 | E | BULB | Cry about source of planet? (4)
BLUB (cry) reversed, or about, gives BULB (source of plan(e)t) |
|
31 | R | PACO | Dard company is one which produces wool (4)
PA (Pa, da(r)d) + CO (company) [‘paco’ being an alternative for ‘alpaca’] |
Hard work, but a satisfying ending especially once I’d finally figured out the extra letters!
Regarding the verse itself, the Wikipedia entry for Damocles has a version of the poem with that exact first line (Above where seated in his tower) so I assume multiple options must exist.
Thanks to setter for a good challenge and blogger for clearing up syrups!
Like mc_rapper67, I got into the theme of weapons via RAPIER. Like Arnold, I had difficulty at the end with BAGWIGS and the rhyming slang. And I agree with both about the just-right quality of the puzzle: challenging, tough, educational, satisfying,
The ingenuity of the above grid with its coloured components is a pleasure in itself, Let;s hope a good number of people see and enjoy it, even if few, in most weeks, are moved to post a comment on the EV. Special thanks both to mc_rapper67 and to Eclogue.
I believe that what Chaucer wrote was more along the lines of:
And al aboue, depeynted in a tour,
Saugh I Conquest, sittynge in greet honour,
With the sharpe swerd ouer his heed
Hangynge by a soutil twynes threed.
Anything in modern English has certainly been ‘adapted’.
Thanks for the comments so far – much appreciated, as usual…
arnold at #1 – not sure I’ve seen you on here before – so nice to welcome a new name. I did go to that Wiki page, but obviously didn’t read far enough down!
quenbarrow – at #2 – thanks for your enthusiasm, and the weekly attempt to get the comment numbers up! We aren’t paid by the comment (in fact we aren’t paid at all!), but we do gain valuable dopamine from them…
Phibs at #3 – a fayre poynte welle mayde…
I find it interesting that the comments here on EV puzzles rarely, if ever, refer to the quality (whether high or low) of the clues.
My enjoyment of a puzzle, even a themed one, depends to a large extent on the standard of the clues. But other solvers may see the clues in a themed puzzle as being simply a means to an end(game), and not be unduly fussed about their calibre as long as they can solve them. As someone who spends a lot of time ‘polishing’ my clues for themed puzzles, I’d very much like to hear what other solvers think.
@5 Phibs: For the EV and this blog in particular, I might remember the theme and my solving experience, such as how hard or easy, but not the quality of the clues. This is because the blog comes out 9-10 days after I finish the puzzle, so I glance at the blogger’s solving experience and mostly ignore the clue analysis unless I recall a clue or two with which I had trouble. But it is rare that my recall should be so good. {I do enjoy mc_rapper67’s decorative touches.} All of this goes into why I seldom find reason to comment in this space.
As for daily puzzles and others, themed or not, I am happy for clarity in clues and if several make me smile or amaze me. But this usually lasts only until I move on to the next puzzle. I’m confident that the effort you and others put into polishing your clues has an impact on my solving experiences even if I don’t spend a lot of time thinking about it. For example, I’m sure I’ve gotten frustrated if I can’t even ARRIVE at the endgame because the clues are too dense or I am too dense to figure them out. …
This turned into a bit of ramble but I hope the feedback is helpful and I surely don’t want it to discourage the extra work you do.
ps: ‘Clarity’ is open to wide interpretation. What I meant is once I arrive at the answer, I can say the clue makes sense to me and I think I know what the compiler intended.
Phibs at #5 – you make an interesting point there, although one that might get a wider airing in the General Discussion slot?
(I know you didn’t refer to the blogs specifically, but to the comments – I just thought I might add my tuppeny-worth).
There is usually so much going on in an EV blog that I rarely make mention of the clues, except to maybe make a generic statement that they were overall relatively ‘tough’ or ‘gentle’. I think I (and maybe the commenters?) start from an assumption, or a presumption, that the clues in an EV/IQ/Listener will be of a certain quality (as opposed to difficulty) and they will have been test-solved and edited to an extent that any that the setter hadn’t ‘polished’ to a suitable degree would probably have been picked up and referred back to them.
Conversely, with a standard blocked grid puzzle – a Grauniad or an Indy – I will normally highlight a few favourite clues – and occasionally call out any write-ins, duff clues that might not be of the level expected for the level of puzzle – e.g. Saturday Prize workout vs. mid-week enjoyment…
When I write up the parsings in a blog, I often notice (and appreciate) things that I maybe glossed over in solving, and I sometimes highlight any clever niceties – although whether anybody reads these is a moot point! ub above maybe doesn’t always; other commenters seem to read all the parsings in minute detail and are quick to pick up on any omissions or inconsistencies!
Ultimately, I tend to align with ub’s view at #6 that after I have enjoyed solving (and often blogging) a puzzle, the memory gets pushed off the conveyor belt with the arrival of another puzzle and another set of clues, and often another blogging deadline…but this certainly doesn’t detract from the appreciation and enjoyment of a good puzzle at the time.
ub and mc – thanks for your comprehensive responses which I found very interesting.
One point that I would make is that (at least with themed puzzles) it would in my experience be extremely unusual for a clue to be ‘polished’ (at least in the sense that I mean it) by anyone except the setter – the test solvers (where they are used) and editor will certainly identify clues which are unfair and/or unsound, and either make modifications or request revisions from the setter, but they wouldn’t normally suggest or seek improvements to a fair, sound clue even if the surface reading makes little sense.
I shall continue to polish away, though, even if it’s only for my own satisfaction!