Chalicea offers us a relatively small (11 x 11) grid, with an extra row BARRED OFF across the top…
(Apologies for the late posting of this blog – there have been a few technical issues with the site, and it has taken me a while to log on and finish this off…)
The preamble states that:
“In one answer in each column the definition and wordplay give a pair of words differing by one letter. The shorter word must be entered in the main grid and the unused letter must be put in the BARRED-OFF area above. The wordplay in all the other clues leads to an extra letter that is not required by the answer. These, read in clue order, will tell you what you have done when you have completed the puzzle. Chambers Dictionary (2016) is recommended.”
It seemed logical to start with the Across clues, as they should all fall into the ‘extra letter from wordplay’ category, and I made reasonable progress in a couple of passes, but not enough to be able to make any sense from the extra letters yet.
I then started on the Downs, and found the first three almost straight away – COMBING/COMING, LEAP/LAP and RAFTER/AFTER, giving BER as the first three barred-off letters. These were soon followed by TRILL/RILL, SHEEP/SEEP and ASH/SHY, building up to BERTHA…or BERT HA…
Which didn’t help much, even when …SON appeared at the top right!
It was only once I’d solved virtually everything, and worked my way more systematically through the extra letters, that I was able to twig what was going on.
The extra letters spelt out: ‘PUT BRONTE’S MAD WOMAN IN THE ATTIC’. The attic being the barred off row in the ‘roof’ of the grid, and Bronte’s mad woman being BERTHA MASON. And a little Wiki-oogling informed me that BERTHA MASON was the first wife of Mr Rochester in Charlotte Bronte’s Jane Eyre. Said wife was declared ‘mad’, or ‘violently insane’ (I’m sure we’d use some other words these days!), and locked in a third floor room at Wildfell Thornfield Hall, leaving Mr R free to dally with the eponymous Jane:
(I’m sure it is obvious from the above that I have never read the book! My apologies for my cultural deficiencies in this regard…happy to have any more erudite literary criticism in the comments below…)
My only slight quibble would be that the preamble refers to the ‘definition and wordplay’ in thematic clues differing by one letter, but seven of the eleven are ‘subtractive double definitions’, so technically there is no ‘wordplay’ in them. However, that did not detract too much from the gist of the device being used.
As is often the case, Chalicea has given us a nicely constructed (and educational, for my part) puzzle with a feminine theme/twist. My thanks to her, and also my thanks to kenmac/Admin, for resurrecting the site!
(NB. It was a bit of a challenge to get that top row in the grid on the PeeDee utility – the only way to stop it putting numbers in (apart from turning the numbering off, and then I’d have had to put them all in manually), was to bar off every cell on the top row – rather fitting, given the theme!…)
Across | ||||
---|---|---|---|---|
Clue No | Extra/ Barred off Letter | Solution | Clue (definition underlined)
Logic/Parsing |
|
1 | P | CLARE | Applaud concerning member of religious community (5)
CLA(P) (applaud) + RE (concerning) |
|
5 | U | SOLACE | Comfort one’s spiritual being – outstanding (6)
SO(U)L (spiritual being) + ACE (outstanding) |
|
9 | T | OAFISH | Rough and ill-mannered in behaviour to a chum, say (6)
(T)O A FISH (chum) |
|
11 | B | DALLY | Play with ball in deserted yard (5)
D (deserted) + Y (yard) around (B)ALL |
|
13 | R | YICKER | Utter sharp little cries as leaders of youths in choir knowingly make a mistake (6)
YICK (leading letters of ‘Youths In Choir Knowingly’ + ER(R) (make a mistake) |
|
14 | O | IRELESS | Life stories (rejecting the not exactly fit) sorted out without any resentment (7)
subtractive anagram, i.e. sorted out, of L( |
|
15 | N | CYMA | Moulding of hollowed-out contemporary human being (4)
CY (hollowed out ContemporarY) + MA(N) (human being) |
|
16 | T | GRAPETREES | Development of pest greater in tropical fruit producers (10)
anag, i.e. development, of PEST GREA(T)ER |
|
19 | E | GENRO | Historically Japanese elder statesman bountiful (not as above) (5)
GEN(E)RO( |
|
21 | S | SUNNA | Stars absorbing oddly neat root of Muslim law (5)
SUN_(S) (stars)around (absorbing) NA (odd letters of NeAt) |
|
23 | M | STRONG MEAT | What arouses repulsion in garment most damaged (10, two words)
anag, i.e. damaged, of GARMENT (M)OST |
|
26 | A | VIOL | Way with case of orchestral instrument (4)
VI(A) (Latin, road, or way) + OL (outer letters, or case, of OrchestraL) |
|
28 | D | CHOWDER | Thick soup in China more strange with whiskey put in (7)
CH (China) + O_D(D)ER (more strange) around W (whiskey, phonetic alphabet) |
|
30 | W | UNPLAIT | Undo twists in law, surrounded by United Nations depression (7)
UN (United Nations) + P_IT (depression) around (surrounding) LA(W) |
|
33 | O | ZOEAL | Animal park debacle from time to time about creatures’ larval stage (5)
ZO(O) (animal park) + EAL (occasional letters, i.e. from time to time, of ‘dEbAcLe’ |
|
34 | M | CURLEW | Unkempt mongrel essentially kills seagull and wading bird (6)
CUR (unkempt mongrel) + L (middle letter, or essence, of kiLls) + (M)EW (seagull) |
|
35 | A | INDOLE | Sadly no ideal organic compound (6)
anag, i.e. sadly, of NO IDE(A)L |
|
36 | N | WEENS | Fancies once turning over new being (5)
WE(N) (new, turning over) + ENS (entity, being) |
|
Down | ||||
Clue No | Extra/ Barred off Letter | Alternatives | Clue (definition underlined)
Logic/Parsing |
|
1 | B | COMBING / COMING | Thoroughly searching on the way (6)
subtractive/thematic double defn – COMBING = thoroughly searching; COMING = on the way |
|
2 | E | LEAP / LAP | Violently rush one circuit (3)
subtractive/thematic double defn – LEAP = to rush violently; LAP = one circuit |
|
3 | R | RAFTER / AFTER | One operating flat boat contrived feat on river (5)
AFTE (anag, i.e. contrived, of FEAT) + R (river) |
|
4 | T | TRILL / RILL | Tremulous sound – small brook (4)
subtractive/thematic double defn – TRILL = tremulous sound; RILL = small brook |
|
5 | A | ASHY / SHY | Throw of pale grey colour (3)
subtractive/thematic double defn – ASHY = of pale grey colour; SHY = throw |
|
6 | M | MODISTS / ODISTS | Followers of fashion writers with tendency to elaboration (6)
subtractive/thematic double defn – MODISTS = followers of fashion; ODISTS = writers with tendency to elaboration |
|
7 | I | ALKY | Drunk in trouble on Skye losing clothing (4)
A(I)L (trouble) + KY (sKYe losing outer letters, or clothing) |
|
8 | N | CLEMENT | Generous line with followers later taken in by small US coin (7)
C_E_NT (small US coin) around L (line) and then later ME(N) (followers) [the extra N could be in CENT or MEN] |
|
10 | H | SHEEP / SEEP | Observe quiet people who follow meekly (4)
SEE (observe) + P (piano, music, softly/quietly) |
|
12 | T | ACCRUE | Article about small church wine container to fall due (6)
A (indefinite article) + C (circa, about) + CRUE(T) (small church wine container, e.g. for the Eucharistic wine) |
|
16 | H | GET IN ON | Contribute to one night in a fashion (7, three words)
anag, i.e. in a fashion, of ONE NIG(H)T |
|
17 | E | AROLLA | Siberian cedar in area including holly with bark stripped (6)
AR(E)_A around (including) OLL (hOLLy, stripped of outer letters, or bark!) |
|
18 | A | EUGH | Not at first beau, good hard wood for the Bard (4)
E(A)U (bEAU, not at first) + G (good) + H (hard) |
|
20 | T | ON CALL | All at once crammed together, stripped off and changed, ready as needed (6, two words)
subtractive anag, i.e. changed, of ( |
|
22 | N | NARROWS / ARROWS | Chief shoots elderly contracts (6)
subtractive/thematic double defn – ARROWS are obsolete, i.e. elderly, chief shoots of a plant; and to NARROW can be to contract |
|
24 | T | MOTU | Way of working with totally abstaining united Melanesian group (4)
MO (modus operandi, way of working) + T(T) (teetotal, abstaining totally) + U (united) |
|
25 | S | SADDLE / ADDLE | Say further on the French col between two peaks (5)
ADD (say further) + LE (the, definite article, in French) |
|
27 | I | OP-ED | With no copyright, copied newspaper page expressing writer’s opinions (4)
( |
|
29 | A | AWARE / WARE | Conscious of state of conflict over energy (4)
WAR (state of conflict) + E (energy) |
|
31 | C | ICE | Coldness of manner in civic centre (3)
hidden word in ‘civIC (C)Entre |
|
32 | O | OPEN / PEN | Uncovered animal enclosure (3)
subtractive/thematic double defn – OPEN = uncovered; a PEN can be an animal enclosure |
Regarding the ‘slight quibble’, the second route to the answer in a cryptic clue was at one time often referred to as a ‘subsidiary indication’, but this term has largely (with the notable exception of Azed puzzles) been superseded by the more succinct ‘wordplay’. The current guidance notes for Listener setters, for example, have ‘wordplay’ as a mandatory term, with ‘subsidiary indication’ and ‘cryptic part’ being explicitly prohibited.
One might feel that a wordplay must in itself be cryptic, but I would suggest that it is simply the presence of the wordplay which makes a clue as a whole cryptic. So ‘Dismiss, discard’ is a non-cryptic clue for CASHIER, while ‘Dismiss clerk’ is a cryptic one, involving ‘punning or witty repartee exploiting verbal ambiguity, etc.’ (ie wordplay).
This was a delightful puzzle that I found tricky until I got used to distinguishing between the two types of Down clue. I got the message from the extra letters coming from from most of the clues before I got the name, but of course both pointed uniquely to the ‘mad’ character from Brontë’s work.
Thanks to Chalicea for the literary theme and a puzzle with a good set of clues. And thanks to mc_rapper for the interesting blog.