What has Jaques served up for us this EV week? For PIE CRUST, will we have to fil-o the grid with some unusual ingredients?…and will our efforts prove a bit flaky?!…
The preamble states that:
“Eight clues have no obvious definition and have wordplay to only part of the answer. Solvers must enter the other part, occasionally ignoring articles, which should allow them to see the PIE CRUST. Information in brackets refers to entries. Chambers Dictionary (2016) is recommended.”
I initially shot myself in the foot on this one, by reading 1D as I (one) + R (close to ruddeR) + N (close to sterN), so no ‘obvious definition’, the clued part of the answer was IR_N, and we had to supply O as the ‘other part’ to complete the entry. I then spent a long time looking for other similar constructions with missing letters.
As time moved inexorably along, and the grid slowly filled up, it looked like 7D had to be MAGNIFICENT, 13A had to be APOLLO, and 17A looked like STALAG, with none gettable or even near from their wordplay, which I hadn’t got anyway, but I just couldn’t relate them to my initial theory of there being most of a clue with a missing letter or two.
I’m sure many of you were there long before me, but my PDM eventually came when 12D looked like it was ‘TWELVE’ from the wordplay, but had to be ‘ANGRY MEN’ from the crossers – a phrase that automatically cross-referenced in my mind to the film ’12 Angry Men’. And then the PIE CRUST fell away from my eyes: PIE CRUST = ‘moving’ PICTURES, and those other entries all related to their clue numbers, which were given by their wordplay…! In full:
- (THE) MAGNIFICENT 7
- OCEAN’S 11
- 12 ANGRY MEN
- APOLLO 13
- STALAG 17
- CATCH-22
- 27 DRESSES
- (THE) 39 STEPS
I hadn’t heard of ’27 Dresses’, but I was familiar with all the others, even if I couldn’t claim to have watched them all in full!
Wow – what a a feat of grid construction, to get each of these in their titular numeric position and maintain grid symmetry:
I’d say this was probably one of the harder EVs of the year (so far, although I did make it harder for myself with 1D!), with that devious device, and some problematic parsings (for me, anyway) – but a very satisfying PDM once it arrived… Many thanks to our master chef, Jaques, and I trust all is ‘al dente’ below.
(NB. A new rule for EV Club –
- Rule 1: don’t talk about EV club – ideally don’t even comment on the blogs, in case anyone notices (;+>)
- Rule 2: always check the main diagonals for thematic material
- Rule 3: try anagramming the title, as it might give something relevant
)
Across | ||||
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Clue No | Solution / Entry | Clue (definition underlined)
Logic/Parsing |
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1 | IMPIS | Short sword sinistral bears rampant at the hub for groups bearing arms (5)
IM_IS (simi, short sword, sinistral, or to the left) around (bearing) P (middle letter, or hub, of ramPant) |
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5 | FISHMEAL | Badly famished with no end to bread line’s thin diet (8)
FISHMEA (anag, i.e. badly, of FAMISHE( |
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10 | RALE | Appear delirious lacking doctor that’s sound for disease (4)
RA( [rale being the rattling sound of a diseased lung] |
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11 | ELEVEN / OCEANS | Flap having two roles, taking stage finally – not on to start with (6)
ELEV( |
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13 | THIRTEEN / APOLLO | Solutions essentially cryptically therein (6)
T (middle letter, or essence, of soluTions) + HIRTEEN (anag, i.e. cryptically, of THEREIN) |
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15 | AGRIN | Silver screen in Kilmarnock once giving show of enjoyment (5)
AG (Argentum, silver) + RIN (Scottish, i.e. in Kilmarnock, version of run, or screen, e.g. of a film) [agrin being archaic, or ‘once’, for the act of grinning, or showing enjoyment] |
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16 | NANOMETRE | Shift ornament on base a tiny amount (9)
NANOMETR (anag, i.e. shift, of ORNAMENT) + E (logarithmic base) |
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17 | SEVENTEEN / STALAG | Badminton maybe gets watched peripherally (6)
S_EEN (watched) around (peripheral to) EVENT (Badminton is an example of an equestrian three-day event) |
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18 | SPOILER | Potato’s tip showing in earth, King Edward, it’s a giveaway (7)
S_OIL (earth) around P )first letter, or tip, of Potato) + ER (Edward Rex, King Edward) |
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19 | AKIN | Of similar nature and acting catty (4)
A (acting) + KIN (oriental weight, the katti, or catty) |
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20 | FLAY | Tear skin off foot put forward (4)
F (foot) + LAY (put forward, as in lay money on…) |
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22 | TWENTY-TWO / CATCH | Time departed that old, old misery (5)
T (time) + WENT (departed) + YT (archaic, or old, for that) + WO (archaic, or old again, for woe, or misery) |
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23 | PILUM | Italy added to stone in concrete and legions of Romans used it (5)
P_LUM (a stone embedded in concrete) around I (Italy, International Vehicle Registration letter) |
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24 | ESNE | One was bound in essence to forget occasional brief time (4)
EsSeNcE, forgetting the occasional letters of ‘sec’, or second, brief time [esne being an Anglo-Saxon domestic slave] |
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25 | ETEN | Echoing top note for one that reached unusual heights? (4)
NETE (highest note on a lyre) echoed, or reversed = ETEN [eten, or ettin, being archaic for giant] |
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27 | TWENTY-SEVEN / DRESSES | Reckoning for apocalyptic horsemen to be loosed from all time? (7)
24-7 (all the time, i.e. 24 hours a day, seven days a week) without the 4 (horsemen of the apocalypse) = TWENTY-SEVEN! |
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29 | CREPON | Trick to take cloth in for thick fabric (6)
C_ON (trick) around (taking) REP (corded cloth) |
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31 | HARMONICA | Choir accepted man playing harp (9)
anag, i.e. playing, of CHOIR + A (accepted) + MAN |
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34 | NATAL | Decisive female’s gone for natural, initially concerning birth (5)
( |
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35 | TRISTE | Heart lost in Itatian city long ago – con dolore (6)
TRI( |
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36 | FETTER | Hobble to fetch elderly queen (6)
FETT (obsolete, or elderly, for fetch) + ER (Elizabeth Regina, former queen) |
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37 | ACRE | Quantity of ground covered by meercat having turned tail (4)
reversed hidden word, i.e. covered by and having turned tail, in ‘meERCAt’ |
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38 | CEREBRAL | Bridge inside thing with ears, like pons’s location? (8)
CERE_AL (food crop with ears) around BR (bridge) |
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39 | THIRTY-NINE / STEPS | I hint with entry changing (5)
anag, i.e. changing, of I HINY + ENTRY |
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Down | ||||
Clue No | Solution / Entry | Clue (definition underlined)
Logic/Parsing |
||
1 | IRON | One close to rudder and close to stern (4)
I (one) + R (closing letter of ruddeR) + ON (close to) |
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2 | MAHATMAS | Millions on treatment of asthma containing American sages (8)
M (millions) + AHATM_S (anag, i.e. treatment, of ASTHMA) around (containing) A (American) |
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3 | PLANAR | Flat pack originally organized with carcase of all put up (6)
P (Pack, originally) + LANAR (RAN, organised, plus AL, outer letters, or carcass, of AlL, put up) |
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4 | STOMACH | Mascot’s sozzled on hard spirit (7)
STOMAC (anag, i.e. sozzled, of MASCOT) + H (hard) |
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5 | FILE | Wily old fox put up in court (4)
double defn – FILE is obsolete, or old, for a shrewd or cunning person, or fox; and to FILE can be to bring before a court, i.e. file charges) |
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6 | SCORPION | Priest and priestess held in contempt, scourge of the bible (8)
SCOR_N (contempt) around (holding) P (priest) + IO (Greek mythology, a priestess of Hera) |
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7 | SEVEN / MAGNIFICENT | Empty service and short address for one moving to sainthood (11)
SE (ServicE, emptied) + Ven (abbreviation for venerable, one moving towards beatification) |
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8 | ENROL | Join desperate loner (5)
anag, i.e. desperate, of LONER |
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9 | ASIS | Unaltered losing stone from period of going steady (4, two words)
( |
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12 | TWELVE / ANGRY MEN | “Quaint”, covering number for Fibonacci (8, two words)
TWE_E (quaint) around (covering) LV (Roman numerals, 55, a number, to an Italian, e.g. Fibonnacci) |
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14 | POLICE STATE | Abused caste enslaved by refined in repressive regime (11, two words)
POLI_TE (refined) around (enslaving) CE_STA (anag, i.e. abused, of CASTE) |
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17 | SECEDING | Sprinkling taking cocaine in leaving party (8)
SE_EDING (sprinkling) around (taking in) C (cocaine) |
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18 | SKIES | Hour gone when Arabic chiefs returned for gallery’s top pictures (5)
S( [skies being the upper row of pictures in a gallery] |
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19 | ANTEATER | Taste of Indian tea terrific for one used to army fare? (8)
hidden word in, i.e. taste of. ‘indiAN TEA TERrific’ |
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21 | AUTOCARP | Could be Nissan parking is Cherry, perhaps that can see to it itself? (8)
AUTOCAR (a Nissan is an example of a car) + P (parking) [an autocarp is a self-fertilising fruit, so maybe a cherry that can see to itself!] |
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23 | PYROSIS | Heartburn distressing right away when infusing drink brought up (7)
SI_P (drink) around SOR( |
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26 | APIECE | Each welcome luxury wallowing in best service (6)
A_CE (best service, in e.g. tennis) around PIE (welcome luxury) |
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28 | ESTER | Cycling measure for compound? (5)
a STERE, or timber measure, with the last letter cycling to the front = ESTER |
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30 | CAFÉ | Irritation no hot food’s served here (4)
C( |
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32 | MILL | Wicked to go after money and rob (4)
M (money, abbreviation used in economics, e.g. M0/M1/M2, etc.) + ILL (wicked, bad) [mill being slang to rob or steal] |
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33 | AVES | Sabbath understanding prayer class for Peggy and Robin (4)
AVE (Ave Maria, prayer) on top of S (Sabbath), i.e. with Sabbath standing under! [Aves being the class of birds, with Peggy and Robin being examples] |
Greatly helped by noting PIE CRUST = ‘moving pictures’ at the outset.
Over the years I’ve done a few grids where specific words were required at specific clue numbers, and they’re fiendishly hard. What’s been achieved here is quite extraordinary – I would not have thought that so much thematic content could be arranged thus. Bravo!
For me the title jumble was very much ex post facto. would have helped had I seen it earlier!
I missed out on this one unfortunately, shame as it looks like good fun.
One thing I don’t understand though, is why the Thematic entries are wordplay-clued to give their clue numbers? Wouldn’t it have been easier to leave those unclued and say something like “unclued entries must be completed thematically” (or similar)?
Seems a bit unnecessary to have the wordplay for 13 giving the answer Thirteen, etc, especially as most likely solvers will only realise this once they’ve discovered the theme.
The theme became obvious early in the solve and, once one had confirmed that the clue for 7dn could lead to SEVEN, the remaining wordplay-only clues were superfluous. I’ve seen similar ideas tried a few times, but they inevitably seem to lead to a single moment of illumination followed by a smooth but dull glide to the finishing line.
Thanks for the comments so far – much appreciated, as usual.
High praise for Jaques from Phi/Kcit at #1 – ‘quite extraordinary’ grid construction…bravo indeed
Arnold and Nox – I see your points, that the wordplay clues for the numbers might be superfluous – particularly after the first one, in Nox’s case SEVEN, in my case TWELVE, but that first one did help…even if making them ‘unclued’ would have made your blogger’s job a bit easier, with eight fewer clues to parse!
Anyway, the clue for 27 was worth the admission alone – I didn’t really hype it up in the blog, but ‘letting loose’ the FOUR horsemen of the apocalypse from 24-7 took a leap of the imagination, with a pretty epic surface read to boot…
MC, it’s good to see your rule#1 being successfully breached; I was talking recently to one of your fellow EV bloggers and lamenting the relative absence of comments on the excellent blogs. One can only hope that there are lurkers out there who are silently appreciate your efforts.
As to the puzzle, I’ve little to add – as has been said, an outstanding construction (although Jaques has plenty of form in this regard) and some ingenious cluing of the thematic entries, which could be admired even when the theme was understood and so the answer known.
I’m a lurker who scans the blog to compare the blogger’s solving experience with my own, given that 10 days later I have forgotten most of the details. However, because I did not work this puzzle until the day before MC posted the blog, I read it more closely than usual and needed it to realise the full genius of this grid. I did not abide by rule No. 3 and so did not understand the title. I agree that the clues were more taxing than usual and I never did figure out TWENTY-SEVEN until I read the blog. Thanks to Jaques and MC.
Re 27, I can’t accept ‘all time’ as valid shorthand for ‘all the time’, any more than I would consider ‘half time’ the same as ‘half the time’.
I concur with the general view regarding the fine grid construction, but at the same time the puzzle’s deficiencies are, I think, directly linked to the challenge of trying to create a poser from what is essentially an exhibition piece.
I wonder if I’m alone in trying not to attempt decryption of the title of a themed puzzle for as long as possible lest it should spoil the pleasure of gradually unravelling the knot? Sounds like I might be…
A great EV title can be a thing of beauty. PIE CRUST is certainly up there with GREAT PARLIAMENTARIANS in the Inquisitor a few months back.
Rule 1 has now definitely been smashed to bits. What next?