We have the Christmas Prize crossword this week and it’s no surprise to see Maskarade as the setter.
The preamble told us that the Across solutions are all names of composers, one of which has a forename included. Their clues generally lack a definition. Solvers must omit all instances of the letters A, E, I, O, U and Y and may insert asymmetrical bars between entries. Clues are presented in groups for each row and then each column. Letter counts refer to answers before vowel removal, so ‘Danish opera (9)’ would give the answer MASKARADE and the entry MSKRD.
This is the kind of preamble that solvers often see in barred crosswords so I was fairly comfortable with what I had to do. I assumed that the consecutive clues within each row and column would be entered across the row or down the column in the same order. It would increase the difficulty significantly if the answers had to be entered jigsaw style in each row or column.
Before solving the clues I thought I would have a quick scan of the composers in this year’s Classic FM Hall of Fame to refresh my memory of possible entries in the grid rows. I reckon there were over 110 different composers listed, but by the end of the puzzle I realised we weren’t looking for just mainstream composers as there were only 6 of those composers in the grid – TALLIS, GOUNOD,MASCAGNI, ROSSINI, RODRIGO and HOLST, The remaining 31 were, for me at least, less well-known or unknown. None of Beethoven, Mozzart, Bach, Handel or Vaughan Williams for instance got into the grid.
The answer with a forename and a surname was ANNA CLYNE at 6(ii).
The table below shows the composers in clue order, together with their dates, nationality and best known musical genres. I am sure there will be errors in the genres as quite a few composers wrote in a wide range of musical categories.
The composer I had the greatest struggle with was TYE at 14(ii) which was entered simply as T. I came across a Japanese composer Yasuhide ITO which would also have been entered as T, but couldn’t make the clue work before I hit on TYE.
| Clue | Composer | Dates | Nationality | Best Known Genre |
| 1 | Erno DOHNÁNYI | 1877 – 1960 | Hungarian / American | Classical |
| Thomas TALLIS | 1505 – 1585 | English | High Renaissance | |
| John Philip SOUSA | 1854 – 1932 | American | Military marches | |
| 2 | Carl NIELSEN | 1865-1931 | Danish | Classical / Opera |
| Juan Crisóstomo ARRIAGA | 1806 – 1920 | Spanish Basque | Classical | |
| Otto NICOLAI | 1810 – 1849 | German | Classical | |
| 3 | Charles GOUNOD | 1818 – 1893 | French | Opera |
| Iannis XENASKIS | 1922 – 2001 | Romanian born, Greek / French | Avant-Garde | |
| Manuel de FALLA | 1876 – 1946 | Spanish | Classical | |
| 4 | Carl Ditters von DITTERSDORF | 1739 – 1799 | Austrian | Classical |
| Jehan ALAIN | 1911 – 1940 | French | Organ | |
| 5 | Luigi NONO | 1924 – 1990 | Italian | Avant-Garde |
| Pietro MASCAGNI | 1863 – 1945 | Italian | Opera | |
| Jacques IBERT | 1890 – 1962 | French | Classical | |
| 6 | Percy GRAINGER | 1882 – 1961 | Australian born, American | Folk-based classical |
| ANNA CLYNE | Born 1980 | English | Acoustic and electroacoustic | |
| 7 | Olivier MESSIAEN | 1908 – 1992 | French | Modern / Organ |
| Luciano BERIO | 1925 – 2003 | Italian | Experimental / Electronic | |
| Pablo de SARASATE | 1844 – 1908 | Spanish | Classical violin | |
| 8 | Gioachino ROSSINI | 1792 – 1868 | Italian | Classical |
| Michael BALFE | 1808 – 1870 | Irish | Opera | |
| Marcel DUPRÉ | 1886 – 1971 | French | Classical organ | |
| 9 | Joaquin RODRIGO | 1901 – 1999 | Spanish | Classical / guitar |
| Édouard LALO | 1823 – 1892 | French | Classical | |
| Arcangelo CORELLI | 1653 – 1713 | Italian | Classical baroque | |
| 10 | Ruggero LEONVCAVALLO | 1857 – 1919 | Italian | Opera |
| Georges AURIC | 1899 – 1983 | French | Avant-garde / ballet / film | |
| Nicholas MAW | 1935 – 2009 | British | Classical opera / choral | |
| 11 | George ENESCU | 1881 – 1955 | Romanian | Classical |
| Karlheinz STOCKHAUSEN | 1928 – 2007 | German | Modern experimental electronic | |
| 12 | Alan HOVHANESS | 1911 – 2000 | American | Classical |
| Malcolm ARNOLD | 1921 – 2006 | English | Many genres from classical to brass band / film | |
| 13 | Niels GADE | 1817 – 1890 | Danish | Classical |
| Georg Philipp TELEMANN | 1681 – 1767 | German | Classical baroque | |
| Max REGER | 1873 – 1916 | German | Classical piano / organ | |
| 14 | Gustav HOLST | 1874 – 1934 | English | Classical |
| Christopher TYE | c1505 – c1572 | English | Cathedral | |
| Charles TOURNEMIRE | 1870 – 1939 | French | Classical organ |
As the preamble says there weren’t many definitions in the across clues. I noted the following clues having definitions other than just composer: 4(ii) ALAIN, 5(i) NONO, 10(iii) MAW, 12(ii) ARNOLD and possibly the ‘He’ in the clue for SARASATE at 7(iii)
The clues were very fair with clear wordplay for both across and down clues. Quite a few times though I had to check that answer I was coming up with was actually a composer. The cross checking letters were a great help for some of the composers.
The final grid with asymmetric bars is shown below. Usually, blocked crossword grids have 180 degree rotational symmetry. Some even have 90 degree symmetry. You are more likely to meet asymmetric grids in barred crosswords.
The detailed table below shows all the parsing.
Thanks to Maskarade for the challenge.
| No | Detail | Entry |
| Across | The Composers entered as Across entries are described in the table above. |
|
| 1 |
Note some in Northern Ireland (8) DOHNÁNYI DOH (note of the tonic sol-fa) + (ANY [some] contained in [in] NI [Northern Ireland]) DOH N (ANY) I |
DHNN |
|
They left stealthily, in trouble (6) TALLIS Anagram of (in trouble) STEALTHILY excluding (left) THEY TALLIS* |
TLLS | |
|
Donuts regularly consumed during Sunday afternoon, as starters (5) SOUSA OUS (letters 2, 4 and 6 [regularly] of DONUTS) contained in (consumed) SA (first letters [starters] of each of SUNDAY and AFTERNOON) – the American spelling of DONUT seems appropriate for an American composer S (OUS) A |
SS | |
| 2 |
Dogs spring off to heart of Kent (7) NIELSEN SPANIELS (dogs) excluding (off) SPA (spring) + EN (central letters of [heart of] KENT) NIELS EN |
NLSN |
|
Contents of Coach A (7) ARRIAGA ARRIAG (central letters of [contents of] CARRIAGE) + A ARRIAG A |
RRG | |
|
Northern team downing soft drink (7) NICOLAI N (northern) + (II [characters representing 11, the number of players in many sports teams, e.g. football] containing (downing) COLA (a soft drink) N I (COLA) I |
NCL | |
| 3 |
In France one is entertained by spiritual (6) GOUNOD (UN, one of the French [in France] words for one) contained in (entertained by) GOOD (highly refined in thought and feeling; spiritual). I can accept that if you are spiritual you are GOOD, but I am not so sure that anything GOOD is necessarily spiritual. GO (UN) OD |
GND |
|
Cross Corrie legend gets a short smacker (7) XENAKIS X (cross shape) + ENA (reference ENA Sharples, a major character in the ITV soap opera Coronation Street [Corrie] from 1960 to 1980) + KISS (smacker) excluding the final letter (short) S X ENA KIS |
XNKS | |
|
Come a cropper on summit of Annapurna (5) FALLA FALL (come a cropper) + A (first letter of [summit of] Annapurna) FALL A |
FLL | |
| 4 |
Frosted dirt melted away (11) DITTERSDORF Anagram of (melted away) FROSTED DIRT DITTERSDORF* |
DTTRSDRF |
|
Fournier’s literary predecessor’s malleations, oddly missing (5) ALAIN (Composer, and also the first part of the pseudonym ALAIN-FOURNIER of the French author Henri-Alban Fournier [1886 – 1914] ALAIN (letters 2, 4, 6, 8 and 10 [even letters only; oddly missing] of MALLEATIONS ALAIN |
LN | |
| 5 |
Absolute refusal half- turning at 1200H? (4) NONO (Composer whose name may also be interpreted as something which must not be done; a complete refusal [NO-NO]) NOON (midday, 1200 hours (H)) with the second two of the four [half] letters ON reversed (turning) NO NO< |
NN |
|
Magicians dropped one performing (8) MASCAGNI Anagram of (performing) MAGICIANS excluding one of the (dropped) Is (Roman numeral for one) MASCAGNI* |
MSCGN | |
|
Freedom to omit overture and finale (5) IBERT LIBERTY (freedom) excluding the first [overture] and last [finale] letters L and Y IBERT |
BRT | |
| 6 |
Gegrar? (8) GRAINGER GEGRAR can be read as GE (GRA) R or GRA in GER GRA IN GER |
GRNGR |
|
Nancy and Lena are confused (4,5) ANNA CLYNE Anagram of (are confused) NANCY and LENA ANNA CLYNE* |
NNCLN | |
| 7 |
Unfinished oratorio by German – one regularly dismissed (8) MESSIAEN MESSIAH (oratorio by George Frideric Handel [1685 – 1759], German British baroque composer) excluding the final letter (unfinished) H + EIN (German for one) excluding (dismissed) I (Roman numeral for one [the English or regular form of one for us in the United Kingdom) MESSIA EN |
MSSN |
|
Half of Number Ten (5) BERIO BER (final 3 of 6 [half) letters of NUMBER) + IO (characters representing the number 10) BER IO |
BR | |
|
He sees some commissar as a territorialist (8) SARASATE (Composer plus possibly He as a definition) SARASATE (hidden word in [some] COMISSAR AS A TERRITORIALIST SARASATE |
SRST | |
| 8 |
Putin is so reactionary – some back out (7) ROSSINI ROSSINI (reversed [back out] hidden word [some] in PUTIN IS SO REACTIONARY) ROSSINI< |
RSSN |
|
Involved in tribal feud (5) BALFE BALFE (hidden word [involved] in TRIBAL FEUD BALFE |
BLF | |
|
Kid cradles rook (5) DUPRÉ DUPE (deceive; kid) containing (cradles) R (rook in chess notation) DUP (R) E |
DPR | |
| 9 |
Pole with fiddle meeting leading osteopath (7) RODRIGO ROD (pole) + RIG (manipulate unscrupulously; fiddle) + O (first letter of [leading] OSTEOPATH) ROD RIG O |
RDRG |
|
Heartless Hungarian forename (4) LALO LAZLO (Hungarian forename) excluding the central letter (heartless) Z LALO |
LL | |
|
Old relic left out (7) CORELLI Anagram of (out) O (old) RELIC and L (left) CORELLI* |
CRLL | |
| 10 |
A local with novel revamp (11) LEONCAVALLO Anagram of (revamp) A LOCAL and NOVEL LEONCAVALLO* |
LNCVLL |
|
Maurice drops me off (5) AURIC MAURICE excluding (drops) ME AURIC* |
RC | |
|
Scottish seagull’s gullet (3) MAW (Composer and Scottish word for a seagull) MAW (Composer and the jaws or gullet of a voracious animal) double definition plus Composer MAW |
MW | |
| 11 |
Seen out with copper (6) ENESCU Anagram of (out) SEEN + CU (chemical symbol for copper) ENES* CU |
NSC |
|
King involved in arranging chaos tunes (11) STOCKHAUSEN K (king) contained in (involved in) an anagram of (arranging) CHAOS TUNES – the clue is appropriate for STOCKHAUSEN as many of his works could be described as tuneless or chaotic STOC (K) HAUSEN* |
STCKHSN | |
| 12 |
Greeting Victoria’s first walking reins right away (9) HOVHANESS HO (a greeting) + V (initial letter of [first] Victoria) + HARNESS ( a child’s walking reins) excluding (away) R (right) HO V HANESS |
HVHNSS |
|
Clubman as Terminator (6) ARNOLD ARNOLD (reference ARNOLD Palmer [1929 – 2016], American golfer; clubman) ARNOLD (reference ARNOLD Schwarzenegger [born 1947], Austrian / American actor, businessman, former politician, and former professional bodybuilder, known for his roles in high-profile action films including the Terminator series) double definition and Composer ARNOLD |
RNLD | |
| 13 |
Government PA dropped Independent (4) GADE G (government) + AIDE (personal assistant [PA) excluding (dropped) I (independent) G ADE |
GD |
|
He repairs the box, we’re told (8) TELEMANN TELE (sounds like [we’re told] TELLY [television set; the box) + MANN (sounds like [we’re told] MAN [a person who comes to fix things ]) TELE MANN |
TLMNN | |
|
Set of organ pipes first switched off (5) REGER REGISTER (set of organ pipes) excluding (switched off) IST (first) REGER |
RGR | |
| 14 |
Passionate to take in learners (5) HOLST HOT (passionate) containing (to take in) LS (learners) HO (LS) T |
HLST |
|
Infection lacks salve initially (3) TYE STYE (small inflamed swelling at the edge of the eyelid, caused by bacterial infection) excluding (lacks) S (first letter of [initially] Salve) TYE |
T | |
|
Remote ruin rebuilt (10) TOURNEMIRE Anagram of (rebuilt) REMOTE RUIN TOURNEMIRE* |
TRNMR | |
| Down | ||
| 1 |
Keenly contested her holy riming reviewed in carol (4-4,7,2,4) DING-DONG MERRILY ON HIGH (a carol) DING-DONG (keenly contested with rapid alternations of success) + an anagram of (reviewed) HER HOLY RIMING DING-DONG MERRILY ON HIGH* |
DNGDNGMRRLNHGH |
| 2 |
Beautiful female captured by the lens (5) HELEN (reference HELEN of Troy, a figure in Greek mythology who is known as the most beautiful woman in the world) HELEN (hidden word in [captured by] THE LENS) HELEN |
HLN |
|
Terms of services revised first in carriages (7) TENURES (the periods during which some positions are held; terms of service) R (initial letter of [first in] REVISED) contained in (in) TENUES (bearings; carriages) TENU (R) ES |
TNRS | |
|
Africans prosecute interned Europeans (8) SUDANESE (natives of Sudan, an African country) DANES (Europeans) contained in (interned) SUE (prosecute at law) SU (DANES) E |
SDNS | |
|
Ladybird having car duty and other things (7) VEDALIA (an Australian ladybird) VED (Vehicle Excise Duty; car duty) + ALIA (as in ‘inter ALIA‘ [among other things]) VED ALIA |
VDL |
|
| 3 |
It may flavour sweets and sandwiches, I understand (7) ANISEED (a flavour used in sweets) AND containing (sandwiches) (I + SEE [understand]) AN (I SEE) D |
NSD |
|
Subservience of MSSNT thematically, somehow! (8) TAMENESS (meekness; submission; subservience) MSSNT (an anagram of [somehow] the thematic nature of the entry TMNSS) TAMENESS |
TMNSS | |
|
Skips unfortunate soccer hit (9) RICOCHETS (glancing rebounds or skips, such as those of a projectile flying low) Anagram of (unfortunate) SOCCER HIT RICOCHETS* |
RCCHTS | |
| 4 |
Adjoining building with a new name on river (6) ANNEXE (a supplementary building, built as an extension to the main building; adjoining building) A + N (new) + N (name) + EXE (river in South West England) A N N EXE |
NNX |
|
Abdicate, putting son in to rule (6) RESIGN (give up one’s position; abdicate) S (son) contained in (putting .. in) REIGN (rule) RE (S) IGN |
RSGN | |
|
Never ever green – even vaguely, primarily here? (5) NEGEV (a desert region of Israel where there is rarely a green colour although Wikipedia tells me there is a rainy season) NEGEV (first letters of [primarily] each of NEVER, EVER, GREEN, EVEN and VAGUELY) NEGEV |
NGV | |
|
Sombre at first, then dark, then bright (6) SUNLIT (brightly LIT by the SUN) S (initial letter of [at first] SOMBRE) + UNLIT (dark) S UNLIT |
SNLT | |
| 5 |
Telegraph’s leader published with writer’s copy (10) TRANSCRIBE (copy) T (first letter of [leader] Telegraph) + RAN (published a story in a newspaper, such as the Telegraph]) + SCRIBE (writer) T RAN SCRIBE |
TRNSCRB |
|
Dot’s dismissal (6) BULLET (reference a BULLET point which is often symbolised with a dot) BULLET (get the BULLET; be fired; dismissal) double definition BULLET |
BLLT | |
|
Edited Times, causing strike (5) SMITE (strike) SMITE (anagram of [edited] TIMES) SMITE* |
SMT | |
| 6 |
Caught the singers and had fun (6) LARKED (caught larks; caught the singers) LARKED (frolicked; had fun) double definition LARKED |
LRKD |
|
One girl represented by the Bard (7) GONERIL (one of the daughters of King Lear in the play of the same name by William Shakespeare [1564 – 1616], the Bard of Avon) Anagram of (represented by [?]) ONE GIRL GONERIL* |
GNRL | |
|
Species of shad, totally frozen (6) ALLICE (a species of shad, a fish) ALL (totally) + ICE (frozen [water]) ALL ICE |
LLC | |
|
Drunk seen at assembly (6) SENATE (legislative or deliberative body; an assembly) Anagram of (drunk) SEEN AT SENATE* |
SNT | |
| 7 |
Drops behind, touring old African city (5) LAGOS (city in Nigeria) LAGS (drops behind) containing (touring) O (old) LAG (O) S |
LGS |
|
New Year’s gifts French joiner dropped in French city (6) RENNES (city in Brittany, North West France) ETRENNES (French for New Year’s gifts) excluding (dropped) ET (French for ‘and’ [a joining word; French joiner]) RENNES |
RNNS | |
|
Formula One has the measure of cab (6) FIACRE (a hackney coach; a cab) FI (Formula One) + ACRE (a measure of land) FI ACRE |
FCR | |
|
Kings join expert with money (6) KRONER (currency in a number of Scandinavian countries) (K [king] + R [Rex; king] giving kings) + ONER (expert) K R ONER |
KRNR | |
| 8 |
Inhale cocaine. Just a suspicion (5) SNIFF (inhale a dangerous or addictive substance like cocaine) SNIFF (a slight intimation or suspicion) double definition SNIFF |
SNFF |
|
Joker in Brazil regularly getting rum (7) BACARDI (type of rum, originally produced in the West Indies) CARD (a joker) contained in (in) BAI (letters 1, 3 and 5 [regularly] of BRAZIL) BA (CARD) I |
BCRD | |
|
Gold and long spinach-like plant (6) ORACHE (an edible plant belonging to the goosefoot family, sometimes used as spinach) OR (in heraldry, the tincture gold or yellow) + ACHE (long [for]) OR ACHE |
RCH | |
|
Fate’s no choice of letters (4) NORN (one of the three Fates) N OR N – N is the only letter on offer, so no choice of letters N OR N |
NRN | |
| 9 |
Oarsman taking last of crockery from kitchen (7) SCULLER (oarsman) SCULLERY (obsolete dialect word for kitchen) excluding (taking … from) Y (final letter of [last of] crockerY) SCULLER |
SCLLR |
|
Youngster entertains priest and dancing girl at islands’ capital (3,6) LAS PALMAS (capital of Gran Canaria in the Canary Islands) LASS (young girl; youngster) containing (entertains) (P [priest] + ALMA [Egyptian dancing-girl]) LAS (P ALMA) S |
LSPLMS | |
|
Wild mule scoffs most of egg-plant? (6) LEGUME (any plant of the pea or bean family) Anagram of (wild) MULE containing (scoffs) EG (two of the three [most of] letters of EGG) L (EG) UME* |
LGM | |
| 10 |
Species of acacia will sway or rock, we’re told (6) SALLEE (any of various species of acacia) SALLEE (sounds like [we’re told] SALLY [nautical term meaning to sway, rock or bound]) SALLEE |
SLL |
|
Off about one, giving vague impression (6) NOTION (vague impression or understanding) NOT ON (off) containing (about) I (Roman numeral for one) NOT (I) ON |
NTN | |
|
Amateur takes test about forecourt (6) ATRIAL (relating to an atrium of forecourt) A (amateur) + TRIAL (test) A TRIAL |
TRL | |
|
Itinerant staff run round before (8) WANDERER (an itinerant) (WAND [rod] + R [run] ) containing (round) ERE (before) WAND (ERE) R |
WNDRR |

Maskarade must be feeling very pleased with himself. What an intellectual giant! Seriously, though, who has time for this sort of pretentious “aren’t I clever” nonsense? A crossword? No, not even close.
I almost never remember to come back to the blog for a prize, the delay is just too long. But this one was more memorable!
I loved the idea but found the composers too obscure tbh. At first I thought we’d know them, but then even resorting to “cheating” by looking at the list in chambers wasn’t enough!
Thanks duncanshiell and Maskarade.
Completed but didn’t have these full answers:
Across: Anna Clyne, Corelli
Down: Tenures, Vedalia, Sallee and Notion
Still, it was satisfying to complete the grid…on and off over four days.
Clues for NIELSEN and MESSIAEN stood out among the composers; and SUDANESE, TRANSCRIBE and BACARDI among the rest.
Maskarade has done it again!
I’ve had unfinished grids, I’ve had finished grids where I didn’t know the parsing, but this is the first time I’ve had a finished grid where I didn’t know what some of the words were! As often with the Christmas prize, I was doing this on a long car ride, and this was chewy enough to keep me occupied till dark. I despaired somewhat at the theme, especially with limited internet access, but was able to hack through it, having heard of maybe 18 or 19 of the 39 (?) composers. Thought the last one in 9ac could be COLLIER (I’d like to claim I remembered Graham Collier, the great British progressive jazz composers, but I was just going on “eh it’s a common name”), but the crosser had to be ORACHE and eventually came up with Corelli.
I will say that I don’t feel at all bad about the ones I didn’t parse. Both parts of sallee, etrennes, and vedalia are all reasons I don’t like Chambers, and Norn seems awfully strained. It helped that every single letter was crossed. Some nice ones too with TRANSCRIBE and BERIO particular standouts (I had bunged BERTE till I realized what was up, and Berio is one of the ones I’ve heard of! There does seem to be a Heinrich Berté.)
Thanks to Maskarade for an enjoyable challenge for the ride, and extra thanks to duncanshiell for an extraordinarily strenuous blog!
For me personally this puzzle was more difficult than fun. I thought I was fairly knowledgeable in classical music but I only knew maybe 70% of these composers! Vowelless crosswords I’ve solved in the past have been more focused on really long answers which wouldn’t fit in a normal grid.
Still, it was nice to have a big challenge in the prize slot, and they’re giving out more prizes than they normally do.
I was also very impressed with the variety in the composers, covering a huge number of time periods and mostly including less famous names.
Thanks to Maskarade and Duncan for the blog.
I was predisposed to love this, because I usually do love Maskarade’s holiday offerings. When I saw, through several obvious anagram fodders, that the answers were lesser-known classical composers (not my strong point), I switched to hating it. On persevering a bit, I realized that a puzzle full of Mozarts and Bachs would be too easy, and the engineering of the puzzle made it just doable, so I was back to liking it. Didn’t love it, because the obscurity of most of the across answers removed one dimension from the solving process, but liked it well enough to continue to completion.
I ended up not parsing RENNES or TENURES, but since every letter was cross-checked, that ended up hurting my pride but not the grid.
Tx M&D
Like matt w@4, I completed the grid but didn’t have all the answers – the first two of 10d defeated me.
Thanks duncanshiell and maskerade for gargantuan efforts from both
I’m with Torontonian on this. What percentage of Guardian solvers actually want these Maskarade cake-dances? Something more chewy for the holidays is a good idea of course, but if like me the attitude is “can’t be arsed” surely it’s disappointing for the majority?
I hated this. I made one error (transcript for transcribe) – having already made the error of Period for Bullet, but been able to recover due to getting the right composer. The clues were not witty and there was never a sense of satisfaction. I accept perhaps four items of esoteric knowledge but this was ridiculous.
I managed to finish this but I did write some code to scrape the names of a few thousand composers from the web and then used the list with a program I wrote for helping with crosswords (one thing it can do is find words of a given length in a list containing certain letters in the given order – this helped enormously with the puzzle).
As usual, M’s holiday offer was more a test of stamina and willpower than an enjoyable solve for me. I had a full grid, but was irritated by some of the obscurities – certainly not confined to the composers, with NORN, VEDALIA and the swaying, rocking sense of SALLY all new to me ( for a long time I assumed that solution was ‘wattle’, being a ‘loose’ homophone for ‘waddle’, until the crossers and the numeration told me to think again.
Another irritant was that the Hungarian in 9a could equally well have been Arpad, giving the composer (Atal) Arad .
Grudging respect to M for the grid, though, and thanks to the blogger. And HNY to all.
I’m another who found this contrived and pretentious. The combination of the convoluted special instructions and the obscure subject matter must have very much reduced the number of people who even tried this. Charles @10, I salute your dedication. You would probably get on very well with my son.
What a slog. I finished it but wished I hadn’t. Plenty of more satisfying barred crosswords out there.
Congratulations to anyone who completed this without recourse to online lists. As a Philistine, I needed one of those lists. Even then, the list I used didn’t include Anna Clyne.
Agree with Torontian. A waste of time and energy better used in other pursuits.
I completed the grid, though with several clues not solved, but given the nature of the crossword and the obscurity of some of the answers, I call that a victory. Never heard of SALLEE the acacia species or SALLY the nautical swaying, and I’ve read all of Hornblower and Ransome, so it must be pretty obscure. Got all the composers without resort to any lists, with the exception of LALO and HOVHANESS, and I gave up on those because I already had all the letters.
I thought this was one of Maskarade’s better specials and found it challenging, innovative and enjoyable. Well done to Duncan for the blog – most impressive.
I had a different composer at 5 (i) – NOON is “a contemporary classical composer born 1946” or even “a pseudonym of Polish electronic musician and producer Mikołaj Bugajak”, and seems to fit the clue just as well as NONO. Though having found the name(s) via Google after “solving” the clue, perhaps it’s a case of Google being accommodating rather than accurate.
Another hater here, I’m afraid. I’ve never attempted barred crosswords and it seems unfair to use one as a special when they have always been standard grids before (or for at least 50 years to my knowledge). Requiring solvers unfamiliar to the concept to add the bars themselves as well as dropping the vowels was a double challenge that I felt was adding insult to injury.
I had never heard of at least half of the composers, though to be fair when I ran a few of them past my mother she did recognise them. In my opinion this went well into special knowledge rather than general knowledge.
The down clues seemed fair I suppose, with a few obscurities but well scattered. I completed most with the aid of the wikipedia list of composers but gave up in the end at the bottom right.
Larked was my favourite in retrospect even though it beat me.
Did anybody else have think of (S)ore instead of (S)tye? It works on it’s own but the crosser proved it wrong and Stye fits the definition better.
Trigger warning for non IT geeks
Charles @10
I used the wikipedia list of composers, pasted it into Notepad++, then used regular expression searches to first remove everything but the surnames then remove all the vowels, then finally regular expressions again to find matches with half completed clues. Writing code would have felt literally too much like work.
Well, that was a challenge. I spent a while wondering what I’d consider ‘solving’ this: a) just filling the grid, b) filling the grid and actually knowing all the answers, across and down, or c) all of that and having parsed them all. In the end, I decided I’d be happy to have the grid filled and to have identified all the composers. I did manage that, but had to find Max ReGeR by searching a list of composers (all the others I’d worked out from wordplay then checked by Googling ‘X composer’ – sometimes if you’re only close, often from one of the rather many anagrams, Google will suggest the right answer, and by then I didn’t feel this was cheating). I still failed to see the wordplay for Max; I didn’t know ‘register’ as a group of organ pipes – and hadn’t even spotted that in the Wikipedia ‘Organ (Music)’ entry. At that point I quit. I’d enjoyed the challenge, but to me a grid full of apparently random consonants somehow doesn’t have the satisfying elegance of a group of interlocking words, and I felt I’d done enough. Thanks, Maskarade, and thanks and congratulations to duncanshiell for completely completing this on our behalf!
I enjoyed picking away at this over the Christmas break.
I had no qualms about using the Wikipedia list of composers to check the names I’d never heard of (which was most of them). Doing a bit of reference work and gaining some new knowledge along the way is no bad thing.
Thanks to Maskarade for the innovative challenge and to Duncan for the comprehensive blog.
We, my wife and I, gave up on this – a rare happening as we nearly always carry on even if struggling and generally get very close to finishing the crosswords.
I had never seen a grid where we had to miss out certain letters before – though that was fair enough and would be a pleasing and novel idea with an “ordinary” set of clues. However to then combine it with a set of composers that most people, it seems, had never heard of was too much.
How on earth did the crossword editor think it was acceptable?
Generally I object to themed clues with many obscure answers where we have to rely on Mr Google to check them. There was a similar very obscure one with little known Scottish Islands a while ago.
We are among that percentage of Guardian readers who love Maskarade and look forward with great pleasure to his Bank Holiday offerings, especially as Bank Holidays often mean visits from other crossword fans and these crosswords are so much fun to do together.
Yes, it was not a crossword as we know them and a bit of a lookup fest but it kept us happily entertained and I was delighted to learn about (among other things) the ‚Spanish Mozart‘ ARRIAGA whose music I found here
here.
Thank you so much Maskarade and also Duncan – what a blog!
‘It would increase the difficulty significantly if the answers had to be entered jigsaw style in each row or column.’
Indeed it would. I bet I’m the only muppet who spent Christmas writing out the answers on bits of squared paper and getting increasingly frustrated trying to weave them together. It took a while for the penny to drop. Took me ages to almost solve, I’ll happily admit, and in my book that’s a really Good Thing.
ravenrider@12 – Very similar idea of using regular expressions in Notepad++. My last one in was Anna Clyne, because she was not in the Wikipedia list. I found her by deducing that the first name was likely to be Anna or Anne and then Googling for possible composers. Google soon corrected my slightly wayward search.
I only knew a third of the composers and so would not have finished this without consider effort and my IT skills.
Thank you, I think, to Maskerade and big thank you to Duncan for the blog.
Well, this is clearly a ‘marmite’ crossword, with many solvers expressing strong views against the use of a grid without blocks or bars, filled by the names of individuals from a niche subject area, with a similar number of views being more supportive in some way. The most recent comments seemed to have tipped the balance slightly in favour of the puzzle.
I was surprised by the number of composers of Organ music that appeared in the grid as I checked names when writing the blog. I wonder whether Maskarade has a background in such music.
After I solved the puzzle, after three or four days, I think, I did look at comments on other crossword sites many of which were equally strong in the negative opinions expressed, so I was aware this blog would probably generate similar views.
I don’t really understand a comment that says this puzzle was not a crossword. Every single letter in the grid was checked; that’s something you rarely see even in barred crosswords such as Inquisitor, Enigmatic Variations and the Listener. I found the checking was a significant help in deducing some of the lesser known composers. The bars were not 100% necessary when solving the puzzle, although I admit I did draw some in just to indicate where entries began or ended.
Thanks, duncanshiell, for clarifying so much.
At 3d, MSSNT would be the entry for Massenet, a composer, which is an anagram of TAMENESS, hence the reference to the theme in the clue., and ‘somehow’ as an anagrind.
I got there after several days, but I have never completed a puzzle I enjoyed so little. So I am one of the naysayers. I suppose an advantage of the layout is that one can complete the grid correctly while still lacking the answers to several clues, but that is not really the objective, is it? It does not justify the approach in this one. I look forward to more standard puzzles on future Saturdays, and indeed we got one last Saturday.
Thanks to sjshart@27 for unlocking the mystery of MSSNT, which has been bugging me since two days before Christmas. Sorry to hear that, nevertheless, you didn’t enjoy the puzzle.
I’m impressed, but a little surprised, at the lengths some people have gone to when solving this, to obtain a list of composers. I took the opposite view, of trying to solve the clues and then see if the answers turned out to be – by any chance – the names of composers. This worked particularly well for the never heard of ANNA CLYNE.
As previously mentioned, I found this to be quite enjoyable, probably helped by having woken up to Radio 3 through most of the 1970s and 80s, with the likes of DOHNANYI, IBERT, CORELLI and MESSIAEN playing as I dozed. But apparently not MASSENET.
I seem to be in the minority here. It was almost a write-in. The only composer I didn’t know was TOURNEMIRE. I have recordings of half of them. As a result I needed to solve only a few down clues to fill the grid. I might have done so on the day of issue but for the fact that there were two plants that fitted the wordplay for 8d – ORACHE and orpine, and I chose the wrong one.
It just depends on what you know or are interested in. I knew nothing about the Supertramp puzzle a while ago and had to use the internet.
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Although we finished the grid 2D and 3D had me completely baffled. I see it’s because I had Donatoni for 1 across (a composer whose music I’ve actually played!). Do – note :a ton – some inside NI!!
Anna Clyne I’ve also played quite a lot – worth a listen (especially Glass lands).
Thanks duncanshiell for the clarification.
As Duncan has pointed out, with every cell checked, there was a way of solving the puzzle without knowing anything about the theme. And indeed starting with the down clues was the obvious way into the puzzle. I wonder why Maskarade decided to omit all the vowels? It made for a more compact grid, whereas in the past some of his Bank Holiday specials have needed a grid significantly larger than usual. Let’s hope it doesn’t become standard practice!
Many thanks to Maskarade and Duncan. I rather enjoyed it, and actually completed it slightly more speedily than is usual for the holiday specials (for the record, about 3 hours). There were a few composers I hadn’t heard of, but the clues for these were fair, and the names found reasonably easily via Wikipedia. I thought the vowel removal device was an interesting variation. As Zoot @29 says, preferable to a Supertramp theme! But pleased it wasn’t a jigsaw (although I really like alphabetical jigsaw puzzles) – that might have been too much.
Well I really enjoyed it, an amusing change. Only four wrong letters, so very pleased. Various words and a few composers I didn’t know, but that is no basis for a complaint especially with the internet on hand. It was fun running them to earth without having to make a trip to the library as my dad used to have to do. Ignore the moaners dear Maskarade and have a happy New Year.
sjshart@27: Thanks for the explanation of MSSNT. I was a bit cranky about what seemed to be a nonsensical sequence of letters but that makes sense.
I am still a bit cranky about the nonsensical sequence of letters “Gergar” unless someone has an explanation for that. Perhaps the legendary punter who keeps suggesting “Gegs?” as a clue will have his day.
No fun. I recall Araucaria’s lovely xmas puzzle – with gid rest you merry round the perimeter. That was fun!
Definitely in the “hate it” camp for this marmite crossword. Ground my way through this and managed to fill the grid correctly, though not fully parsed. Not an experience I enjoyed and not one I’d want again. Quite a shame, as had been looking forward to a more standard xmas crossword.
First of all, many thanks to duncanshiell for the assiduous blog and analysis. And to Maskarade for the effort taken in compiling. I solved it bar one single letter error, but found it bit of a slog. So many composers, I’d never heard of. Even knowing all the likely consonants from the down clues didn’t necessarily help. Nonetheless, it was satisfying when parsing yielded words that did turn out to be actual names.
New meaning / word for me: SALLY / TENUE.
I had ARRUGA at 2(ii), albeit unparsed.
Agree with Sheffield hatter @17 that NOON is as valid as NONO.
As with Zoot @29, I juggled with ORPINE for a while.
I almost passed on attempting this, but ultimately managed to complete the grid in a couple of determined sessions, with the help of an alphabetical list of composers on Wikipedia. Not easy, but doable. Guessing 1D was a big help. I parsed everything except TENURES, which I simply forgot to go back to check when it was lost among my tiny handwriting crammed in among the clues. Very nice job on the blog.
Lots of contributions here from unhappy solvers. Count me in. Pretentious and boring.
Can we PLEASE just have a crossword?
I thought this was great, and fun to have a different challenge for the Bank Holiday crossword. NHO etrennes, or sallee (or sally), but I have now, so that’s good.
Thanks Maskerade and Duncan
Hard to understand why so many were repelled or confused by the format. As a one-off, it seemed fine and straightforward. But in my view, solving the Guardian crossword should not depend on using Wikipedia. Ridiculously obscure composers.
Add me to the haters. Pretentious, obscure, infuriating. I always look forward to the big holiday crosswords and I was gutted to see this farce of a grid.
Attempted it anyway and eventually gave up with about a dozen letters missing from the grid. The gimmick wasn’t confusing, just annoying. I get it that barred crosswords are an accepted format. If I wanted to do them, I would. I don’t, and I only persevered with this one in the hope that I would eventually find myself enjoying it. I didn’t.
So far about 1 in 4 posts in this blog are in the hater camp, and we’re the ones who bothered to try the puzzle. How many holiday crossword fans just threw it in the bin? I’m hoping the Guardian’s crossword editor is reading this blog and deciding to stick to the standard crossword format in future. If not, I’ll be following the BBC’s disclaimer that “other suppliers are available”.
Giobuon @42 sums it up quite nicely for me. The people I like doing crosswords with, especially at holiday time, had no time for this at all, so I struggled on alone, like Sheffieldhatter@28 only checking once I had an inkling of an idea. I had four or five empty squares and several completed words that I couldn’t parse. I accept that this is a sort of crossword, but don’t do crosswords in French for this reason ( they all seem to be this format). I did wonder if Maskarade was reacting to some of us finding his previous themes too easy. I’m not against not having an alphabetical, or a double, and I like a change and a challenge, but this find-the-obscure-composer mixed with take out the vowels, no thank you. But to end on a positive, many of the clues were enjoyable and Duncan’s blog is an absolute triumph .
Great thanks to Maskarade and duncanshiell. This was absolutely to my taste.
Yes, it was important to recognise that the clues were in order of entry along/down the line. Yes, DINGDONG etc at 1D was an enormous reassurance and help.
It was a relief to realise that internet lists of composers were needed. So I felt no guilt!
I started with the composers and slightly lost the energy to parse three of the down clues. But I knew the grid had been correctly filled, and hung my boots up relatively early for a Maskarade special.
It’s nice to have a new formulation rather than just another test of vocabulary and crossword-ese. ARRIAGA and BACARDI were my favourite across and down clues. Never knew that ONER was an expert … until this crossword. You are a one, Maskarade.
I gave up on this long ago but wanted to find out the composers I’d missed so many thanks duncanshiell for the comprehensive blog.
I decided to give this a go, despite reservations on the format as being a musician I have a very good knowledge of composers and have played the music of many in this grid. Even so, there are a few here that I’d never come across so I’m glad I abandoned this at when I did, with about 20% of the grid left to fill. I was never going to solve the anagram for TOURNEMIRE or figure out HOVHANESS, without resorting to Wikipedia as many clearly did. I’m not averse to looking stuff up but this did become a slog so I put it aside.
To begin with, the extra element of figuring out where the bars went was a new challenge but ultimately, when the solution is just a jumble of letters it is not very appealing.
I’m happy the Caroline @23 discovered Arriaga – I agree his quartets are very attractive to listen to and play. But I’m not going to explore any of Hovhaness’s symphonies based on reading up about him. But he was certainly prolific!
Yeah, thought I’d give it a go and hope to be finished by New Year.
I did complete it but had never heard of plenty of these composers.
Getting 1 down straightaway was a big help in making the grid look a bit less terrifying.
Also getting the charming NIELSEN/Spaniels clue early on made me feel this puzzle would at least have heart and humour.
I have posted my completed grid to the Guardian for the first time as I damn well deserve a prize for this.
In MESSAIEN the EN comes from the alternate letters of EiN, after dismissing the even-numbered letter(s).
Me@47 continued: … or, better still, alternate letters of EiNs.
Seldom have I been more grateful for not having a printer. ‘Nuff said.
matt w @4: I managed to convince myself that Berte was correct, as I thought it was a hidden solution, being half of ‘number ten’. But now I’ve rechecked my arithmetic! A fatal slip that left me four short of a completed grid despite spending more time on this excellent puzzle than I ought to have done. Schoolboy error. As the Australian cricket commentators would put it: I’m filthy with myself!
A challenge to be sure, but not as wearing as many of Maskarade’s puzzles (for me). I just chipped away at it in little bits throughout the week. Like others, never heard of Sallee/sally or tenues, or etrennes, so I’ve learned something new. Huge kudos to duncanshiell for the epic blog.
Well, I enjoyed the challenge a lot, much helped by knowing the names of all but a handful of the composers. It did take longer than the usual cryptic , to be sure, but I completed it in a sitting, apart from HOVHANESS, whom I had to search for – and VDL remained a mystery.
Highbrow, yes, but it what way does that make it pretentious? If it wasn’t for you, so be it, but this cleverly designed puzzle doesn’t deserve the vitriol thrown at it by some of the posters.
Many thanks to Maskarade and duncanshiell for your sterling efforts
Took us down a peg after thinking we’d likely know all these composers. We didn’t finish, but we got pretty far. The completed grid doesn’t have the same satisfaction of the usual kind, though it was probably good for our brains to have to work with the vowel-less entries.
Once again, late to the party after a long journey yesterday, but able to read the comments.
Remember that a puzzle is a puzzle ‘fer aw that’ and Maskarade is a master of ‘puzzles of the unexpected’!
We were daunted, but with some resource, did manage a ‘compleat’ solution in two long sessions with a little further ‘penny-dropping’ time!
Many thanks to Duncanshiell for what may be ‘the most wonderful blog of the year’ and, of course, to MSKRD! I half expected a nod to fellow puzzler MSLNK!
Thanks to Maskarade, and to Duncanshiell for the superbly detailed blog. As others have noted, it’s sometimes a case of what you know – this was our area of expertise, leaving us feeling that several Christmases had come at once! It’s not often that classical music gets any attention (pop, rock etc are far more usual), so it was a novel experience to know all the composers: the acrosses were completed before the downs here. Favourite clue was for HOVHANESS, and also enjoyed the mental image of Ena Sharples juxtaposed with XENAKIS. NHO SALLEE, and didn’t spot it despite resorting to a (very long) list of acacia species.
Didn’t find the grid especially onerous, once the instructions had been absorbed and understood. A very enjoyable seasonal challenge all round.
The construction of a Maskarade puzzle is something to beho,d and admir Unfortunately, for me, solving his puzzles is often more tedious than pleasurable. Unlike Araucaris a holiday puzzle from Maskarade is not something to anticipate. Something to endure rather than enjoy.
The 54 earlier comments suggest quite a few people agree with me. Maskarade may have his place in the Guradian but not every Christmas and every holiday. Going g back to the Christmas puzzle on Christmas Eve would also be good
According to wikipedia there are 1085 species of acacia and sallee isn’t one of them. Didn’t know this meaning of sally either. One other down clue filled in correctly but wrongly worked out. So only 2 misses and the grid would have been accepted as a Prize entry so I suppose I should rest content.
Thanks to Maskarade and duncanshiell. How you bloggers must cross your fingers when a Maskarade is scheduled!
Fougasse@55 Agree completely with your comment on classical music. It would also be nice for jazz to have a day in the sun. 🤞
I’ve not attempted one of these barred crosswords, let alone one with strange non-standard [to me] clues, in many many years. (My cryptic solving usually only runs to Everyman in the Observer on Sundays.) But when I got that day’s paper, I glanced at this out of interest; the instructions re missing vowels, etc, seemed perfectly intelligible; and I thought [wrongly as it turned out] that I might know most of the composers’ names.
So I gave it a go, battling away with it on and off over a week or more, and was pleased with myself for getting a majority of the grid filled in (albeit not being able to parse both A and D clues for some letters, hence feeling I hadn’t “really” solved it).
Looking at the solution in this amazingly helpful blog, I find that most of what I did manage was right, so was quite pleased with myself.
Yes – it was difficult (except perhaps for a very experienced cryptic solver who knows every minor composer going), but surely that’s the idea? An unusual, and harder than usual, challenge to entertain people for some time over the holiday. I was extremely frustrated during some of the time I spent working on it, but I do find mental effort “entertaining”. A crossword where I could just put in the answers straight off, with little effort, would be a waste of time in my book. I don’t really understand those saying how they hated it – so just don’t do it!
Getting 1 down immediately sucked me in. My composer knowledge have me a head start, but I still failed to find the anagrams for Tournemire, Stockhausen and Enescu.
If remotely interested, search YouTube for Litanies by Jehan Alain. One of the most exciting organ pieces I know
Well I enjoyed it and it actually took me less time than most holiday specials – about 4 hours. I will admit to using a list. I feel rather sorry for Maskarade, whose task of following Araucaria is such a thankless one. Some of the great man’s holiday specials were pretty obscure and impenetrable too.
Thank you, Maskarade. My family enjoyed this over several days as a joint enterprise. We learnt the names of a few composers new to us (thanks to internet lists) in the process but still found that fun. Our grid was correct but we wrongly identified 14 across’s T as Ito and we never found Sallee as the answer for 10 down’s first clue.
Has anyone made a playlist with extracts from all the composers yet? Should keep somebody going for the next month.
I hope that Wikepedia’s funds were given a Christmas boost from this puzzle. I wonder whether the Guardian would have printed this pre the internet?
Trish@63: I am quite sure that Maskarade wouldn’t have set this, and the Guardian wouldn’t have run it, pre-internet in general and Wikipedia in particular. Which I think is the point; it is now no longer hard to get at extremely obscure information extremely quickly, provided you know what you are looking for. So a compiler can reasonably invite you to look for things you didn’t know you didn’t know, because it takes 20 seconds to check a name via Google, which means the compiler can set a much wider range of clues. For anyone who thinks it is in some sense cheating to look things up when solving a crossword, then this puzzle was certainly not for them. Others, and I am one, positively enjoy working out the possible existence of a composer named Hovhaness, and finding that such a being did indeed exist. So I am happy to thank Maskarade!
Normally I won’t touch barred crosswords with a 20-foot pole, but I was happy enough to give this one a try if only because of a lack of anything else to divert my attention to except maybe the King WIlliam’s Quiz. I must say the the choice of theme took me back to my early crossword-solving days 50 or more years ago, when most puzzles appeared (to my youthful brain) to be compiled by octogenarian Classics teachers whose general knowledge references were exactly what you might expect of such learned persons. On the other hand the instruction to enter all the solutions without vowels held no particular terrors as I distinctly remember Araucaria asking precisely the same of us in one of his bank holiday specials. Much to my surprise I finished the puzzle, but this was mainly thanks to solving the majority of the “Down” clues. Everyone’s experience varied as these comments prove, but for me many of the composers were far too obscure for the wordplay to be of any assistance. There is something vaguely unsatisfying about completing a puzzle without needing to solve a number of the clues, but that’s how this one panned out. I do expect to have to use Google, Word Wizard and other aids with Maskarade’s specials, he has established that precedent over several years, but this was a level beyond any previous experience. At least I’m not complaining this year about him using a large grid but without any long solutions, like I normally do ! Thanks to Maskarade and huge kudos to duncanshiell for the blog !
I’m with Albert @59: the tougher the mental challenge, the bigger the payoff when you finish. This was indeed tough, and commensurately rewarding to finally fill in all the blanks. And I’ve learnt a tad about some obscure composers, to boot. Huge kudos to Maskarade and big thanks to duncanshiell for the blog, which unravelled both of the answers I couldn’t nut out for myself (the Aussie ladybird and the acacia).
Another cleverly constructed crossword. Hats off to Maskerade, but I got about 80% there when I became bored of trawling lists of obscure composers and gave up. Well done to anyone who finished.
Thanks so much to duncanshiell for all the explanations.
I’m late but just for the record, I really liked this.
List-based challenges that essentially require use of “wikipedia” (other sources of info are available) either before or after the fact are to me a delight – you learn something while being challenged. The no-vowels, all-crosser grid is somewhat familiar as I occasionally try the Observer Azed, it looks daunting at first but rapidly becomes a pleasant change.
Bravo Maskarade, keep them inventing, disregard the begrudgers. And thanks to duncanshiell for an epic blog.
I didn’t fully complete this, but really enjoyed the novelty (as someone who doesn’t venture into barred puzzles very often).
Well I managed to complete the grid within the calendar month so I feel quite pleased with myself (!). I had heard of approximately one in three of the composers, so the Wikipedia list of composers, that a previous contributor alluded to, did come in handy. It is, however, a very long list. Enjoyed it, even though it was tough, as it gave me a nice challenge in the cold, dark, post-Christmas, January slump! Thanks for the puzzle and the blog & a belated Happy New Year to all!