eXternal sets the second IQ challenge of March.
The Preamble:
Entries are entirely in the left or right half of the grid, as if divided by a border. Except for the first and last, each across clue contains an extra word; one choice of first or last letters of these words gives a poem title, the other choice gives part of its refrain. A single extra letter to be removed from one down clue per column must be placed in the column’s lowermost cell.
In the initially-filled grid, solvers must represent the continuation of the poem’s refrain by: (i) moving two entries showing the main characters in the poem to overwrite other entries, thereby obliterating thematic words; (ii) adding two words to eight of the vacated cells; and (iii) adding six vertical bars – retaining the reflective symmetry – to demonstrate a titular loss. All final entries are real words or phrases.
As usual, on first reading, the Preamble makes no sense, particularly the reference to the ‘dividing border’, clearly relevant, given the title of the puzzle. We then realised as we looked at the grid and the numbering of the clues that there are a number of bars missing – if they had been included they would cut the grid in two – two puzzles for the price of one!
Having noted that there are extra words in most of the across clues and extra letters in most of the downs, we set about solving – and found that once the extra word or letter had been identified most clues were relatively straightforward. 1ac was our first one in (no extra word though!), followed by 2d, 13ac, 1d, 30ac…. As we progressed we began to see the phrase formed by placing the extra letters in the down clues in the bottom row – we had GOD’S JUDGMENT… but couldn’t figure out the last four letters.
We also began to realise that a selection of the first or last letters of the extra words in the across clues could make THE BALLAD OF ….. with the alternate letters making NEVER THE TWA…. This didn’t ring any bells, but with a little electronic help we found THE BALLAD OF EAST AND WEST (7d and 6d) by Rudyard Kipling, the first lines of which are:
“Oh, East is east and west is west, and NEVER THE TWAIN SHALL MEET
Till Earth and Sky stand presently at GOD’S great JUDGMENT SEAT
but there is neither EAST nor WEST, BORDER, nor BREED (22d), nor BIRTH (23d),
When two strong men stand face to face, tho’ they come from the ends of the earth!”
So, we had the title of the poem and part of it’s refrain, which enabled us to finish filling the grid by working out which were the extra words in the across clues we hadn’t solved and the extra letters in the down clues:
We then moved on to the endgame. We realised that the ‘two strong men’ from the poem are the ‘main characters’ in the preamble – COMMANDER (1d) and CHIEFTAIN (12d), representing WEST and EAST respectively. WEST and EAST are separated by the (invisible) border down the centre of the puzzle, also separating BREED and BIRTH.
For the first instruction, we have to move the two main characters to ‘overwrite other entries, thereby obliterating thematic words’, i.e. move them to the centre so that ‘there is neither WEST nor EAST, border, nor BREED, nor BIRTH’.
For the second instruction we need to ‘add two words to eight of the vacated cells’. This stumped us for some time, as we assumed that the words would both be of four letters, maintaining the mirror symmetry of the grid, and they would have to leave real words in the final grid. We tried all sorts of combinations of letters, to no avail, until Joyce tumbled to the fact that EARTH and SKY appear in the poem, ‘standing presently at God’s Judgment Seat’ – adding these words to the bottom of the first and last column leaves real words (although we had to check a few!)
For the third instruction, we have to ‘add six vertical bars, retaining the reflective symmetry to demonstrate the titular loss’ – the title being ‘Border’ – so we need to remove the (imaginary) border in the grid by identifying words that cross from west to east – the three pairs of vertical bars are added in rows 3, 4 and 8, creating new words or phrases running across the ‘border’ with other new words created in rows 1, 6, 7 and 9 without the need for additional vertical bars:
In the parsings below, definitions are underlined and extra words or letters are in (brackets)
ACROSS | |||
No. | Entry | Extra word | |
1 | CODES |
Company with table mostly showing established rules (5)
|
|
CO (company) DES |
|||
5 | YAW | TuitioN |
Deviation from course means (tuition) gets set back (3)
|
A reversal (‘set back’) of WAY (means) | |||
7 | EAS | EnglisH |
Not totally calm (English) rivers in some parts (3)
|
EAS |
|||
9 | DARIC | VenuE |
Matinee discounted in dramatic (venue) performing piece from Persia (5)
|
An anagram (‘performing’) of DRA |
|||
13 | OPINION | BluE |
Greek character cutting head feeling (blue) (7)
|
PI (Greek character) in or ‘cutting’ ONION (head) | |||
14 | POORISH | AmbleR |
Somewhat lame (ambler), gent about to be caught by bear (7)
|
A reversal (‘about’) of SIR (gent) in or ‘caught by’ POOH (bear) | |||
15 | SEMIES | LasT |
Member of institute entering (last) dates for old students returning to Scots uni (6)
|
M I (member of institute) ‘entering’ SEES (dates) – a SEMIE is apparently a 2nd year student at a Scottish university | |||
16 | STARED | HatefuL |
Celebrity against (hateful) journalist glared (6)
|
STAR (celebrity) ED (journalist) | |||
17 | MASTICOT | AntiquE |
Lead monoxide and titanium used in (antique) talisman (8)
|
TI (titanium) in MASCOT (talisman) | |||
19 | TONALITE | DetesT |
Rock lean-to and (detest) it moving (8)
|
An anagram (‘moving’) of LEAN-TO and IT | |||
25 | NERO | WaterloO |
Emperor’s (Waterloo) – heavy blow bringing nothing back (4)
|
ONER (heavy blow) with the ‘o’ (nothing) moving to the back | |||
26 | AVER | AlooF |
Mature years spent in typical (aloof) state (4)
|
AVER |
|||
27 | IRES | IssuE |
Leader abandoning (issue) ignites rages (4)
|
29 | RUNT | AsiaN |
Drive close to that old (Asian) ox (4)
|
RUN (drive) T (last letter or close’ to that) | |||
30 | DATA | SeriouS |
Little recalled about (serious) facts (4)
|
A reversal (‘recalled’) of TAD (little) + A (about) | |||
31 | MANE | HaT |
Locks important (hat) in auditorium (4)
|
A homophone (‘in auditorium’) of MAIN (important) | |||
32 | REAN | AreA |
Muddy (area) near ditch in Glastonbury (4)
|
An anagram (‘muddy’) of NEAR | |||
33 | ILKA | NationaL |
Every Scottish (national) kind with American (4)
|
ILK (kind) A (America) | |||
34 | METISSE | LookeD |
Artist has (looked) east for a girl of mixed descent (7)
|
M |
|||
35 | TRAINEE | WarM |
Novice’s (warm) shower wearing casual attire (7)
|
RAIN (shower) in or ‘wearing’ TEE (t-shirt – ‘casual attire’) | |||
36 | RODS | ExaminE |
(Examine) core ammunition for pistols (4)
|
Double definition – the first referring to fuel RODS in the core of a nuclear reactor | |||
37 | STED | SinglE |
Disused place located with one (single) shed (4)
|
S |
|||
38 | HEST | ThreaT |
Tense (threat) following that man’s vow (4)
|
T (tense) following HE’S (that man’s) | |||
39 | GRAN |
Great Italian relative (4)
|
|
Double definition | |||
DOWN | |||
No. | Entry | Extra letter | |
1 | COMMANDER | G |
Divisive character upset ru(g)by national and naval officer (9)
|
COMMA (‘divisive character’) + a reversal of RED (ruby) N (national) | |||
2 | OPIATE | O |
Loaded apothecaries with no cares h(o)ard drug (6)
|
An anagram (‘loaded’) of APOT |
|||
3 | DISSERTED | D |
Detective claimed bar(d) advanced and talked archaically (9)
|
DI (detective) |
|||
4 | SIMIS | J |
Swords cut a knight in (j)apes (5)
|
SIMI |
|||
5 | YOICK | U |
R(u)ing unpleasant cycling, cry once in sporting pursuit (5)
|
O (ring) ICKY (unpleasant) with the last letter moving to the front or ‘cycling’ | |||
6 | WEST | G |
Ma(g)e that acted perhaps feeble having consumed sulphur (4)
|
WET (feeble) round or ‘consuming’ S (sulphur) – a reference to Mae West | |||
7 | EAST | M |
Brute s(m)acking top card player (4)
|
8 | SOANE | N |
(N)one in Perth supporting very good architect (5)
|
ANE (one in Perth – Scotland) after or ‘supporting’ SO (very good) | |||
9 | DORAD |
Father eating gold fish (5)
|
|
DAD (father) round or ‘eating’ OR (gold) | |||
10 | RIDICULER | E |
One scoffing endless curries li(e)d to doctor (9)
|
An anagram (‘to doctor’) of CURRIE |
|||
11 | ISATIN | A |
Organic compound last from Somali(a) put on lustrous material (6)
|
I (last letter of Somali) SATIN (lustrous material) | |||
12 | CHIEFTAIN | T |
Clan leader that is on foot in Chinese mar(t) briefly (9)
|
IE (that is) F (foot) in CH (Chinese) TAIN |
|||
18 | TROATS | S |
Bellows (s)old to feed rising fire (6)
|
O (old) in or ‘feeding’ a reversal (‘rising’) of START (fire) | |||
20 | LURING | S |
Leading (s)on from ancient city surrounded by heather (6)
|
UR (ancient city) in or ‘surrounded by’ LING (heather) | |||
21 | CENSE | D |
No longer (d)rank from some bottles, neck upturned (5)
|
Hidden (‘some’) and reversed (‘upturned’) in bottlES NECk | |||
22 | BREED |
Have sex with nurses on occasion (5)
|
|
BED (have sex with) round or ‘nursing’ RE (on) | |||
23 | BIRTH |
Baron with delight wanting first blood (5)
|
|
B (baron) |
|||
24 | FRERE | E |
Ni(e)ce’s brother unimpeded keeping close to her (5)
|
FREE (unimpeded) round or ‘keeping’ R (last letter or ‘close’ to her) | |||
26 | AMIS |
Author wrongly effacing concluding section (4)
|
|
AMIS |
|||
28 | SNIT | T |
Pet in Sacramento can(t)s head over heels (4)
|
A reversal (‘head over heels’) of TINS (cans) |
This was one of the best Inquisitors I’ve tackled this year. Almost all of the clues (all except six of them, in fact) were subject to some thematic manipulation, and it was a rewarding task to work them all out, fill the grid and identify all the thematic items from Kipling’s verse.
Fully resolving the theme would have been a bonus, but last night when I tried to follow the instructions concerning the changes to be made in the grid I found that I did not fully understand them. In the end (by reference to the solution above), I got everything except the (obvious!) placement of EARTH and SKY and where to put the six vertical bars.
Thanks to eXternal for a quality puzzle with a well-executed theme, and to Bertandjoyce for the excellent blog.
All successfully managed except the final 6 vertical bars, where I couldn’t understand what was being required (as ever, it feels natural in retrospect, but it’s harder to see this sort of thing when the key bit of the grid is messed around by letters being crossed out and added in). Irritatingly I noticed the emergence of YUCCAS in the first row, but failed to take the hint and fully open up the borders. A clever idea from eXternal and a very helpful blog.
A typically ingenious puzzle from eXternal. I’m not sure how obvious the last part of the endgame is and I for one certainly needed a nudge from a fellow solver
Early contender of Inquisitor of the Year for me, with a really interesting theme and I do love when we need to ‘act out’ a scene at the end.
Unlike others I felt the instructions for both EARTH & SKY and the 6 bars were relatively straightforward, the latter a requisite of all words being real.
My only very minor quibble (from a purely aesthetic perspective) is the 2 remaining vertical bars at the border separating O|H and A|F. As both of these are in my Chambers, I felt the bars there could have been left out to show a completely open border while still having only real words.
But overall a very enjoyable experience, thank you eXternal as always.
I actually found the instructions clear enough, and it was obvious where ‘earth’ and ‘sky’ had to land; and how the border might be eliminated or at least blurred. I was just a bit confounded by the resulting words: yaccas; pooris etc etc. I took in trust they probably did exist in some pocket of someone’s lexicon. Amazing construction; thanks to eXternal and Bertandjoyce.
Much enjoyed here: many thanks to eXternal and to Bertandjoyce. I usually leave the parsing of extra words from clues to the end, but scented Kipling when I saw WEST and EAST in the central columns and (thinking of the title) wondered about BREED and BIRTH. With the grid full, moving the characters from the “ends of the grid” to “stand face to face” seemed the logical thing to do, but it took me some while (and a re-read of the full refrain) before placing EARTH and SKY. Splendid stuff — although I wasn’t quite sure I’d done everything right until all those new words were confirmed by Chambers.
Beautifully crafted Inquisitor which took a lot of head scratching to follow the last two instructions but we managed in the end. Had to reverse-engineer ‘semies’ and then hunt it down electronically, since Chambers yielded nothing but a US trailer or truck. Thanks to external & B&J
A bit late to say so but I really enjoyed this one. As I proceeded, the details of the theme gradually unfolded, leading to a very neat ending. The quote rang a vague bell and I had to look up the poem to finish completely. Once again, an amazing grid construction from eX.
Thanks to eXternal and B&J
Very late here, must have overlooked commenting, probably very busy.
Anyway, the puzzle is my pick of the year so far – a brilliant design & execution by eXternal; and thanks to B&J for explaining TAIN(t) in 12d, & the rest of the blog of course.