Genius no 264 by Pangakupu

June’s Genius is set by Pangakupu.

The preamble says:

Six answers are modified, with one part of each replaced by itself. Their clues are presented in ascending order so that none is entered in the numbered space indicated. Wordplay in each remaining clue gives an extra letter; these spell out the nature of the replacement. Lengths in brackets indicate the number of spaces to be filled at that number; hyphenation and indications such as ‘7 words’ are omitted.

This one took some sorting out – not only in solving, but also in the best way to present the blog!

The first part of the preamble was very confusing, but at least it only affects six answers. So we set about solving and started to identify some of the clues with extra letters in the hope that the six clues would reveal themselves and we would begin to understand ‘the nature of the replacement’ that the extra letters spell.

As we progressed, we managed to find some of the six ‘thematic’ clues and realised that either SHARP or FLAT is hidden within the answers – 12d was our last one in – only solved when we realised that NATURAL fitted – clearly a musical theme.

The extra letters spell ENHARMONIC EQUIVALENT PAIR. Neither of us know much about music, but Joyce did know that on the keyboard certain notes have different names – D SHARP = E FLAT. These notes are apparently called ENHARMONIC EQUIVALENTS so we have ‘pairs’ of these equivalents. They are in ascending order on the keyboard within the clues although we have a repeat of E FLAT and D SHARP.

In the final grid we have:

1ac MUDFLAT – MUCSHARP (entered at 23ac)

11ac CARDSHARP – CAREFLAT (entered at 9d)

23ac REFLATE – RDSHARPE (entered at 11ac)

29ac SERVICEFLAT – SERVICDSHARP (entered at 1ac)

9d AFFLATUS – AFENATURALUS (entered at 12d)

12d STAGFLATION – STAFSHARPION (entered at 29ac)

We may well be missing something however due to our lack of musical knowledge so will look forward to comments on the blog.

ACROSS
No. Entry clue no extra letter
1 SERVICD SHARP 29ac
Poor athlete cut muscle going round deserted part of estuary (12)
MUFf (poor athlete) missing last letter or ‘cut’ LAT (muscle) going round D (deserted) = MUDFLAT (see 23ac)
9 CORRECT E
Heart muscle bumping us off, right? (7)
COR(E) (heart) RECTus (muscle) missing or ‘bumping off’ US
10 SCOURGE N
Disagreeable information about constant affliction (7)
SOUR (disagreeable) GE(N) (information) about C (constant)
11 RDSHARPE 23ac
Rotters circling right player in orchestra, one playing dodgily (8)
CADS (rotters) ‘circling’ R (right) and HARP (player in orchestra) = CARDSHARP (see 9d)
13 TROT H
Communist promise (4)
TROT(H) (promise)
16 FROWN A
Supporter taking in argument is to look gloomy (5)
F(A)N (supporter) around or ‘taking in’ ROW (argument)
17 RETENTIVE R
Having a good memory is never trite in crisis (9)
An anagram (‘in crisis’) of IS NEVE(R) TRITE
18 ANNOTATOR M
Soldier not attending other soldiers, one comments (9)
(M)AN (soldier) NOT AT (attending) OR (other ranks – ‘other soldiers’)
20 OFFER O
Suggestion from enemy’s source of reconciliation (5)
OF (from) F(O)E (enemy) R (first letter or ‘source’ of reconciliation)
22 AVER N
A French writer spurning latest English state (4)
A VER(N)e (French writer) missing or ‘spurning’ the second or ‘latest’ ‘e’ (English)
23 MUCSHARP 1ac
Official not in time to increase amount of currency etc. (8)
REF (official) LATE (not in time) = REFLATE (see 11ac)
26 GALILEO I
Astronomer in Biblical region shortened invocation (7)
GALILEe (Biblical city) missing the last letter or ‘shortened’ O(I) (invocation)
27 COALPIT C
Pass invaded by a former Scottish resident: ‘Mine’ (7)
COL (pass) round or ‘invaded by’ A + PI(C)T (former Scottish resident)
29 STAFSHARPION 12d
Falters, unsettled about wrong housing for staff (12)
An anagram (‘unsettled’) of FALTERS round VICE (wrong) = SERVICE FLAT (see 1ac)
DOWN
No. Entry clue no extra letter
2 EYE E
Observe old article in middle of week (3)
Y(E) (old article) in E E (middle letters of week)
3 VITUPERATE Q
Unexpectedly quite private, avoiding one reproach (10)
An anagram (‘unexpectedly’) of (Q)UITE PRiVATE missing or ‘avoiding’ ‘i’ (one)
4 CUSP U
Copper with drink making a point (4)
CU (copper) S(U)P (drink)
5 SPONTANEOUS I
Petunias soon burgeoning without prompting (11)
An anagram (‘burgeoning’) of PETUN(I)AS SOON
6 A PRIORI V
Spanish river runs through largely flat surroundings from an original position (7)
RIO (Spanish for ‘river’) R (runs) in or ‘surrounded by’ (V)APId (flat) missing the last letter or ‘largely’
7 PREY A
One pursued quiet time after upheaval (4)
P (quiet) + a reversal (‘after upheaval’) of YE(A)R
8 PRESTO L
Quickly getting cut up about others (6)
A reversal (‘up’) of (L)OP (cut) round REST (others)
9 CAREFLAT 11ac
What inspires a lot of bother about motoring problem? (8)
A FUSs (bother) missing the last letter or ‘a lot of’ round FLAT (‘motoring problem?’ – flat tyre) = AFFLATUS (see 12d)
12 AENATURALUS 9d
Flag waving in Establishment shows poor economic conditions (11)
An anagram (”waving’) of FLAG in STATION (establishment) = STAGFLATION (see 29ac)
14 STIRRUP CUP E
Something for departing rider? Picture spur being repaired (10)
An anagram (‘being repaired’) of PICTUR(E) SPUR
15 DECREPIT N
Most of regulation measure of beer is wretched (8)
DECREe (regulation) missing the last letter or ‘most of’ + PI(N)T (‘measure of beer’)
19 NOVELLA T
After a month, narrate a story (7)
NOV (November – ‘a month’) (T)ELL (narrate) A
21 FRAPPE P
Fortepiano mostly performed musical monologues – chill! (6)
F(P) (fortepiano) RAPPEd (‘performed musical monologues’) missing the last letter or ‘mostly’
24 AGES A
Silver sea rising for a long time (4)
AG (silver) + a reversal (‘rising’) of SE(A)
25 CODA I
One refusing to fight auxiliary upset final element (4)
CO (conscientious objector – ‘one refusing to fight’) + reversal (‘upset’) of A(I)D (auxiliary)
28 ADO R
Broadcast medium dismissing current trouble (3)
(R)ADiO (broadcast medium) ‘dismissing’ ‘i’ (current)

11 comments on “Genius no 264 by Pangakupu”

  1. Thanks Pangakupu and Bertandjoyce.

    In fits and starts got “ENHARMONIC EQUIVALENT PAIR”.

    Of the 6, I had 23a REFLATE, and 12d STAGFLATION.
    They would not fit in their numbered spots due to size, and/or mostly due to crossers.

    With 24 answers entered, the grid was 80% full offering effective constraints.
    Googling the instructions led to ‘Theory of Music’ and learnt about enharmonic equivalent notes, and the FLAT/SHARP connection.
    Applying that, found home for 5 of the 6.

    And lastly, 9d AFFLATUS = AF(NATURAL)US went into 12d
    Here, one had to ignore the F as crossers had: A?N?T?R?L?S – just changing FLAT to NATURAL.

    Before modification, the notes in order were:
    D-FLAT
    D-SHARP
    E-FLAT
    E-FLAT
    F-FLAT
    G-FLAT explaining the “ascending order” in the rubric.

    Took several sittings over a couple of days. With practically zero knowledge of music, this was challenging. So, satisfying to complete.

  2. Very good I thought with a novel idea for construction. My grid is the same as the blog. I don’t recall making use of the ascending order instruction.

    I did try playing the result. The notes work quite nicely as an Eb min 7 11 chord.

    Thanks to Pangakupa and Bertandjoyce for the blog.

  3. Like Bert & Joyce, we found the instructions very confusing, almost to the point of not attempting it at all. However, we slowly chipped away at the extra letter clues, but were mystified by the message they (claimed to) reveal. Our best guess was the meaningless ENHAR TONIC EQUIVALENT PAIR – as we’d confidently parsed the soldier in 18a as ANT instead of MAN, leading to an extra T.
    By this time, we’d realised it was something musical and involved FLATs and SHARPs, but (like ilippu) it was only at the very end, when 12d refused to fit this pattern, that we realised it was the whole note (D sharp etc) that needed to be replaced. Finally, the instructions made sense!
    We felt it was something of a triumph to finish, but too hard for us to have really enjoyed it. However, I salute Pangakupu’s ingenuity in putting it all together!

  4. This was well within the Genius puzzle tradition. I saw the “sharp” and “flat” part pretty quickly, but it took me a while to figure out that the note also had to change, e.g., D to E. It was a little tricky determining how the six special solutions switched around, but then again, there were only six of them. In general, I find clues with an extraneous (or missing) letter quite hard to solve, until almost the end, when the group of extra letters typically spells out some other message. Very nice job on the blog.

  5. Reading the blog and the comments, my understanding is, that you replace the appearance of a note with it’s pair and then put them in wherever they will fit. Is this correct? Unfortunately I read 21D as ‘FP mostly’ giving F and then dropped the D of RAPPED to get ‘FRAPPE’ but this gave me DAIR, not PAIR in the list of letters so I never understood the necessary modification.

  6. Even my very musical wife had not come across the phrase “enharmonic equivalent pair” but once I had discovered its meaning, she was able to provide the necessary conversions to enable me to fill the grid.

    I thought this was a very ingenious and interesting puzzle. Was there a Māori nina? I couldn’t see one.

  7. Thanks to Pangakupu for a terrific puzzle, and to Bertandjoyce for a splendid blog .

    This took me several goes over the course of three days, and it was only on the third day that different pennies finally dropped together.

    Like Mr Beaver @3, I found the instructions curious and baffling. What the devil can it mean – to replace something by itself? A translation, maybe? Replacing ONE with UNO, or WHITE with BLANC, etc?

    As I worked through the clues, getting solutions here and there, I found two that didn’t fit – CARDSHARP and STAGFLATION. Then came REFLATE – but still nothing twigged.

    Meanwhile, I was slowly building up the extra letters, spelling out words which would – I hoped! – ease my confusion about replacing something “by itself”. The first word to emerge was ‘equivalent’, followed – I guessed – by ‘pair’. For the third word I needed my dictionary. I hadn’t known the word ‘enharmonic’ or the phrase ‘enharmonic pair’. But now I did – and suddenly I realised what was going on …

    CAR D-SHARP wouldn’t fit anywhere, but if D-SHARP was replaced by E-FLAT (ie, by itself), CAR E-FLAT would! Similarly with STA G-FLAT ION and STA F-SHARP ION. And R E-FLAT E and R D-SHARP E.

    And so, at last, it all came clear and the grid was filled. Although, like Jay @2, I didn’t seem to need the ‘ascending order’ hint. I also couldn’t parse MUDFLAT. I didn’t know MUFF meaning a poor athlete, or D meaning deserted.

    Thanks again to Pangakupu fur a most enjoyable and clever puzzle.

  8. Thanks for the well documented unravelling, bertandjoyce. I put this away half finished early in the month with only the Sharp flat swapping part identified. Without the full message it was a bit complicated. I only got the satisfaction of solving it when the penny dropped with the word equivalent. An excellent Genius puzzle, thanks to Pangakupu on whom we’ve come to depend for classy puzzles.

  9. ilippu might like to check their answer:
    “And lastly, 9d AFFLATUS = AF(NATURAL)US went into 12d
    Here, one had to ignore the F as crossers had: A?N?T?R?L?S – just changing FLAT to NATURAL.”
    As per bertandjoyce’s answer, FFlat = ENatural. The enharmonic pairs always have a different note.
    I puzzled over the rubric’s “one part of each replaced by itself” for quite some time.

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