Independent 12,104 / Phi
Phi brings yet another set of working week puzzles to an end today.
I found this to be towards the easier end of the Phi difficulty spectrum, although there are a couple of clues (13 and 26) that I haven’t parsed to my satisfaction and where input from fellow solvers would be welcome.
My favourite clues today were 9, for the clever use of “next answer”; and 15 and 21, both for smoothness of surface.
*(…) indicates an anagram; definitions are italicised; // separates definitions in multiple-definition clues
Across |
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01 |
BRONCO |
Brother and officer becoming target for cowboys? BRO (=brother, colloquially) + NCO (=officer, i.e. non-commissioned officer); cowboys try to tame broncos, hence “target for cowboys” |
05 |
BONHOMIE |
Success securing new home at the outset – that is a good feeling [N (=new, as in New Testament) + H<ome> (“at the outset” means first letter only)] in BOOM (=success)] + I.E. (=that is, id est) |
09 |
BATTLESHIP |
Marine vessel out of place in Tibet and next answer (with height being involved) H (=height) in *(TIBET + ALPS (=next answer, i.e. in this crossword); “out of place” is anagram indicator |
10 |
ALPS |
A recording’s offering a view of Switzerland? A + LP (=recording, i.e. long-playing record)’S |
11 |
STEP DOWN |
Getting depressed after sulks recalled? Leave the top job STEP (PETS=sulks, moods; “recalled” indicates reversal) + DOWN (=depressed, low) |
12 |
LUSTRE |
Temptation to snatch stone? It’s the shininess ST (=stone, in weight) in LURE (=temptation) |
13 |
SLIP |
Dropping // a catch may be mine? Double definition: dropping can refer to letting slip, in conversation AND a slip fielder may have to take a catch in cricket |
15 |
TASTEBUD |
A source of culinary pleasure, but dates should be chopped *(BUT DATES); “should be chopped” is anagram indicator |
18 |
ENTRANCE |
Transport // access Double definition: to entrance is to transport, enrapture AND an entrance is an access, an entry |
19 |
TIER |
Row after middle of kitchen device lost TI<m>ER (=kitchen device; “middle of … lost” means middle letter is dropped); a row is a level, a tier |
21 |
LARDER |
After reversing, drive into concrete food store DR (=drive, in addresses) in REAL (=concrete, actual); “after reversing” indicates reversal |
23 |
CLEMENCY |
Caught by the French soldiers, clearly heartless, but getting mercy C (=caught, on cricket scorecard) + LE (=the French, i.e. a French word for the) + MEN (=soldiers, troops) + C<learl>Y (“heartless” means all but first and last letters are dropped) |
25 |
TERM |
Better men to accept time in office Hidden (“to accept”) in “betTER Men”; e.g. President Trump’s first term was his first “time in office” |
26 |
CENTRE-HALF |
Defender learnt he is out of place in soccer team after upset *(LEARNT HE) in CF (FC=soccer team, i.e. football club; “after upset” indicates reversal); “out of place” is anagram indicator |
27 |
DRABNESS |
Dull style in clothing receiving unexpected ban *(BAN) in DRESS (=clothing); “unexpected” is anagram indicator |
28 |
SITCOM |
Company in place beginning to make TV programme? CO (=company, i.e. abbreviation) in [SIT (=place, position, as verb) + M<ake> (“beginning to” means first letter only)] |
Down |
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02 |
ROAST |
Decay restricting a second joint [A + S (=second, in time)] in ROT (=decay); a Sunday joint is a Sunday roast |
03 |
NOTEPAPER |
Not recording a person in facility for making records NOT + EP (=recording, i.e. extended-play record) + A + PER. (=person) |
04 |
OBERON |
Weber opera, opening in Oslo, with live run being broadcast O<slo> (“opening in” means first letter only) + BE (=live, exist) + R (=run, on cricket scorecard) + ON (=(being) broadcast); Oberon is a romantic opera by German composer Carl Maria von Weber, composed in 1825-6 |
05 |
BEHIND THE SCENES |
This end of the bench needs to be repaired covertly *(THIS + <th>E + BENCH NEEDS); “end of” means last letter only is used in anagram, indicated by “to be repaired” |
06 |
NEPALESE |
High-level person goes white when cornered by indication of former name PALES (=goes white) in NÉE (=indication of former, i.e. maiden, name); cryptically, a Nepalese is a “high-level person”, i.e. a national of a country located at high altitude in the Himalayas |
07 |
OPALS |
Gems having phosphorous as well, but oxygen primarily P (=phosphorous) + ALSO (=as well); “oxygen (=O) primarily” means letter “o” moves to front of word |
08 |
IMPORTUNE |
Significance supported by article in French press IMPORT (=significance) + UNE (=article in French, i.e. a French word for a); to importune is to cajole, solicit, hence “(to) press” |
14 |
LEND AN EAR |
Stop in road, head away from car, and listen [END (=stop, finish) in LANE (=road)] + <c>AR (“head away from” means first letter is dropped) |
16 |
ENTRECHAT |
17, when dancing, involves hard ballet move H (=hard, as in HB pencils) in *(ENTR’ACTE (=entry at 17) |
17 |
ENTR’ACTE |
Stage music opening, but cut short? Excellent, about time ENTR<y> (=opening, access; “cut short” means last letter is dropped) + [T (=time) in ACE (=excellent, brill)]; an entr’acte is a piece of music played between the acts of a play |
20 |
DEBRIS |
New face at court getting knight upset? Rubbish DEB (=new face at court, i.e. débutante) + RIS (SIR=knight; “upset” indicates reversal) |
22 |
DEMOB |
Stand down protest over book DEMO (=protest) + B (=book); to demob is to stand down from military duty |
24 |
CELLO |
Accommodation for fifteenth prisoner? It’s a big fiddle CELL O (=accommodation for fifteenth prisoner, where CELL A is for the first prisoner, CELL B for the second, etc); the “fiddle” of the definition is a violin, stringed instrument |
I don’t see any problems with your parsings of SLIP and CENTRE-HALF RatkojaRiku.
Favourite for me was ENTRANCE.
Pleased to remember ENTRECHAT & ENTR’ACTE. I wondered if there was something going on with ENTRechat, ENTR’acte, ENTRance and cENTRe-half.
Thanks both. Well, I knew neither ENTRECHAT nor ENTRACTE but they were fairly clued given the plausibility of the answers. I’d argue CELLO more accurately relates to sixtieth prisoner, given well-publicised overcrowding.
Not a classic Phi.
Sleep-walking through the wordplays. 13(ac) SLIP. How does that actually work?
ENTRACTE, 17(d) , is abysmal. Then , we need it for ENTRECHAT, 16(d).
27(ac) + 20(d) sum it up, for me. DULL STYLE + RUBBISH.
But, ta, Riku.
I liked CENTRE-HALF and I thought LEND AN EAR was cleverly constructed. I felt this was Phil’s response to W.B.Yeats. A lot of things coming together and the cENTRe can hold.
Well done RR I struggled with this and when done getting round the formatting issue you had delaying posting.