I last blogged a Gila Inquisitor in May 2014 when the subject was the television quiz programme Bullseye.
The preamble in this puzzle told us that twenty clues contain a single letter misprint occurring in either the definition or the wordplay. In clue order, correct letters provide information relating to a shift that links two other (normally clued) answers.. All remaining answers (also normally clued) must be thematically modified in one of two ways prior to entry. Solvers must then identify and highlight a relevant name (11 cells in total) in the final grid which contains only real words and proper nouns.
I took a while to get going in this puzzle, but finally got going in the top right hand corner with FRAUD and STIMED which clearly didn’t intersect properly. In fact the most likely way of intersecting was for STIMED to be entered in reverse. I had to check that DEMITS was a real word, and was pleased when I found it was. HEDONISM at 11 across also confirmed DEMITS.
It was slow progress as I built up the grid working generally from the right hand side to the left hand side. The message from the corrected letters didn’t really begin to make much sense until I had about fifteen of the letters with TO MAKE A LIVIN being the clearest bit to me. Of course, I was then trying to see where a G could be fitted into the last down clue to make the last word of the message LIVING. Eventually all became clear and I realised that the message was WHAT A WAY TO MAKE A LIVIN”, a line from the song 9 to 5 which is descriptive of a work shift.
As I filled the grid I deduced the two forms of thematic modification were reversals and moving the final letter [BACK] to the beginning [FRONT]. I had seen the words BACK and FRONT in the grid and realised quite late on that they were clued and entered normally. It was even later, whilst writing the blog that I finally noticed that BACK was entered at 9 across and FRONT at 5 down giving 9 to 5 again.
I reckon there are six occurrences of each modification. One of the entries LAVA, modified from AVAL could be constructed with either modification, but for balance I would describe it as an example of moving the BACK letter to the FRONT.
Reversals | BACK letter to the FRONT |
13 across: NAMED to DEMAN | 10 across: ROGUED to DROGUE |
27 across: TERRA to ARRET | 15 across: RAKED to DRAKE |
30 across: RENO to ONER | 32 across ANGLED to DANGLE |
8 down: STIMED to DEMITS | 1 down: BANDA to ABAND |
17 down: ELIDES to SEDILE | 6 down: ONER to RONE |
22 down: KEELS to SLEEK | 26 down: AVAL to LAVA |
At this point, the only item I hadn’t tracked down was the name. However, given that the song 9 to 5 was popularised by DOLLY PARTON, there was a fair chance that she was going to be the person. DOLLY screamed out of the grid at row 8 and PARTON didn’t take long to find in column 8.
I thought the clues were quite tricky given that there were a lot misprints. Generally, I find that misprinted clues are quite simple once the misprint has been identified, but today I thought there was still some intricate wordplay in the modified clues. I also thought the misprints were well disguised. Few of the original surfaces seemed odd. In fact, in many cases, the original was smoother than the corrected clue.
This was a good challenge which I enjoyed solving.
The final grid looked like this
The title SHIFT relates to both the working shift (9 to 5) and the letter shift (back to front).
Across | |||||
---|---|---|---|---|---|
No. |
Clue Amended Clue |
Letter | Wordplay | Answer | Entry |
1 |
From ratatouille, naturally, to the best Italian food (6) From ratatouille, naturally, to the west Italian food (6) |
W |
ANELLI (hidden word (from) reversed (to the west) in RATATOUILLE NATURALLY ANELLI< |
ANELLI (Ring-shaped pieces of pasta, used especially in soups; Italian food) |
ANELLI |
5 |
Double-dealing Cockney for example, implicated in nameless fund (5) Double-dealing Hockney for example, implicated in nameless fund (5) |
H |
RA (Royal Academician; the artist David Hockney is an example) contained in (implicated in) FUND excluding (less) N (name) F (RA) UD |
FRAUD (deceit; double-dealing) | FRAUD |
9
|
Bank account stops providing support (4) |
|
AC (account) contained in (stops) BK (bank) B (AC) K |
BACK (support) | BACK |
10 | Snorting grams, debauched guy on date was a wrong’un (6) |
|
(ROUÉ [rake; debauched man] containing [snorting] G [grams]) + D (date) ROU (G) E D |
ROGUED (acted as a ROGUE [unprincipled person]; was a wrong’un) |
DROGUE (last letter [back] D to front) |
11 |
Sondheim knew the pleasure-seeking lifestyle (8) Sondheim anew the pleasure-seeking lifestyle (8) |
A |
Anagram of (anew) SONDHEIM HEDONISM* |
HEDONISM (lifestyle devoted to pleasure-seeking) |
HEDONISM |
13 | Call for department to go and cut workforce (5) |
|
DEMAND (call for) excluding (to go) D (department) DEMAN |
DEMAN (reduce the number of employees) |
NAMED reversed (back to front) |
15
|
Did gardening regularly at first, and was sore at one point (5)
|
|
R (first letter of [at first] REGULARLY) + AKED (old spelling [at one time] of ACHED [was sore]) R AKED |
RAKED (did gardening)
|
DRAKE (last letter [back] D to front) |
16 |
Shakespeare’s eight defining characteristics (but seven initially!) (6) Shakespeare’s tight defining characteristics (but seven initially!) (6) |
T |
TRAITS (defining characteristics) with S (medieval Roman numeral for 7) moved to the front (initially) to form STRAIT STRAIT |
STRAIT (Shakespearean word for tight | STRAIT |
18
|
Turn of phrase shown by Pulp maybe (7) Turn of phrase shown by Pula maybe (7) |
A |
P (pula, unit of currency of Botswana) + an anagram of (turn of) PHRASE P ERHAPS* |
PERHAPS (maybe)
|
PERHAPS
|
21 |
Teens found carrying, first and foremost, anything shaped like a weapon (6) Teens wound carrying, first and foremost, anything shaped like a weapon (6) |
W |
Anagram of (wound) TEENS containing (carrying) A (first letter of [first and foremost] ANYTHING) ENS (A) TE* |
ENSATE (sword-shaped; shaped like a weapon) | ENSATE |
24
|
Fixed slot covers hard strips of wood (5) Fixed slat covers hard strips of wood (5) |
A
|
Anagram of (fixed) SLAT containing (covers) H (hard, as in description of a pencil lead) LAT (H) S* |
LATHS (thin strips of wood)
|
LATHS |
27 | Middle of burrow covered in leaves and earth (5) |
|
RR (central letters of [middle of] BURROW) contained in (covered in) TEA (leaves) TE (RR) A |
TERRA (earth) |
ARRET reversed (back to front) |
28
|
Visionary plan leading to job once (8) Visionary plan leading to joy once (8) |
Y |
IDEA (proposal; plan) + LIST (obsolete [once] word for joy) IDEA LIST |
IDEALIST (visionary)
|
IDEALIST
|
29 |
Killer reportedly more revered in the past (6) Tiller reportedly more revered in the past (6) |
T |
LIEVER (sounds like [reportedly] LEVER [tiller]) LIEVER |
LIEVER (archaic [in the past] word for beloved [much loved ; more revered]) | LIEVER |
30 | 50% of famous Americans often get divorced here (4) |
|
RENO (4 of the 8 [50%] letters of RENOWNED [famous]) | RENO (city in Nevada where many Americans file divorce proceedings) |
ONER reversed (back to front) |
31 |
Choppy sea laps edge of chalk rock, sand and gravel formed into ridge (5) Choppy sea laps edge of chalk rook, sand and gravel formed into ridge (5) |
O |
(Anagram of [choppy] SEA containing [laps] K [last letter of {edge of} CHALK) + R (rook in chess terminology) ES (K) A* R |
ESKAR ( ridge of gravel and sand laid down by a subglacial stream or one which issues from a retreating glacier) |
ESKAR |
32 | Biased film director almost sued in the end (6) |
|
ANG LEE (Taiwanese film director born 1954) excluding the final letter (almost) E + D (last letter of [in the end] SUED) ANG LE D |
ANGLED (biased) |
DANGLE (last letter [back] D to front) |
Down | |||||
1 | Thatched hut built by Canadian natives alongside Manitoba’s eastern borders (5) |
|
BAND (Canadian term for a group of native people on a reservation with elected chiefs) + A (last letter of [eastern border of) MANITOBA) BAND A |
BANDA (African thatched hut) |
ABAND (last letter [back] A to front) |
2 |
Battle in the rain to reverse a vehicle in or out (8) Battle in the main to reverse a vehicle in or out (8) |
M |
(A + VAN [vehicle]) reversed (to reverse) + an anagram of (out) IN OR (NAV A)< RINO* |
NAVARINO (reference the sea [main] Battle of NAVARINO in October 1827 during the Greek War of Independence) | NAVARINO |
3
|
It shows how people interact with others and cope with a mess, possibly (6) It shows how people interact with others and cope with a mass, possibly (6) |
A |
Anagram of (possibly) COPE and A and M (mass) ECOMAP* |
ECOMAP (diagrammatic representation of a person’s or family’s interactions with other individuals and groups in the community)
|
ECOMAP |
4 |
Songs from Porgy and Bess‘s second part introduced by drummer (6) Songs from Porky and Bess‘s second part introduced by drummer (6) |
K |
LIE (porky, porky pie,which is rhyming slang for lie) + (E [second letter of {second part of} BESS] contained in [introduced by] DR [drummer]) LIE D (E) R |
LIEDER (songs) | LIEDER |
5 | Hostile scene in theatre auditorium (5) |
|
FRONT (the FRONT or FRONT line in a battle is a hostile scene) FRONT |
FRONT (theatre auditorium) double definition | FRONT |
6 | The final morsels of bacon cheeseburger and Whopper? (4) |
|
ON (last bit of [final morsel of] BACON) + ER (last bit of [final morsel of] CHEESEBURGER) | ONER (big lie; whopper) |
RONE (last letter [back] R to front) |
7 |
Who sat this thing under a tree? (5) Who set this thing under a tree? (5) |
E |
A + GILA (pseudonym of the crossword setter; who set this thing) This is a down clue so GILA is entered under A A GILA |
AGILA (eaglewood tree) | AGILA |
8 | Heads of science tackled the onset of influenza before medicine appeared in Scotland (6) |
|
ST (first letters of each of [heads of] SCIENCE and TACKLED) + I (first letter of [onset of] INFLUENZA) + MED (medicine) ST I MED |
STIMED (old Scots word for PEERED which can be defined as appeared) |
DEMITS reversed (back to front) |
12 |
Mole covered up by a kid’s jazzy, colourful shirt (7) Male covered up by a kid’s jazzy, colourful shirt (7) |
A |
(HE [male] contained in (covered up by] an anagram of [jazzy] A KID’S DAS (HE) KI* |
DASHEKI ( type of loose shirt worn in Africa, and also in the United States) |
DASHEKI |
14 |
Pants shelved, I rearrange socks (8) Pants shelved, I rearrange locks (8) |
L |
Anagram of (pants) SHELVED I DISHEVEL* |
DISHEVEL (to ruffle [rearrange] hair) | DISHEVEL |
17 | Omits meals in diet occasionally (to get slim primarily) (6) |
|
ELIDE ((letters 2, 4, 6, 8 and 10 [occasionally] of MEALS IN DIET) + S (first letter of [primarily] SLIM) ELIDE S |
ELIDES (cuts off [especially a syllable in verse]; suppresses or abridges; omits) |
SEDILE reversed (back to front) |
19
|
Lake in middle of Balkan state (6) Like in middle of Balkan state (6) |
I |
AS (like) contained in (in) ALKA (central letter of [middle of] BALKAN) AL (AS) KA |
ALASKA (State of the United States of America)
|
ALASKA |
20 |
Quiet, having once sounded clearly livid (6) Quiet, having once sounded clearly vivid (6) |
V |
‘ST (hush,quiet) + RONG (obsolete [once] past tense of RING [sound clearly]) ST RONG |
STRONG (vivid, relating to colour) | STRONG |
22 | A thousand small fish trapped inside the lower parts of boats (5) |
|
EEL (fish) contained in (trapped inside) (K [kilo; one thousand] + S [small]) K (EEL) S |
KEELS (lower parts of boars) |
SLEEK reversed (back to front) |
23 |
Lav, for example, left in middle of bedroom yet to be renovated (5) Liv, for example, left in middle of bedroom yet to be renovated (5) |
I |
L (left) contained in (in) an anagram of (to be renovated) (R [central letter of {middle of} BEDROOM] and YET) TY (L) ER* |
TYLER (reference Liv TYLER [born 1977), American actress) | TYLER |
25
|
Value rest following the close of business (5) Value rent following the close of business (5) |
N |
S (last letter of [close of] BUSINESS) + TORE (rent) S TORE |
STORE (value) | STORE |
26 | To kick off with, awesome vindaloo and loads of nan? (4) |
|
AVAL (first letters of [to kick of with] each of AWESOME VINDALOO AND and LOADS) AVAL |
AVAL (relating to a grandparent; of nan) |
LAVA (last letter [back] L to front) |
Another enjoyable and not too taxing IQ. The usual thanks to Gila and duncanshiell …
I saw DOLLY quite early but somehow got the idea that the name appeared in contiguous cells with a right-angle bend, which placed the P where the K of DASHEKI had to go and delayed the solve of 12D. Googling the name and song line sorted me out. If only 9A (not then solved) could be BACK, and by gosh it could. Nice.
Enjoyable and not overly difficult, at least once I’d worked out how to shift those answers. Spotting the beginning of the lyrics fairly early also helped with the remainder of the misprints. From then on I was looking for where POLLY and PARTON might fit into the grid. 🙂
I felt like an average jogger trying to run a marathon.Thanks for blog.
A very nice workout which, once the penny dropped, didn’t take too much of my weekend up for once. The SE corner was first to fall and with arret and dangle being in that cluster, I was on my way.
Many thanks to setter and blogger as always.
Now if I can only get that song out of my brain..
Really enjoyed this. Very good cluing, nice devices and Dolly Parton – what’s not to like?
After a run of rather tough puzzles, and then a rather easy one, this was just right for me. Definitely challenging, but definitely doable. How have I lived so long without knowing Sondheim was an anagram of hedonism?
I normally give up quickly when it comes to the wordsearch element, unless it’s obvious. And then it struck me that the bothersomely missing ‘g’ at the end was a clue. Hello google; hello Dolly.
I agree with most of the above – not too difficult and with a few nice PDMs. My only quibble is that, in my book and in Chambers, a shift involves doing your stint at varying times of the day and not working a regular “9 to 5”. Perhaps the Americans define it differently.
DaveW, I don’t see anything like that in my Chambers (Revised 13th ed). The definition says ‘a group of people who work for a specific period within a working day, alternating with other groups; the time worked by such a group.’ The title seems fine to me. I thought this was an excellent puzzle, very well crafted and good fun.
I was initially misled by two clues I had solved early: 30a RENO entered as ONER, and 6d: ONER entered as RENO – so I thought that the theme was simply reversals. Later, of course, I discovered the actual theme, but persisting with RENO at 6d left me struggling for ages with the intersecting 10a as I had the checking letter wrong.
Earlier, when I solved 23d: TYLER (never heard of Liv T.) I thought “Either that ‘Y’ is perverse, or it’s there for a special reason”. It was of course the latter, which made DOLLY extremely easy to find.
As others have commented, not too difficult a puzzle (I did most of it whilst we drove home from Cornwall on Bank Holiday Monday), some very nice touches, and rather enjoyable. Thanks Gila & Duncan – I had the split at 7-5, so thanks for pointing out that AVAL -> LAVA could work either way; 6-6 is much better.
Many thanks to Gila for a fun puzzle. By midweek I had ground to a halt with about 2/3 entered and was struggling for a breakthrough. I switched to looking for a possible name and DOLLY stood out immediately. From there everything fell rapidly into place: ‘Shift’ made me think 9-5, I had ‘ART’ where PARTON might fit, the 10 misprints I had identified at that stage would fit with ‘What a way to make a livin’. Lovely stuff!
I seem to have found this a bit harder and less engaging than many above. I do like Dolly Parton, but I’m not familiar enough with her songs for the lyric to have jumped out at me, so once I’d worked out the likely ‘information’, it needed a google to get me on the right track. Like HG I had RENO rather than RONE entered at 6d, but unlike him I never actually got round to sorting this out, which left 10a blank, though it seems obvious now what it should have been. Still, there were plenty of pleasurable moments, not least the Sondheim anagram mentioned by Neil Hunter above – enhanced by the clever use of the misprint in the clue.
Caran @8. Firstly, I agree entirely with your assessment of the puzzle. Thanks to Gila and Duncan.
Regarding “shift”, my 2006 Chambers has identical wording to yours: “‘a group of people who work for a specific period within a working day, alternating with other groups; the time worked by such a group.” To me, “alternating” means that each group alternates the times with the other groups. Working 9 to 5, is the fairly standard working day and those who do it would not regard it as working a shift. Where working anti-social hours is necessary, such as in hospitals and some factories, the shift times are rotated for each group or individual. No doubt there are some exceptions but this is the general rule.
Sorry to go on about this triviality, but I thought your response deserved another. The most important part of this message is the two opening sentences.
bingybing@5 takes the words right out of my mouth – what a lovely lady and what is there not to like? I didn’t catch on right until the end which increased the PDM value for me. I was distracted by first remembering and getting confused by Sheena Easton’s song “9 to 5” that was a hit in the UK (about the same time as Dolly Parton’s song of the same name was a hit in the US).
Thanks to all for a super puzzle and blog.
Very belated thanks to Duncan for the blog and to everyone who commented. I’m glad it was fun to solve, as it certainly was to set. And seems this one was less controversial than the Seinfeld/ERM puzzle. Which was probably understandable. I mean, who doesn’t love a bit of Dolly?!
Just a couple of bits to add from me:
– If you were initially confused by the lack of final G, spare a thought for the setter, who had to re-do the grid and a lot of the clues upon realising it didn’t need to be there!
– There’s some good 9-to-5 stuff here, including Azed admitting he’d never heard of the song, and a brilliant winner which is easily one of the best clues I’ve ever seen
Cheers to all
Ali/Gila