This is Radler’s sixth appearance in the Inquisitor series with puzzles coming about once a year. I have blogged one before. That one focused on unfinished symphonies. I said then that I enjoyed the challenge. This one too was a challenge and once I got into it I really enjoyed this one too.
The preamble told us that anticlockwise round the perimeter are four works (six words) by an author. From one clue in each pair, a single letter must be moved into the other before solving, in many cases with spacing and punctuation adjustments and often affecting surface reading. In clue-pair order, these letters spell a four word anagram of the perimeter’s unchecked letters which hints at one of two further works, the original titles of which the solver must locate and highlight in the completed grid, thus identifying the main protagonist in one of those works (20 cells).
Well that didn’t make a great deal of sense on first reading, so my usual policy is to barrel in and see what can be solved.
It was quickly very clear what the pairs were with the use of ellipses between adjoining clues, including one pair that straddled the acrosses and the downs.
The first clue I solved was ETON SUITS at 15 across as it was clearly an anagram of INTO SETS plus one letter Other early successes were HOOTS, AIDER and UTE in the acrosses. Early down solutions were PRETEXT, ALARMED and AIS
Gradually I began to build up the words from the letters that moved. TENSE and TRIAL fell first and the third word seemed to have to be MAMMOTH. The last one I got was TOUGH. Eventually I saw THE JUDGEMENT in the Bottom row and my little knowledge of Kafka was enough to know that TRIAL was the key word formed by the moving letters. That was enough to deduce the four books round the perimeter. Starting from row 1, column 2 and going anticlockwise we have CONTEMPLATION, THE JUDGEMENT, AMERIKA and THE METAMORPHOSIS. I’m afraid I haven’t read any of them, but I can do research reasonably well and that led me to the original title of The TRIAL and to one of Kafka’s other better known works, The CASTLE
At this point, the preamble reference to original titles began to make sense as I learned that the German titles of the latter two books were DER PROCESS and DAS SCHLOSS. By this time I had also learnt that the protagonist in The CASTLE was known only as K. As an aside, the TRIAL tells the story of Josef K.
A study of the grid shows the presence of letters forming both DER PROCESS and DAS SCHLOSS arranged in a pattern that forms the letter K. I have used two different colours in the grid below to clearly indicate the two titles. Almost certainly the submitted solution would be looking for a single colour forming the letter K
The last loose end to tie up is proving that the unchecked letters in the perimeter form an anagram of the words generated by the moving letters. The unchecked letters going clockwise from the top left hand corner are OSHRMTMHAIEANGUETOTLMT (22 letters – there were 22 pairs of clues generating 22 moving letters). As you can see from the colours, TOUGH, TENSE, MAMMOTH and TRIAL can be formed by the unchecked letters
The completed grid looks like this
The clues looked fearsome on first read through knowing that a letter had to be moved to another clue without being clear whether we were looking in the wordplay or the definition. Neither did we know what spaces and punctuation had to be changed. There were some very clever moves and adjustments – BEAT in 9 across, CARUNCLE in 38 across, SCARED in 7 down and RESTART in 29 down being good examples. I said in my previous blog of a Radler puzzle that definitions weren’t straight out of the dictionary. This was the case here as well.
All in all and excellent challenge, but if you think I’ve got some of the amended clues wrongly punctuated or spaced, please say so
My most recent Inquisitor blog, 1561, referred to a tour-de-force in filling the grid. This puzzle is an equally impressive bit of work in the grid and the clues. There were quite a few three letter words, but I think that is to be expected when there is so much thematic material in the perimeter. Also the use of moving letters, that spelt out relevant words as well as forming an anagram of the unchecked letters in the perimeter was very impressive.
Finally we turn to the title, KEEP TRYING which is probably a phrase of encouragement to the solver as well as hinting at Kafka’s The TRIAL
The letters in fuchsia in column three are placed against the clue from which the letter has been moved
Across | ||||
---|---|---|---|---|
No. |
Clue Amended Clue |
Letter |
Wordplay |
Entry |
8 |
Out to catch runner with speed, is he not taking bend? … (5) Out to catch runner with speed, is he no taking bend? … (5) |
T |
NO containing (taking) ARC (curve; bend) N (ARC) O |
NARCO (narcotics agent, one out to catch a drug runner dealing in speed [amphetamine; potentially addictive drug]) |
9 |
… be a second, about to go on (8) … beat second, about to go on (8) |
|
S (second) + C (circa; about) + RAMBLE (to wander in mind or discourse; go on at length without being clear) S C RAMBLE |
SCRAMBLE (beat [eggs]) |
12 |
They deceive using rows, missing first pint … (6) They deceive using rows, missing first point … (6) |
|
LINES (rows) excluding (missing) N (North, usually considered to be the first point of the compass) LIES |
LIES (statements that deceive) |
14 |
… account given periodically by winos joining AA (3) … account given periodically by wins joining AA (3) |
O |
ISA (even letters, 2 ,4 and 6 [given periodically] of WINS AA) ISA |
ISA (Individual Savings Account) |
15 |
Outfits arranged into sets … (9, 2 words) Outfits arranged into suets … (9, 2 words) |
|
Anagram of (arranged) INTO SUETS ETON SUITS* |
ETON SUITS (an Eton jacket [boy’s black dress coat without tails], with matching waistcoat and trousers) |
17 |
… one’s right in there, measured up lot (4) … one’s right in there, measured plot (4) |
U |
R (right) contained in (in there) ACE (one) AC (R) E |
ACRE (a measurement of land area [plot]) |
18 |
Log turned through power instruments … (5) Lo turned through power instruments … (5) |
G |
LO reversed (turned) contained in (through) VIS (force, power) VI (OL<) S |
VIOLS (members of a class of stringed instruments, tuned in fourths and thirds, forerunners of the violin class, of which the double bass is perhaps the closest modern relative)
|
19 |
… lower in bass attending live reviews (3) … lowering bass attending live reviews (3) |
|
BE (exist; live) reversed (reviews) + B (bass) EB< B |
EBB (lowering) |
20 |
Shows young, not quite adult sneaking in old plant … (6) Sows young, not quite adult sneaking in old plant … (6) |
H |
A (adult) contained in (sneaking in) (PIGLET [the young of a sow] excluding the final letter [not quite]) T) P (A) IGLE |
PAIGLE (cowslip, sometimes also the oxlip; plant) |
22 |
… tames what he often depicted as bubbly concealing name (5) … Thames what he often depicted as bubbly concealing name (5) |
|
MOET (brand of champagne [bubbly]) containing (concealing) N (name) MO (N) ET |
MONET (reference Claude MONET [1840 – 1926], French impressionist painter who often used the River Thames and its surroundings as settings for his works) |
24 |
Retreating son also hears screams … (5) Retreating son also hearts screams … (5) |
|
(S [son] + TOO [also] + H [hearts]) all reversed (retreating) (H OOT S)< |
HOOTS (screams) |
27 |
… second grim tirade (5) … second grim irade (5) |
T |
Anagram of (grim) IRADE AIDER* |
AIDER (one who helps; second) |
29 |
Man hides tape, after copy lost, recorded again … (6) Man hides etape, after copy lost, recorded again … (6) |
|
ROOK (chess piece [man]) containing (hides) ETAPE excluding [after … lost] APE [copy]) R (ET) OOK |
RETOOK (recorded again) |
31 |
… right tape canned (3) … right tap canned (3) |
E |
Anagram of (canned) TAP APT* |
APT (fitting; right) |
32 |
Present wife left bed abruptly … (5) Present wife left bend abruptly … (5) |
|
SWERVE (bend abruptly) excluding (left) W (wife) SERVE |
SERVE (present formally) |
34 |
… as Eshkeri’s addressed mainland packets (4) … as Eshkeri’s addressed mail and packets (4) |
N |
ILAN (hidden word in [packets] MAIL AND ILAN |
ILAN (reference ILAN Eshkeri [born 1977], British neoclassical composer; Christian name, how he is addressed)) |
35 |
Terrorise cat to be party animal … (9) Terrorise cast to be party animal … (9) |
|
Anagram of (cast) TERRORISE ROISTERER* |
ROISTERER (noisy reveller; someone who enjoys parties) |
36 |
… American picks up vehicle down under (3) … American pick up vehicle down under (3) |
S |
UTE (member of a Native American people of Utah, Colorado and New Mexico; the Uto-Aztecan language) UTE |
UTE (short form for a utility vehicle truck or pick-up in Australia [down under]) double definition |
38 |
Care, uncle sometimes recovering old money … (4) Caruncle sometimes recovering old money … (4) |
E |
LIRA (currency formerly used in Italy; old money) reversed (recovering) ARIL< |
ARIL (covering or appendage of some seeds, an outgrowth of the funicle; sometimes, a caruncle [false ARIL]) |
39 |
… migrants’ condition on entering no deranged sexual practice (8) ... migrants’ condition one entering no deranged sexual practice (8) |
|
I (Roman numeral for one) contained in (entering) (NO + MAD [deranged] + SM [sadomasochism {sexual practice}]) NO MAD (I) SM |
NOMADISM (a state of wanderers or migrants) |
40 |
I’m given depth by Man’s artistic style … (5) I given depth by Man’s artistic style … (5) |
M |
I + D (depth) + IOM (Isle of Man; Man) I D IOM |
IDIOM (artistic style) |
Down | ||||
1 |
… swap growth of California, and not all of that (6) … swamp growth of California, and not all of that (6) |
|
CAL (California) + THAT excluding the final letter (not all) T CAL THA |
CALTHA (plant of the Caltha genus of flowers to which the marsh marigold belongs; swamp plant) |
2 |
Roman fighter sat one that’s precious over province … (5) Roman fighter stone that’s precious over province … (5) |
A |
ICE (diamond or other precious stone) + NI (Northern Ireland – often referred to as a province, but there are plenty of articles on the internet suggesting it has different descriptions) This is a down entry so the letters ICE are found above (over) NI ICE NI |
ICENI (a British tribe that fought the Romans in 60s BC) |
3 |
… fair, but ultimately inadequate ID request (3) … fair, but ultimately inadequate aid request (3) |
|
SO-SO (neither very good nor very bad; fair) excluding the final letter (ultimately inadequate) O SOS |
SOS (save our souls; universally recognised call for help) |
4 |
Little mouth shivering, mouse left cold … (6) Little mouth shivering, Ouse left cold … (6) |
M |
Anagram of (shivering) OUSE and L (left) and C (cold) OSCULE* |
OSCULE (little mouth) |
5 |
… cover story before SS? (7) … cover story before MSS? (7) |
|
PRE (before) + TEXT (manuscripts [MSS]) PRE TEXT |
PRETEXT (ostensible motive or reason, put forward as an excuse or to conceal the true one; cover story) |
6 |
Mantras from US others head for exit … (3) Mantras from US mothers head for exit … (3) |
|
MOMS (American term for mothers) excluding (for exit) the first letter (head) M OMS |
OMS ( sacred syllable intoned as part of Hindu devotion and contemplation, symbolizing the Vedic scriptures, the three worlds [earth, atmosphere and air], and the Absolute; mantras) |
7 |
… scam – Red Capone’s dream turned sour (7) … scared Capone’s dream turned sour (7) |
M |
AL (reference AL Capone [1899 – 1947], American businessman and gangster) + an anagram of (turned sour) DREAM AL ARMED* |
ALARMED (scared) |
10 |
I dine when eating sweetfish … (3) Iodine when eating sweetfish … (3) |
|
AS (when) containing (eating) I (chemical symbol for iodine) A (I) S |
AIS (alternative spelling of AYUS [sweetfish]) |
11 |
… what’s cured and reinstated but not okay? (5) … what’s cured and reinstated but not kay? (5) |
O |
BACK ON (reinstated) excluding (but not) K (kay) BAC ON |
BACON (a type of cured meat) |
13 |
One in fifty women is wrong about Rick … (9) One in fifty women is wrong about trick … (9) |
|
W (women) + (IS + SIN [wrong]) containing (about) CON (trick) W IS (CON) SIN |
WISCONSIN (one of the fifty States of the United States) |
16 |
… Roman pot etc, Lear’s crown dropped (4) .. Roman poet clear’s crown dropped (4) |
T |
VOID (to clear) with the first letter (crown) V falling down the word (dropped) OVID |
OVID (reference OVID [43BC – 17/18AD], Roman poet) |
17 |
Short person in a hut? Not exactly … (5) Short person in a ut? Not exactly … (5) |
H |
BOD (person) excluding the final letter (short) D contained in (in) (A + UT) A (BO) UT |
ABOUT (nearly; not exactly) |
21 |
… pick up gallon tin (5) … pick up gallon thin (5) |
|
G (gallon) + LEAN (thin) G LEAN |
GLEAN (learn; pick up) |
23 |
Like this would be fiercely revolutionaty liberation hotly disputed … (7) Like this would be fiercely revolutionaty liberation holy disputed … (7) |
T |
LIB (short form of liberation) reversed (revolutionary) + an anagram of (disputed) HOLY BIL< LY-OH*
|
BILLY-OH (in the phrase LIKE BILLY-OH meaning vigorously; fiercely) |
25 |
… hear from doctor, pin split into eight sections (8) … heart from doctor, pin split into eight sections (8) |
|
OCTO (central letters of [heart of] DOCTOR) + FID (conical pin of hard wood) OCTO FID |
OCTOFID (cleft into eight segments) |
26 |
One on the fiddle? All but West African settle … (4) One on the fiddle? All but West African settler … (4) |
|
BOWER (one using a BOW; one playing the violin or fiddle) excluding (all but) W (west) BOER |
BOER (South African of Dutch descent; the original BOERs were Dutch settlers) |
28 |
… fall ill -Scottish trip over a week into abuse (5) … fall ill -Scottish tip over a week into abuse (5) |
R |
([A + W {week}] contained in [into] MUD [abuse]) all reversed (trip over) (D (W A) UM)< |
DWAUM (Scottish word meaning failing health) |
29 |
Re-sit art on gathering inspiration from below … (6) Restart on gathering inspiration from below … (6) |
I |
RE (with reference to; on) containing (gathering) MUSE [inspiring goddess or inspiring poet] reversed [from below; down clue]) R (ESUM<) E |
RESUME (restart) |
30 |
… Oho! Church band spotted prowler (6) … Ohio! Church band spotted prowler (6) |
|
O (Ohio) + CE (Church [of England]) + LOT (set; group; band) O CE LOT |
OCELOT (American cat (Felis pardalis), like a small leopard; spotted prowler) |
33 |
Ida’s staff worker leaving Italy for base in Cape of Africa … (5) Aida’s staff worker leaving Italy for base in Cape of Africa … (5) |
|
VERDI (composer [{musical}staff worker] of the opera Aida) replacing (leaving) I )(International Vehicle Registration for Italy) with (for) E (base of natural logarithms) VERDE |
VERDE (reference Cape VERDE islands, nation off the North West coast of Africa) |
35 |
… top-sliced bread that might be used for toast (3) … top-sliced bred that might be used for toast (3) |
A |
BRED excluding the first letter (top sliced) B RED |
RED (you might toast someone at a dinner or wedding in RED wine) |
37 |
Cap Indian’s lover … (3) Cap Indian’s over … (3) |
L |
JAT (member of a people inhabiting NW India and Pakistan; Indian) reversed (over) TAJ< |
TAJ (dervish’s tall conical cap)
|
38 |
… firstly added mixture into cooking pan (3) … firstly added mixture into cooking plan (3) |
|
Anagram of (cooking) AMI (first letters of [firstly) each of ADDED, MIXTURE and INTO) AIM* |
AIM (purpose; intention; plan) |
Great puzzle, comprehensive blog…thx.
In the title, surely ‘keep’=’castle’?
An excellent puzzle, thanks Radler. It looked pretty daunting from the preamble but as things gradually started to fall into place it was a very satisfying solve. I had real difficulty with the perimeter for a long time, however, and went up a blind alley for a while. I assumed that TEMPTATION was on the left hand side and googling that led me to Vaclav Havel and time spent trying to crowbar his works (including ‘Motomorphosis’) into the available space. Fortunately I decided to look elsewhere and finally came across Kafka.
Thanks to Duncan for the blog.
Much enjoyed — thanks all round. The title must have planted the idea of Kafka without my consciously noticing it: a sudden realization that Amerika and The Metamorphosis made up nearly half the perimeter led directly to The Trial and poor doomed K. Happily I remembered the German titles from past edits to Kafka’s SF Encyclopedia entry, and had a satisfying leap from “Wouldn’t it be neat if …?” to “Oh gosh it is!” No memory of Contemplation or The Judgement though, so research was still needed.
I picked up this puzzle a couple of days after publication after hearing from another solver how good it was, and being further encouraged after reading the preamble and looking at the design. Echoing the comments above, I thought it was excellent.
I managed to complete the grid, except of course for the unchecked cells in the perimeter. The endgame was in effect a fresh puzzle, and it was an absolute joy to solve. The word JUDGEMENT that Duncan saw was also my first promising guess round the perimeter (fortunately I didn’t notice that ‘temptation’ could go down the left), and it led successfully to Kafka and the other three titles. The message that came from letters in the clues led to The Trial.
The precise wording in the preamble (‘original titles’) led to DER PROCESS, as Kafka wrote it – not Der Prozess, which was the title of the posthumous ‘first edition’. I wanted the final title to be The Castle because the German DAS SCHLOSS had 10 letters, making 20 in all. It duly appeared, and the big K thus amazingly revealed confirmed that character from The Castle in favour of Josef K from the Trial. (Before that, I assumed the ‘K’ cell in the right-hand column of the grid would have some significance.)
It was good to experience yet another variation of the idea of manipulating single letters in clues. When implemented as well as this it spices up the clue-solving process without impeding it. Some of the insertions and deletions were particularly well done and well-disguised. The title was very neat too – I didn’t spot the full connection until ‘keep’ was pointed out here.
Many thanks to Radler and to Duncan for the blog (which I haven’t had time to study in full yet).
Thoroughly enjoyed, though it took me a while to get the hang of what we had to do with the letter pairs. I spotted JUDGEMENT and enough of AMERIKA to guess the rest of what we were looking for, and, well, two of Kafka’s most famous works were missing from that perimeter so no prizes for guessing what we’d be looking for, or what shape they’d be in. Unless you won the chocolates, of course. 🙂
Apparently much of the subtlety of Kafka’s works is lost in translation, but I’m afraid my German is never likely to be up to reading in the original language.
I thought this was excellent. It was also quite tough, and like others I struggled at first to get to grips with the letter pairs. I’m familiar with some of Kafka’s works but didn’t know THE JUDGEMENT, which was the first of the perimeter entries to reveal itself, so it was some time before I tumbled to the theme.
I spent some time trying to work out the significance of TOUGH, TENSE and MAMMOTH in relation to TRIAL. As far as I remember Josef K never gets his day in court so there were no long-drawn out and suspenseful courtroom scenes, and in the end reluctantly concluded that only TRIAL had a bearing on the themeand the others were there merely as a hint to filling the perimeter.
Incidentally the opening line of Metamorphosis my favourite opening line in literature: As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect.
Daunting at the start but all the clues were very sound. Some very impressive muddling of spacing and punctuation and I particularly liked “Ida’s staff worker” @33D. Like others, I had half guessed the theme from the title and finding TRIAL from the transposed letters and spotting METAMORPHOSIS in the perimeter confirmed this. I needed the web to find all the titles, especially the original ones. LOI was BILLY-OH after I had the H in the perimeter. A most enjoyable solve, demanding enough for me to feel pleased to complete it.
Thanks to Duncan for the comprehensive blog and to Radler, who I was pleased to be able to congratulate personally during the excellent bash at York on Saturday.
Probably my favourite of the year: one of those ‘sticky’ ones that keeps drawing you back. Really ingenious and enjoyable. Didn’t think I would succeed on the endgame, but then, for some reason, Amerika disclosed itself.
Thanks to Duncan for sorting out a couple of niggles, and to Radnor for giving us a chance.
Duncan
I had different interpretations of the wordplay in two of the clues:
In 12a LIES. I thought ‘first point’ (= N) referred to the first of the three points that appear in the word LINES: N, E and S.
In 5d PRETEXT I put the M in a different place: SMS (not MSS) meaning ‘text’.
Thanks Duncan for such a detailed blog. We agree with Alan B about SMS though.
A tricky, satisfy solve in our opinion. We searched for JUDGEMENT which we guessed from checking letters but were not convinced until we had more of the puzzle completed. Not being familiar with any of the works, we were pleased that K was not too difficult to locate.
Thanks Radnor for the challenge.
Looks like Radler has changed his name!
Sorry about that. Joyce should have scrolled further up to check the setter’s name.
Sincere apologies to Radler!
A highly enjoyable puzzle. Some cleverly disguised clues provided many moments of pleasure, which more than made up for a somewhat convoluted solving experience. I needed the extra letters to work out Contemplation, which I hadn’t read, or indeed heard of, but I was slightly miffed at having to resort to Google to identify the original German titles of The Castle and The Trial. Even with my virtually non-existent German I probably should have been able to work it out for myself, with a bit more resilience.
Great crossword, thank you for the blog. I initially put it aside, as it looked at first reading like another impenetrable Inquisitor – third week running for me – then on Thursday I picked it up, clawed my way into a few clues, and finished solving it last night-all except billyoh which was impossible to solve as I had Iran for ?lan… I’d Googled Eshkeri and the first thing that came up was that it’s a village of 16 people (from 4 families) in Iran. Memo to self – look further down the search page next time! It was a pleasure to identify all the Kafka works. All in all, a really enjoyable puzzle, thank you Radler.
In my top 5 for the year, but maybe more to do with the satisfaction of arriving rather than the enjoyment of the journey. A couple of little niggles – either APT or PAT seems to fit the clue at 31a, and AIM for “plan” at 38d felt a bit of a stretch. It was a toss-up between whether to enter VERDE or VERDI for 33d – I chose incorrectly, and amended it when I sorted out the perimeter. I had a rubbish wordplay for 12a LIES (“rows” = “plies” then drop the first Point) so thank you to Duncan for something better, and to Alan B @9 for something better still. (And I agree with SMS for ‘text’ in 5d.)
Radler – don’t let this sole minor dissenting voice detract from the appreciation we all have for this puzzle. I look forward to your next one.
BTW, for what it’s worth, I found THE METAMORPHOSIS surprising and memorable, THE TRIAL rather good, THE CASTLE very difficult to get along with, and AMERIKA somewhat nondescript – haven’t read the others.
HolyGhost @15
In 5d PRETEXT I think SMS for text is probably what the setter intended, but in 12a LIES it’s hard to guess which of the two routes to ‘N’ (the omitted letter) was intended: ‘N’ is the first of N/E/S in LINES, but it is also the first point when you box the 32 points of the compass!
Another tough one: I’m still trying to catch up on my IQ backlog after missing a few weeks on holiday an this isn’t helping! As other have said, another super puzzle. I got it all but needed help from Wikipedia to fill in a few of the details, the German names of the books etc. This is how it should be, the PDM moment is accessible from general knowledge and then dip in to Wikipedia to fill in the details if one is not an expert on the subject.
Thanks to all.