Inquisitor 1713: Eyedrops by Jaques

Jaques is a new setter in the Inquisitor series, so it will be a learning process for all solvers today, as we seek to understand the cluing technique.  I note though that there a number of Enigmatic Variations (EV) puzzles set by Jaques.  I regret that I have never had the time to solve any EV crosswords.

 

 

 

The preamble stated: The clued grid represents an endpoint after an earlier ongoing situation. The clue at each number is really two clues run together, one for each side of the puzzle; either may come first.  Pairs of clues are divided by a redundant letter to be removed before solving, occasionally requiring changes to punctuation.  In clue order these letters hint at the changes in the grid which produced the endpoint. The puzzle contains only real words at all stages. Solvers should indicate the earlier situation (12 letters) under the grid.

This is the first time I have seen the cluing device of using a letter in one long "clue" to act as a redundant separator between two real clues.  I wondered how obvious the separators would be. By the end of the puzzle, I was impressed by how subtle some of the separators were.

The grid was really two identical but separate 12 row by 6 column puzzles with only the unclued entry at 1 across joining the two sides together.

I solved the 5 across couple fairly quickly and immediately hit the problem of which goes on which side of the grid.  I just decided to put them in randomly and wait until 1 across became apparent.  At that point I could always swap the two grids over, if need be,  to create the solution.

I thought some of the separators were well hidden, especially those with longish words that looked quite sensible in the original ‘clues’.  The ones that really stood out for me as clever were the separators in counterblast, Sing-Sing, overtone, leadership, jockstrap and licensee.  The majority of the separators were close to the middle of the longer ‘clues’, but not always – for example the n in heaven-sent at 1 down appeared quite early on.

As the grid fill developed, it looked like to top row was going to show TWENTYTWENTY which could have a vision connotation (20-20 vision) or a cricket connotation (T20 cricket).  I reckoned the title of the puzzle, Eyedrops, was a clear hint to the vision theory.

This was confirmed by the phrase revealed by the separators – A BRIGHT SUNSHINY DAY – a phrase from the lyrics  of the song I Can See Clearly Now – written and recorded by Johnny Nash in 1972.  There have been other versions since.

The song begins:

I can see clearly now the rain is gone

I can see all obstacles in my way

Gone are the dark clouds that had me blind.

It’s gonna be a bright (bright)

Bright (bright) sunshiny day

It’s gonna be a bright (bright)Bright (bright) sunshiny day

 
If we focus on the first line we have a reference to TWENTYTWENTY vision (see clearly) and a reference to rain which is now gone.  The first row of the puzzle was unclued and shaded, so there was a strong chance that the first row had been changed to generate the end point.  We were told that the grid always contained real words, so the final challenge was to deduce another 12 letter entry that would maintain real words in the two sets of 1, 2, 3 and 4 down whilst being a real word itself.  Playing about with likely letters, the previous entry of PITTER-PATTER became apparent.  PITTER-PATTER suggests the rain that has now gone to give us A BRIGHT SUNSHINY DAY.  The I of PITTER and the A of PATTER indicated which way round the two grids had to go the reveal the correct alignment.
 
The appropriate alignment is shown in the graphic further below.  The words changed are listed immediately below
 
Left grid (PITTER to TWENTY)
1 down: PENSIONS to TENSIONS
2 down: IRATE to WRATE
3 down: TODDLE to NODDLE
4 down: RARE to YARE
 
Right grid (PATTER to TWENTY)
1 down: PRACTIVE to TRACTIVE
2 down: AIRED to WIRED
3 down: TATTER to NATTER
4 down: RULE to YULE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                        Earlier situation: PITTER-PATTER

 
Thanks to Jaques for introducing me to a new method of separating clues and for providing clear clues.  In only one clue did I wonder if a redundant word was present – that is the word ‘loose’ in the left hand clue for 3 down.

As mentioned above the title – EYEDROPS – suggests a theme around vision.

No Clue Letter Entry
Across      
1 Unclued (12)    TWENTYTWENTY
5

Sorrier not having broken up is daft mistake apart from affair I value partner of old (5) 

Sorrier not having broken up is daft mistake (5)

ERROR (mistake)

Anagram of (daft) SORRIER excluding (not having) an anagram of  (broken up) IS

ERROR*

——————————————————————————–

Part from affair I value partner of old (5) 

RIVAL (Shakespearean [of old] word meaning ‘partner’)

RIVAL (hidden word in [part from] AFFAIR I VALUE)

RIVAL

A

ERROR [left]

RIVAL [right]

7

Retiring Hoy’s to set things in order before counterblast to ultra irregular weight stays on cycle (5) 

Retiring Hoy’s to set things in order before counter (5)

ADDER (one who counts up [ADDER])

(REDD [Scottish word meaning ‘to put in order’ – Hoy could refer to the Scottish island of Hoy, one of the Orkney Islands or to the Scottish track cyclist Sir Chris Hoy {born 1976}] + A [before]) all reversed (retiring)

(A DDER)<

——————————————————————————–

Last to ultra irregular weight stays on cycle (5) 

ROTAL (relating to a ROTA or cycle)

ROTL (variable Levantine weight; irregular weight) containing (stays) A (final letter of [last to] ULTRA)

ROT (A) L

B

ADDER [left]

ROTAL [right]

8

Meeting place one lost from stallion pursuing caper, Ed’s spot of another Edward stops Ed’s backtracking (6) 

Meeting place one lost from stallion pursuing cape (6)

CENTRE (meeting place)

C (cape) + ENTIRE (a stallion) excluding (lost) I (Roman numeral for one)

C ENTRE

——————————————————————————–

Ed’s spot of another Edward stops Ed’s backtracking (6) 

STEDDE (Edmund Spenser’s term for STEAD [place; spot])

TED (Edward) contained in (stops) ED’S reversed (backtracking)

S (TED) DE<

R

CENTRE [right]

STEDDE [left]

11

First and coolest collection initially released, I remix album essentially synthesized piece used to cover the joins (6) 

First and coolest collection initially released (6)

OLDEST (first, as in first-born)

COLDEST (coolest) excluding (released) C (first letter of [initially] COLLECTION)

OLDEST

——————————————————————————–

Remix album essentially synthesized piece used to cover the joins (6)

IMBREX (in Roman buildings, one of a series of usually curved tiles fixed over the joins of flat tiles)

Anagram of (synthesised) REMIX and B [central letter of [essentially] ALBUM)

IMBREX*

I

OLDEST [left]

IMBREX [right]

12

Uncommitted inmate’s not out with Sing-Sing after solemn promise, largely all-consuming (6) 

Uncommitted inmate’s not out with sin (6)

NOVICE (inmate of a religious house who has not yet taken the vows; uncommitted inmate)

NO (not out, cricketing term) + VICE (sin)

NO VICE

——————————————————————————–

Sing after solemn promise, largely all-consuming (6) 

VORANT (devouring; all-consuming)

VOW (solemn promise) excluding the final letter W (largely) + RANT (sing or make merry noisily)

VO RANT

G

NOVICE [left]

VORANT [right]

 

15

Conjured cut about unruly, pleasant hair needing love to be styled so? (6) 

Conjured cut about unruly, pleasant (6)

JOCUND (pleasant)

Anagram of (unruly) CONJURED excluding (cut) RE (with reference to; about)

JOCUND*

——————————————————————————–

Air needing love to be styled so? (6) 

ARIOSO (in the melodious manner of an aria [air])

Anagram of (to be styled) AIR and O (character representing zero [love score in tennis]) + SO

ARIO* SO

H

JOCUND [left]

ARIOSO [right]

16

Bard, in Perth, trousers about pound when overtone, the heart of usual, traditional lyric for audience neglected (5) 

Bard, in Perth, trousers about pound when over (5)

SKALD (poet, Scandinavian bard)

(DAKS [term for trousers in Perth, Australia] containing (about) L [pound sterling]) all reversed (over)

(SKA (L) D)<

——————————————————————————–

One, the heart of usual, traditional lyric for audience neglected (5) 

AUDIT (obsolete [neglected] term for audience)

A (one) + U (middle letter of [heart of] USUAL) + DIT (archaic [traditional] term for the lyrics of a song)

A U DIT

T

SKALD [left]

AUDIT [right]

17

Sniffs and told to go without beginning to cry with sympathizer’s leadership stopping tear supply getting something in the eye (6) 

Sniffs and told to go without beginning to cry with sympathizer’s leader (6)

SCENTS (sniffs)

(SENT [told to go] containing [without; outside] C [first letter of {beginning to} CRY) + S (first letter of [leader] SYMPATHIZER)

S (C) ENT S

——————————————————————————–

Hip stopping tear supply getting something in the eye (6) 

RETINA (the light-sensitive tissue that lines much of the back layer of the eyeball)

IN (trendy; hip) contained in (stopping) an anagram of (supply, derivation of supple) TEAR

RET (IN) A*

S

SCENTS [right]

RETINA [left]

18

To notch trap around back of manually yielding volume’s lost trick of painful constriction (6) 

To notch trap around back of man (6)

CRENEL (to indent; to notch)

CREEL (trap) containing (around) N (last letter of [back of] MAN)

CRE (N) EL

——————————————————————————–

Ally yielding volume’s lost trick of painful constriction (6) 

WEDGIE (an informal term for a prank [trick] in which the victim’s underpants are pulled up, causing uncomfortable constriction)

WED (unite; ally) + GIVE (yield) excluding (lost) V (volume)

WED GIE

U

CRENEL [left]

WEDGIE [right]

Down      
 1

Transactions ongoing having a heaven-sent novel presses not rolling to start with anxieties (8) 

Transactions ongoing having a heave (8)

TRACTIVE (pulling; having a heave)

TR (transactions) + ACTIVE (ongoing)

TR ACTIVE

——————————————————————————–

Sent novel presses not rolling to start with anxieties (8) 

TENSIONS (anxieties)

Anagram of (novel) SENT + IRONS (presses) excluding (not) R (first letter of [to start with] ROLLING)

TENS* IONS

N

TENSIONS [left]

TRACTIVE [right]

 2

Stated price inscribed for jockstrap’s potential component by hand finally joined up (5) 

Stated price inscribed for jock (5)

WRATE (Scottish [Jock] word for WROTE [inscribed])

WRATE (sounds like [stated] RATE [price])

WRATE

——————————————————————————–

Trap’s potential component by hand finally joined up (5) 

WIRED (bound together; joined up)

WIRE (possible component of a trap) + D (last letter of [finally] HAND)

WIRE D

S

WRATE [left]

WIRED [right]

 

 3

Thread nutted regularly made rough gash partially tighten odd left-handed loose nut? (6) 

Thread nutted regularly made rough gas (6)

NATTER (chatter; talk; gas)

Anagram of (made rough) TRANTE (letters 1, 3, 5, 7, 9 and 11 of  [regularly] THREAD NUTTED)

NATTER*

——————————————————————————–

Partially tighten odd left-handed loose nut? (6) 

NODDLE (head; nut)

NODDLE (hidden word in [partially] TIGHTEN ODD LEFT-HANDED)  I’m not sure what purpose the word ‘loose’ is serving other than to link back to ‘tighten’ for the surface.

NODDLE

H

NATTER [right]

NODDLE [left]

 4

No longer easily coped with the elderly taking in Ariel rejected Jade’s gone before Christmas time (4) 

No longer easily coped with the elderly taking in Ar (4)

YARE (archaic [no longer] word for ‘easily handled’)

YE (archaic [elderly] spelling of ‘the’) containing (taking in) AR

Y (AR) E

——————————————————————————–

El rejected Jade’s gone before Christmas time (4) 

YULE (Christmas time)

YU (precious jade) + EL reversed (rejected)

YU LE

I

YARE [left]

YULE [right]

 6

Anyone stealing messed up rants licensee and CND mad to interrupt lefty’s further decline (9) 

Anyone stealing messed up rants lice (9)

LARCENIST (thief; anyone stealing)

Anagram of (messed up) RANTS LICE

LARCENIST*

——————————————————————————–

See and CND mad to interrupt lefty’s further decline (9) 

REDESCEND (decline again or further)

Anagram of (mad) SEE and CND contained in (to interrupt) RED (socialist; lefty)

RE (DESCEN*) D

N

REDESCEND [left]

LARCENIST [right]

 9

Defender against Duncan’s descendant broken by many horsemen’s incursion coming in not up and roused earlier (8) 

Defender against Duncan’s descendant broken by man (8)

ADVOCATE (an intercessor or defender)

ADV (adversus [against]) + (OE [Scottish {Duncan}] word for a grandchild [descendant] containing (broken by) CAT [slang term for man; guy])

ADV O (CAT) E

——————————————————————————–

Horsemen’s incursion coming in not up and roused earlier (8) 

ABRAIDED (obsolete [earlier] term for ‘roused’)

RAID (sudden swift inroad, originally by horsemen, for assault or seizure) contained in (coming) ABED (still in bed; not up)

AB (RAID) ED

Y

ADVOCATE [left]

ABRAIDED [right]

 10

Turned out extra wine consuming ruled French novelist Muriel’s pain when sudden note turned up (8) 

Turned out extra wine consuming rule (8)

EXTRORSE (turned outward; [of an anther] opening towards the outside of the flower)

EXT (extra) + (ROSE [type of wine] containing [about] R [rule])

EXT RO (R) SE

——————————————————————————–

French novelist Muriel’s pain when sudden note turned up (8) 

STENDHAL (reference Marie-Henri Beyle [1783 – 1842], French author known by his pen name as STENDHAL)

STEND (Scottish [Muriel] word for a sudden dart of pain) + LAH (musical note) reversed (turned up; down entry)

STEND HAL<

D

STENDHAL [left]

EXTRORSE [right]

 13

In the country moving from local pasture planted after pasta body regulator drops hint of soil carbohydrate (6) 

In the country moving from local pasture planted after past (6)

AGOING (dialect [in the country] word for ‘in motion’ [moving])

AGO (earlier; past) + ING (dialect [local] word for ‘meadow’ or ‘pasture’)

AGO ING

——————————————————————————–

Body regulator drops hint of soil carbohydrate (6) 

INULIN (carbohydrate present in the roots of certain plants)

INSULIN (protein hormone produced in the islets of Langerhans in the pancreas of animals, important in the regulation of glucose in the blood) excluding (drops) S (first letter of [hint of] SOIL)

INULIN

A

INULIN [left]

AGOING [right]

 14

Ceasefire arising offhand ultimately heyduck’s an inflexible individual (5)

Ceasefire arising offhand ultimately he (5)

TRUCE (cessation of hostilities; ceasefire)

CURT (discourteously brief or summary; offhand) reversed (arising; down entry) + E

TRUC< E

——————————————————————————–

Duck’s an inflexible individual (5)

POKER (stiff person; inflexible person)

POKER (pochard [red-headed diving-duck])  double definition

POKER

Y

POKER [left]

TRUCE [right]

21 comments on “Inquisitor 1713: Eyedrops by Jaques”

  1. Some of the clues took me a long time to solve, but I had to admire the way that they were divided using that original device of a redundant letter. It was a very good set of clues. For a few of them I had to wait for the emerging quotation to confirm the position of the extra letter.

    From the source of the quotation I should have realised that the ‘earlier situation (12 letters)’ would have been something to indicate a rainy day, but in my rush to a resolution of the theme I focused mistakenly on the writer’s eyes and eyesight. Changing TWENTY/TWENTY to TWENTY/THIRTY would indicate an earlier state of less clear eyesight. Changing WIRED to HIRED and NATTER to RATTER would accomplish that with one orientation of the grid but not the other.

    I am kind of proud of this alternative resolution, but it’s obviously not what was intended! As a consolation, I was lucky that my completed grid had the correct orientation, but what I wrote underneath it was incorrect.

    Thanks to Jaques and duncanshiell.

  2. The device was a new one here too, but one that worked well and left me for once with all the letters I needed to get the lyric, and then the unclued entry. Predictably I entered the grids in the wrong order, but, well, that’s what scissors and sellotape are made for, isn’t it? Enjoyable throughout with a theme that hung together satisfyingly well.

  3. Got the grids in the right order, but that pure luck still didn’t enable to me to discern the rain, as, like Alan B, I was hell-bent on an eye condition that remained elusive for reasons that are now very clear. Must be less (or more?) literal.

    I agree that the generation of letters was cleverly done (though there was no actual need to solve the clues in the bottom half to crack the puzzle, and my south-west was pretty threadbare. But thanks to Jaques and duncanshiell.

  4. Nice Inquisitor, and the split clues were clever and at times very difficult, but to my mind at least, the finish here was very poor. I wondered what TWENTY TWENTY had replaced, but just couldn’t come up with the necessary phrase (naturally I assumed that the song lyrics might actually mention the replacement, and so worked on them), but no, turns out that it’s just some randon synonym for rain. PITTER-PATTER just feels too random, way too big a leap, and with only a single difference (I or A) to determine which side of the grid goes where, it really does stretch credulity.

    So another DNF recorded for me … but for once I actually feel a little bit cheated.

    I’m almost tempted to demand my £1.20 back !!! … only joking, thanks to all.

  5. All thanks to Jaques and duncanshiell. Interesting challenge with a nice fresh feel. Like everyone else I was very taken with the one-letter separators in clues. TWENTY TWENTY seemed obvious enough early on, but just like @1 and @3 above I got stuck — with help from the artfully misdirecting title — on eye problems conceivably fixed by eyedrops. Even though the (Googled) lyrics say plainly enough that the problem was rain, it took an embarrassingly long time before I heard the pitter-patter of little insights.

  6. What me_sat said. Far too random a finish – file under the ‘guess what I’m thinking’ category of setting.

    On a wholly unrelated note, when – if ever – are we actually going to be able to submit finished puzzles for prizes again?

  7. @4 Me_sat_here_at_home PITTER-PATTER is derived by looking at what other letters will fit the crossing down clues. It is I believe the only possibility.

  8. @7 Jon_S

    I think you are right with PITTER-PATTER as the only word in Chambers that will fit and generate real down entries, but one tool I have suggests TITTER TATTER, TO A CERTAINTY and TURNIP-TAILED as other alternatives but none of them are in a dictionary I have access to and none of them make any sense in relation to the puzzle.

    If you swap the grids round, PHILIPPISTIC will fit. There is reference to a PHILIPPISTIC doctrine on the internet, but again the word makes no sense in the context of the puzzle

  9. Fab puzzle, I enjoyed this a lot. I didn’t have any problem with PITTER-PATTER, I derived it from the letters that would leave real words in the down clues.
    There was a clear reason why it was this phrase and not just some random thing Jaques may have thought of.

    Thanks to all.

  10. PeeDee @9
    Obviously one can have no problem as such with PITTER-PATTER because it is a perfect match for the first line of the verse (‘I can see clearly now the rain is gone’. The only problem some people had was in thinking of or finding that phrase.
    I acknowledge that my ‘alternative solution’ (TWENTY/THIRTY) was inferior (requiring only two letter changes and not referencing the rain), but I was quite pleased to be contacted by a friend yesterday who said that she had exactly the same solution as mine!

  11. @10 Alan_B Isn’t it the point though that we didn’t have to think of the phrase? I certainly didn’t, but just looked at what other letters would fit the crossing clues in the top row, which gives you the phrase. We’ve had to do so similarly in many previous Inquisitors.

  12. This one seems to have split the crowd a little, but I certainly enjoyed it. I made a list of all the possible outcomes of the downs on the top row and patiently worked through them before the rain appeared. Like others I admired the single letter separation technique. My thanks to Jaques and Duncan

  13. Jon_S @11
    Good point, especially because I would not have ‘thought of’ the phrase myself – I would have had to ‘find’ it in the way that you and others did. As it happens, all eight crossers changed – a very neat but not a necessary outcome.
    As you know, I took another approach, which was to change 20/20 to an expression representing (earlier) less clear vision. It avoided the rain, but that was not the best way to go in hindsight.

  14. I, too, failed at the last hurdle, focusing on eyes not rain. My best offering was POOR EYESIGHT which obviously didn’t fit.

    I liked the fact that TWENTY TWENTY meant it didn’t matter which side you chose for which clues, but conversely I didn’t like that PITTER PATTER does mean there is a ‘correct’ side, by which time surely you would have entered all the answers.

    Nonetheless enjoyable, thank you.

  15. Alan B @ 10 – I have a lot of sympathy for the “guess what I’m thinking” feeling. My heart sinks when I see a wordsearch endgame with instruction “there is something hidden in the grid, go find it”. That’s why I particularly liked this ending, I was guided to the solution. The shading helped point out what to change, the song lyrics tell me what to expect and the “real words in he final grid” instruction gave me a list of letters to choose from. I was actually able to deduce an endgame for once rather than just guess-and-check.

    I think it helped to be familiar with the song and recognize “I can see clearly now the rain has gone” as being a well known line in pop music. If you don’t know the song then I can imagine how it is not immediately obvious you have hit on the key to the puzzle, even if you did stumble across it on Wikipedia.

    Many years ago I heard a comedian sing a satirized version of this song about his relationship issues :”I can see Dierdre now Lorraine has gone…”. Sadly I can’t remember any more of the lyrics.

  16. PeeDee @15
    Well said – you have explained exactly what was so good about the thematic design of this puzzle. It didn’t matter that I didn’t know the song like you did – I looked up the words about the sunshiny day and found the title that I should have taken more notice of.
    I very rarely ‘stumble across’ themes or thematic items, by the way, because I practically never do wild Internet searches of the sort that many solvers use in order to crack themes, that is, bung in words to see if they are connected and, if they are, take advantage of what Google has delivered. [There is nothing wrong with this approach, of course – it’s just that I don’t use it.] If I know nothing about a setter’s theme I do expect to be given a hint or pointer of some sort, or something I can look up. This puzzle delivered!

  17. A late contribution as we have been away and I am still in the process of catching up with my IQs. I found this one quite a challenge and, although I managed to complete the grid, I did not fully parse all the clues – I know a number of English Muriels so missed the Scottish reference in STENDHAL.

    The main comment I wish to make concerns the clue for STEDDE, which I totally mis-parsed. I took Ed’s spot to be a clever definition for LEADER (as in a newspaper), justified by reversing ED in LEAR (another Edward), although admittedly this made the wording a bit clumsy, stopping being preferable to stop in this case. I was so convinced that this was correct that I assumed the clash with REDESCEND was intentional and others would be found. Consequently, I had YARE in the wrong half and, until I had corrected my error, could not fill some of my remaining gaps in the top sections.
    I am surprised that none of the above commenters fell into this trap. Perhaps one day, a setter will use a tidied up version of my interpretation! It would be a shame to waste it as it would have been quite impressive.
    Like others, I found the endgame beyond me as I was looking for visual impairments rather than precipitation and, anyway, I don’t think I would have found PITTER-PATTER.

  18. Dave W @17
    I’m as surprised as you are that I did not come up with LEADER before STEDDE – it’s a very plausible answer and just as easy to ‘see’ as the intended answer, if not easier. I’m guessing a couple of crossers might have pointed me to the right answer first time.
    As for going the visual impairment route, I’d like to say you’re in good company, as you and I were not the only ones! (I took it all the way.)

  19. I’m in the “PITTER-PATTER is OK” group, though it had taken me until quite near the end to tumble to TWENTY-TWENTY. Apart from the mention of “rain” in the lyrics, I thought that “drops” in the title was a hefty nudge in that direction.
    Thanks to all.

  20. Very late to the party but better late than never.

    Welcome to the IQ Jacques and thanks for a very enjoyable puzzle. The PITTER-PATTER took much longer to sort out than it should have done. Our fault, not yours!

    Thanks Duncan for the blog.

  21. Late to the party as I only solved the endgame this afternoon – I had gone so far and was reluctant to give up, knowing that in an IQ would only have one solution and all loose ends would be tied up. I did a lot of grid searching and after no joy, started on the top line – CUMULONIMBUS and NIMBOSTRATUS (the dark clouds) until working on the possible changed down clues led to PITTER-PATTER. A lot of reverse engineering needed – maybe 1A could have been clued, creating 8 clashes that would be resolved at the end? Anyway, a cautious welcome to Jaques and thanks to both setter and duncanshiell

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