I found this quite tough in places but the compensation came in the form of some excellent clues.
5D was brilliant, although it's a shame Mr H spoils it slightly by spelling his name with two Ns. I also liked 13 and 2 for the excellent misdirection. 16D was clever but required a bit too much specialist knowledge for my liking. 6 was the only clue that I had reservations about.
| ACROSS | ||
| 1 | USEFUL |
Profitable source of energy promoted in America, oil perhaps (6)
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E[nergy] moved up in US fuel |
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| 5 | DECREASE |
Peter out to relax after month with runs (8)
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Ease after Dec{ember} + r{uns} (cricket abbrev). |
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| 9 | CORNICHE |
My special place way down the coast (8)
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Cor(=my!) + niche. A corniche is a winding road in a cliff face. |
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| 10 | MUTINY |
Medium uniform given to very short rebel (6)
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M{edium} + u{niform} (phonetic alphabet) + tiny. Rebel and mutiny are synonyms if they are both treated as verbs (e.g. "they mutinied"). |
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| 11 | VEGA |
Star Victor Mature making a comeback (4)
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V{ictor} + age<. |
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| 12 | MADONNA |
Mary delirious about new introduction to Adonis (7)
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Mad + on (=about) + n{ew} + A[donis] |
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| 14 | CONTINENCE |
Innocent frolics before church, no sex (10)
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(Innocent)* + CE |
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| 16 | LOIN |
Cut material for the floor, moving in later (4)
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Lino with the "in" moving to later in the word. |
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| 17 | OTIC |
Touching your ears is old idiosyncrasy (4)
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O{ld} + tic |
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| 18 | INJUNCTION |
Popular meeting place, usually a bar (10)
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In + junction |
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| 20 | GENESIS |
European intelligence agency goes after information source (7)
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E{uropean} SIS after gen. SIS stands for Secret Intelligence Service and is the proper name for MI6. |
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| 22 | CUBE |
Fifth baby, wanting eight perhaps (4)
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CD/DD. A fifth baby might be called "cub E" and 8 is the cube of 2. |
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| 25 | ANGORA |
Fur shared by a couple of orangutangs (6)
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Hidden in "orangutang orangutang |
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| 26 | ILLUMINE |
Brighten up run-down university, the one I went to (8)
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Ill + u{niversity} + mine |
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| 27 | GLASS EYE |
Prosthetic leg’s easy to replace (5,3)
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(Leg's easy)* |
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| 28 | MORSEL |
A bit of food left by solver who preferred a pint (6)
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L{eft} after Morse, ref to Inspector Morse, a crossword and beer fan. |
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| DOWN | ||
| 2 | SNORE |
Sound sleepers make love, getting up around noon (5)
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Eros< around n{oon} |
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| 3 | FANTASTIC |
Cool orangeade’s temperature is almost cold (9)
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Fanta's t{emperature} + ic[y], although the "is" seems to get in the way slightly. |
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| 4 | LICK |
Taste defeat (4)
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DD |
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| 5 | DREAM ON |
That’s highly unlikely, say Watson and Holmes shortly (5,2)
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Dr (Watson is an example of a doctor) + Eamon[n], as in Eamonn Holmes the TV presenter. |
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| 6 | COMEDIENNE |
Miss amusing dinner invitation hosts sent without envelope (10)
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Come dine around [s]en[t]. "Miss amusing" seems a bit of a stretch for comedienne and probably needs some sort of indication that it's more a possible description. The comedienne might be married or prefer to call herself "Ms". |
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| 7 | ETTIN |
Giant metal vessel carries creature from outer space (5)
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ET on top of (or carried by) tin. Ettin is defined in Chambers as a giant but other sources seem to think the original meaning was more a bogle or ghost. |
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| 8 | SAN MARINO |
Filbert’s leaving Burma entering Chinese republic (3,6)
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[My]anmar in Sino, an adjective relating to China. |
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| 13 | SNAILS PACE |
On vacation Susan has trouble with room rate that’s poor (6,4)
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S[usa]n + ail + space |
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| 15 | OCTAGONAL |
Design a long coat shaped like an umbrella? (9)
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(A long coat)* |
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| 16 | LATECOMER |
Disturbance in Molière, Act I gone? (9)
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&lit – (mol[i]ere act)*. Refers to the play Tartuffe, which starts with a latecomer causing a disturbance in the audience. |
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| 19 | JUSTICE |
Only cool person on the bench (7)
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Just + ice(=cool as a verb) |
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| 21 | NOOKS |
Presumably all disagreeing in corners (5)
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CD/DD – no OKs = all disagreeing |
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| 23 | BINGE |
Too many bottles in dustbin, generally (5)
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Hidden in "dustbin generally". |
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| 24 | SLAM |
Excitedly close high value contract (4)
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DD – slamming doors and Bridge contracts. |
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Always look forward to a Filbert and this was no disappointment. Superb as always. Had to look ETTIN up though. DREAM ON was my pick of the day.
Thanks Filbert and Neal
I had the end of 3D as I(s) [is, almost] + C(old). That eases the bump.
Tough? How funny.
For me, this was probably the easiest crossword Filbert wrote in the last couple of years.
Very apt but it did surprise me somewhat.
Or was it ‘that’ wavelength thing?
Not that I could solve the thing in one go …..
For 7dn (never heard of it, Filbert could have gone for EATEN) and the crossing 24ac/28ac.
The latter was actually really nice!
I enjoyed it.
Many thanks to NealH & Filbert.
I didnt know Eamon but the answer was obvious
A nice set of clues and good blog.
Great start to the week
Lovely stuff. DR EAMON, SNORE, MORSEL and SAN MARINO all brilliant. I also liked LATECOMER but didn’t realise it related to a specific play, so thanks to NealH for the extra info there.
Thanks Filbert
Almost got there – all we could think of for 24dn was ‘slim’ which as a verb could men ‘contract’ but we obviously couldn’t parse it. We couldn’t parse DREAM ON either. Lots to like, though – favourites included ANGORA, OCTAGONAL and JUSTICE.
Thanks, Filbert and NealH.
Thanks NealH for the blog and all commenters.
I must confess to knowing nothing of Tartuffe. All I know of Moliere is the letters in his name and that he was a playwright.
For OCTAGONAL, as I recall, I googled something like ‘octagonal things’ and was delighted to find that umbrellas are (very nearly) all octagonal. Specialised knowledge perhaps, but staring you in the face, particularly if you’re walking into a rainy breeze.
Flew through the top half ground to a halt and came back later but can’t see why I had issues now. My printout did miss the last line of 28 and 8 which didn’t help. 19d reminded me of a Pratchett book where the goblins are demanding just ice from the police. Ta Neal and the nutty one.
Filbert@7
“I must confess to knowing nothing of Tartuffe. All I know of Moliere is the letters in his name and that he was a playwright.”
So is it just a coincidence, then, that (as NealH informs us) “the play Tartuffe, which starts with a latecomer causing a disturbance in the audience”? If it’s not &lit, what’s the def? And if it is, what’s “gone” doing? I’m not trying to rip into the clue, just understand how you were thinking when you set it.
Loads of brilliant clues, as usual. The tiny rebel with the ill-fitting uniform made me literally lol.
Thanks, Tony.
NealH’s explanation (before the sentence about Tartuffe) is what was intended. It’s an anagram (disturbance in) of MOLIEREACT without the I (I gone). The latecomer is the disturbance when they arrive after the start of the play.
I don’t think Neal meant to imply that an event in Tartuffe was needed to make the clue work.
I’ve had a quick look at the wiki summary of Tartuffe which is described as taking place entirely in one character’s house. Was the latecomer a feature of a particular production or is wiki missing details? It would be interesting to know.
Too tough for me today I’m afraid. Managed 90% unaided but then needed a few strategic letter reveals. DREAM ON was my pick of some great clues.
Thanks all.
Sorry forgot to say SAN MARINO brilliant but was nowhere close to parsing it.
Filbert, my reference was https://playstosee.com/tartuffe-4/. I’m not sure if it relates just to that production or not. As a general definition, I don’t think I would have immediately related latecomer to someone causing a disturbance at a play but maybe something about that play or others like it has entered the general consciousness.
Thanks, quite a coincidence. I suppose I was thinking of the ‘latecomers will not be admitted’ signs you get in theatres and relying on the setters’ get out of jail free card (aka question mark) to account for the various levels (theatre generally, Moliere specifically, end of Act I even more so) of example in the clue.
Filbert
When I woke up today I remembered what I had written and realized that “gone” is actually an important part of the &lit def, because if Act I is “gone” (i.e. has already past) that adds important information about the disturbance a LATECOMER causes. Ironically, it was Neal’s mention of that device of Tartuffe emerging from the house as a LATECOMER right at the beginning (i.e. much earlier than the end of Act I) that got in the way of my understanding.
Btw, that linked review is about “an entertaining adaptation of Molière’s original satire”, so may not reflect exactly how any of Molière’s three versions started. (I hasten to add that I knew even less about Molière than you before reading the Wikipedia for Tartuffe. Hopefully some of it might come in handy when attempting the TLS!)