Inquisitor 1743: Combined Help by eXternal

Combined Help by eXternal

Each across clue contains a superfluous word; in clue order second letters of the words give an author and penultimate letters give a work. Wordplay in each down clue gives the answer plus an extra letter, forming the (sometimes non-word) entry; in clue order, extra letters give a name related to the work. In the initially-filled grid, solvers must use the first three words of the title of a second work to change a letter per column. Finally, two symmetrically placed entries should be changed to complete the title, showing a character in both works, and the surname of a person connected to the work. The final grid contains all real words.

Right, let’s see. It’s Super Saturday in the Six Nations and Sunday is the first Formula One race of the year. Then there’s the small matter of it being my week to blog The Inquisitor.

I didn’t start on this puzzle until Monday and by Wednesday I was starting a mild panic that I might not be able to complete it. Furthermore, elmac has abandoned me in my hour of need. Something to do with real life taking over!

The grid fill was slow due to the number of non-words involved but I finally got there. I hesitate to call it a slog as I actually enjoyed the journey.

I had a bit of trouble with 5d. I thought it was an anagram of EDITOR and entered it as TROIED (in hindsight, I’m not sure why.) This caused a lot of problems with 13a. Eventually I figured how it really worked and I was on my way again.

13a caused me another problem. For some reason, I highlighted “planted” as the extra word, which led to PIERLEBE… as the start of the author’s name. Mistakenly reading PIER as PIERRE had me looking for an author called PIER LE something. A dead end if ever I saw one.

Also, because of “planted”, I had The “Berber” of Se.. as a possibility. Is it something to do with Othello? I don’t know much about Othello but thought for a while that it might have been set in Seville. Yet another dead end.

Still, everything fell out nicely in the end.

The author is PIERRE BEAUMARCHAIS and the work is THE BARBER OF SEVILLE (Berber, indeed!!)

There’s a lot of information about this on Wikipedia (here) and (here) and it’s a bit too much to go into to make it worth repeating here. But suffice to say that Pierre wrote a play and the man formed by the resolved down misprints GIOACHINO ANTONIO ROSSINI, wrote an opera about it. Read about that opera (here).

The second work to be considered is THE MARRIAGE OF FIGARO by Joannes Chrysostomus Wolfgangus Theophilus Mozart.

So the two entries that need to change are 10a FIGURE to FIGARO and 35a GOKART to MOZART.

The last thing to do is change a letter in column 1 to T, a letter in column 2 to H and so on spelling THE MARRIAGE OF. As I was making the changes I thought that there were one or two ambiguities but the fact that we know that all entries are real words, managed to sort that out.

So, concentrating on the down entries only, the corrections are:
1d PTOSES
23d PHONIC
20d RIEVER
24d CHIMER
14d IONIAN
30d GARS
15d SINGER
25d TRICOT
17d EATAGE
7d CIGGIE
12 SALEPS
8d AMOEBA
9d LOFTED

Hopefully the attached animated GIF makes things clear as I give thanks to eXternal for a really interesting puzzle that revealed itself one “level” at a time.

Across
 
Clue
Entry
Extra
2nd
n-1th
Wordplay
1 Quibblers [update] backward deputy workers (7) PEDANTS UPDATE P
T
DEPuty (rev: backward)+ANTS (workers)
6 Bacterial report of creature with [filthy] shell (6) COCCAL FILTHY I
H
Sounds like COCKLE (creature with shell)
10 Tree [leaves] for all to see on illustration (6) FIGURE LEAVES E
E
FIG (tree)+ U (for all to see)+RE (on)
11 Device making [grabs] is moving boxes (5) GISMO GRABS R
B
makinG IS MOving hidden: boxes
13 Trees one planted among coca, it is [great] ground (9) OITICICAS GREAT R
A
COCA IT IS+I (one) anag: ground
16 Printer’s helpers strip alter ego with extremities going wrinkly (6) REGLET HELPERS E
R
[a]LTER EG[o] (minus extremities) anag: wrinkly
18 Record [absorbs] old author, primarily its ace verse (8) EPOPOEIA ABSORBS B
B
EP (record)+Old+POE (author)+I[ts] A[ce] (primarily)
19 [Keen] post includes recipe thread (6) STRAND KEEN E
E
STAND (post) around Recipe
21 Model [fairy] taped on block (7) NOTEPAD FAIRY A
R
TAPED ON (anag: model)
22 Special sugar preparation adding flavour to [mushroom] (7) SPICING MUSHROOM U
O
SPecial+ICING (sugar preparation)
25 [Amalfi] informer returned South American’s bones (6) TARSUS AMALFI M
F
RAT (informer; rev: returned)+South+US (American)
27 Officer eastern end of [base] arresting criminal (8) SERGEANT BASE A
S
EASTERN+[arrestin]G (end of) anag: criminal
29 Six [articulated] parts not short kind (6) LOVING ARTICULATED R
E
VI (six) inside LONG (not short)
33 Cardinal [active] following Austrian musician as hobby, perhaps (9) FALCONINE ACTIVE C
V
FALCO (Austrian musician)+NINE (cardinal)
34 Doctor admitting [chronic] rage is more dreadful (5) DIRER CHRONIC H
I
IRE (rage) inside DR (doctor)
35 Good trick on fine [family] vehicle (6) GO-KART FAMILY A
L
Good+OK (fine)+ART (trick)
36 Flier from island [airfield], parson heading off with me (6) ICARUS AIRFIELD I
L
[v]ICAR (parson; minus heading)+US (me)
37 Check on bleeding spot [issues], probing places when overturned (7) STYPSIS ISSUES S
E
SITS (places) around SPY (spot) rev: when overturned

 

Down
Answer + extra letter
x
Wordplay
1 Prince tries to accept son’s attitudes (6) PGOSES G
Prince+GOES (tries) around Son
2 Newt endlessly wet and in good health (4) EFIT I
[w]E[t] (endlessly)+FIT (in good health)
3 Old Testament with abridged neat uplifting old poem (5) DITTO O
OT (old testament)+TID[y] (neat; abridged)
4 An accommodating American serving alcoholic drink (4) AGIN A
AN around GI (an American serving)
5 Eccentric editor somewhat irritated (6) TRICED C
eccenTRIC EDitor (hidden: somewhat)
6 Motor diagram incomplete (4) CHAR H
CHAR[t] (diagram; incomplete)
7 Scion unwrapped Scotsman’s gift bowl from Dundee (6) CIOGIE I
[s]CIO[n]+GIE (gift: Scottish)
8 Texan’s simple creature climbing a Scots peak with mother (6) AMNEBA N
A+BEN (Scots peak)+MA (mother) rev: climbing
9 Will’s overdue charge with note enclosed (6) LOATED O
LOAD (charge) around TE (note)
12 Semi-liquid food served up like prunes (6) SALOPS A
AS (like; rev: served up)+LOPS (prunes)
14 Half-cut minion in hiding caught by Greek philosopher (6) IONICN N
[min]ION (half-cut)+IN containing Caught
(tbh, I’m not really sure about the definition here)
15 Do wrong and receive slight burn (6) SINGET T
SIN (do wrong)+GET (receive)
17 Kick about on period floor in Versailles (6) EOTAGE O
TOE (kick; rev: about)+AGE (period)
20 Right at home, cleric erected dwelling near water (6) RINVER N
Right+IN (at home)+REVerend (cleric; rev: erected)
22 Hard hat seen in Estonia regularly (6) SOLIDI I
LID (hat) inside [e]S[t]O[n]I[a]
23 Father waiting in readiness contracted great terror (6) PAONIC O
PA (father)+ON IC[e] (in readiness; contracted)
24 Herb intravenously injected into dear Parisian (6) CHIVER R
CHER (dear: French) around IV (intravenously)
25 Jog around a cold region (6) TRACOT O
TROT (jog) around A Cold
26 Suffering having detective cut hair (6) STRESS S
[di]STRESS (suffering; minus DI (detective inspector)
28 Prince protecting maiden in affectation of superiority (5) AMIRS S
AIRS (affectation of superiority) around Maiden
30 Chatter increases after knight’s sacrificed (4) GAIS I
GAI[n]S (increases; minus N (knight))
31 Fool sweeps up (4) SNAP N
PANS (sweeps; rev: up)
32 Oddly ignored saint, thin six-footer (4) ANTI I
[s]A[i]N[t] T[h]I[n] (oddly ignored)

 

17 comments on “Inquisitor 1743: Combined Help by eXternal”

  1. An excellent puzzle, with a theme that was right up my street.

    It was good that there were two clear groups of clues, each with its own rule for unravelling them. The kind of clue manipulation in the Down clues was new to me, and it certainly took some getting used to.

    Working across the top half of the grid, I saw that I had collected the letters GIOACH from the first six Down clues. I have only ever seen that swquence in one context, and that is Rossini’s name, which then enabled me to see THE BARBER emerging from the Across clues. Unravelling all the remaining clues became rather easier after that, and that helped when I got to the stickier clues on the right side of the grid.

    I saw where FIGARO and, later, MOZART could go, making a pleasing symmetry. THE MARRIAGE OF had exactly 13 letters, and my last task was to make those further changes to the grid. A highly satisfying result, leaving me to admire the whole thematic design.

    Thanks to eXternal and kenmac.

  2. kenmac
    (Ionic, in Chambers, can be a noun meaning an Ionic philosopher. See 14d.
    Also, in the paragraph introducing your list of changes in the columns you say change a letter in column 1 to M, etc, but you missed the word THE, so it should be a T in column 1, etc. The list itself is of course all present and correct.)

  3. Fantastic puzzle – not one of the most difficult, but the way all the thematic elements fell together was very nicely realised. The use of FALCO (of Rock Me Amadeus fame) in the SE corner, where MOZART would eventually appear, was (I hope deliberate) particularly inspired.

  4. Reading the instructions, I decided that it would be safer/easier to get a few across answers in before tackling any down clues. On a first quick scan, however, I only managed 34A DIRER, but this was enough to make 22D SOLID(I) fall easily into place and I was away. The clues were all very sound and not too difficult, which made the extra letters much less of a problem than I had feared. As the “messages” started to emerge, anticipating missing letters helped me to complete the grid. I had forgotten/never knew M. Beaumarchais but Collins confirmed his authorship. I was familiar with everything else which made completing the puzzle without any technology a real pleasure. I thought the gimmick of changing the extra letters so neatly was a master-stroke.
    I had spotted FIGARO on the second row well before completing the grid. So when I subsequently entered GOKART in the symmetrical position I should have spotted MOZART immediately. To my shame, I did not and this was my final step before completing a thoroughly enjoyable puzzle.
    Thanks to eXternal for another good one and to Kenmac for the workout.

  5. Beautiful puzzle that just kept on giving. Always a joy to see my favourite opera (the Mozart) get a mention, and the neat way the threads all tied together makes this a contender for POTY in my book. I’d never heard of FALCO so I didn’t see the Amadeus connection, but you can’t have everything!

  6. Agree it was a lovely and fun puzzle, and the second (semi-)Austrian themed one in 3 weeks. As a native of Vienna, I too noticed the FALCO / MOZART connection and wondered if it was deliberate – useless fun fact is that Falco remains the only Austrian ever to top the US Billboard chart (on 29 March 1986), indeed with the classic Rock Me Amadeus.

    I made decent progress throughout but came unstuck at the final hurdle, as I had misinterpreted the instruction Finally, two symmetrically placed entries should be changed to complete the title, showing a character in both works, and the surname of a person connected to the work as needing to show three separate entries (completed title / character / connected person), which of course was impossible. Having entered FIGARO I then focused on a (separate) character for the bottom entry, which could only be ROSINA/E but this created non-words and seemed a long way from GOKART.

    Having almost given up, I was rescued by my crossword buddy to record a pleasing assisted finish. Thank you to eXternal for a great multi layered puzzle and to kenmac for the blog and the additional parsing that I hadn’t managed.

  7. Another grid with two barely connected halves – for me, the western side was all but complete before the eastern had even got started! Answers flew in once again, but with enough difficulty on the final half a dozen to keep me entertained. Endgame was very clearly explained, easy to follow and nicely done. A fast finish recorded here – fun from start to finish.

    Many thanks to eXternal for a fun and engaging puzzle, to kenmac for the blog and to fellow commenters for sharing their thoughts.

  8. I agree with the praisers (i.e. everyone): not too hard, its secrets revealed steadily and gratifyingly. Nice graphic in the blog, too! Thanks to eXternal & kenmac.

  9. Much enjoyed: lots of thanks to eXternal and kenmac. I was lucky enough to see THE BARBER early on and guess SEVILLE, but not so lucky with the down-clues name because I parsed 2D as an endless EFT followed by a spot of wet (alcoholic IT), with FIT = “in good health” as the definition — giving the right grid entry but the wrong surplus letter. No idea whether this was a deliberate trap …

  10. Lots to admire here which has already been commented on. Loved it – thanks to eXternal and kenmac once again.

    Didn’t pick up on the Falco / Mozart connection. Genius !

    Likely to be in my shortlist come end of the year.

  11. @Kippax – I urge you to listen to aforesaid Go-Kart Mozart’s ‘the new potatoes’ as a typically idiosyncratic introduction from Lawrence’s current group.

    I loved the puzzle, thanks Steve

  12. @Bingybing – I know it well! Thought that was a Denim track though? I remember hearing that for the first time back on Mark Radcliffe’s old 10pm Radio 1 show and it stuck in my head ever since. I introduced it to the kids a while back and it continues to get played regularly at home, much to my wife’s annoyance.

  13. I felt sure I’d responded to this earlier but maybe I omitted to post my comment.
    Anyway, I thought this was a great puzzle and, wow, what a grid – hugely impressed. Best puzzle of the year so far for me, and almost certainly will feature when it comes to allocating points at the end.
    Thanks (obviously), & to Ken too.

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