Hello! This week it’s A-for-Anonymous …
The preamble:
Clues are in normal order, with enumerations referring to answer lengths. In each of two adjacent cells, two entries overlap by their non-matching first and last letters. Both letter-pairs must be entered in an order that allows completion of the single entry crossing these cells. The two cells must be barred off as a pair, appropriately highlighted, and the ANONYMOUS entry thus created (10, 4) named under the grid. No other bars are to be shown. Its circumscribing letters comprise a thematic surname; its letters must be carried away (as the named individual wished) and separately deposited prior to solving in ten of the clues to normally-entered across entries. All changes to grid and clues create new words. Chambers Dictionary (2016) is recommended.
After reading the preamble a couple of times I felt like I knew what I was doing. It seemed a bit strange for letters to move away from the grid and into the clues before I’d found those answers, but doubtless it would be thematically appropriate. For now it was just a case of inserting letters into some across clues – nothing scary about that. The only thing to be wary of would be the two cells in which answers overlap.
The second across answer went in quickly, which steadied the nerves! It also seemed pretty certain that it would be in the first row of the grid with 8 letters. (The irregular shape of the grid really helped with the jigsaw, not least because the first two down entries had to go where they did.)
I made good progress with across answers, then found BARRACOUTAS which slotted nicely into position. But TARNISHED had to come out and now didn’t seem to fit. What seemed like a problem proved to be the opposite, however, because after a bit of playing I managed to identify a good candidate for the pair of cells containing two letters. I found that they matched the letters I had already worked out; furthermore isolating the surrounding cells left NO, PIC and SHED in the grid – real words, as required. Perfect.
Progress from then on was nice and smooth, the only slight hold up being that I managed to put STUSHIE in the wrong place and had to move it.
The name emerged gradually in the grid and from the letters added to across clues:
WAINWRIGHT
It didn’t take too long to discover online that Alfred WAINWRIGHT, creator of famous Lake District guidebooks, had his ashes scatted in INNOMINATE TARN.
Now the rough shape of the grid made sense, not to mention the title of the puzzle. All that remained was to scatter WAINWRIGHT (along with bars and clue numbers) from the final grid and add the “ANONYMOUS entry” below it:
INNOMINATE TARN
Not a walk in the park, but a perfect trek for intrepid EV solvers. Thanks Ifor!
(I have retained the bars and clue numbers I inserted for ease of reference below.)
# | ANSWER | Clue with definition underlined | |
Explanation, with quoted indicators in italics and ANSWER letters in bold caps | |||
Across | |||
5a | PAROL | Recce party dismissing time of <t>old evidence (5) | T |
PA[t]ROL (recce party) dismissing T (time) | |||
7a | BALADINE | Theatrical dance<r> live, interrupted by a boy at home (8) | R |
BE (live) with insertion of (interrupted by) A, LAD (boy) and IN (at home) | |||
8a | SPRAT | S<w>immer like herring, part boiled after sousing at first (5) | W |
PART anagrammed (boiled) after Sousing at first | |||
13a | SURREAL | Like a d<w>am labourers constructed after objection is overturned and dismissed (7) | W |
LA[bo]URERS anagrammed (constructed) after OB (objection) is reversed and deleted (overturned and dismissed) | |||
14a | TREES | Maybe con<i>fers extremes without leaving and spending money (5) | I |
[ex]TRE[m]ES, EX (without) leaving and removing (spending) M (money) | |||
15a | AGAIN | Further, instead of ignoring call for silence (5) | |
AGAIN[st] (instead of) without (ignoring) ST (call for silence) | |||
16a | WRASSES | Lost tax returns behind order of raw fish (7) | |
SESS (lost tax) reverses (returns) after (behind) an anagram (order) of RAW | |||
18a | PICA | Craving for food, typically cramps (4) | |
Hidden: tyPICAlly confines (cramps) the answer | |||
20a | TARNISHED | Impaired, as error’s returned in translated thread (9) | |
SIN (error)’s reversed (returned) in an anagram of (translated) THREAD | |||
23a | NOWT | Nothing that’s casual in the present tense (4) | |
NOW (in the present) + T (tense) | |||
25a | RYE | Grain twisted to the ears (3) | |
Sounds like (… to the ears) WRY (twisted) | |||
26a | UTOPIST | One c<h>asing perfection, as opposite is originally tempting (7) | H |
UT (as) + OP (opposite) + IS + the first letter of (originally) Tempting | |||
28a | RATTED | Sa<n>g treated after base fails badly (6) | N |
An anagram of (… badly) TR[e]ATED after E (base) leaves (fails) | |||
29a | UNASSISTED | A<i>d-free broadcast isn’t as used (10) | I |
An anagram of (broadcast) ISN’T AS USED | |||
30a | STUSHIE | Scots <a>do use this all over the place (7) | A |
USE THIS anagrammed (all over the place) | |||
31a | MEAN | Man<g>y grumble at Holyrood (4) | G |
Double definition | |||
Down | |||
1d | DRILL RIG | Platform exercise repeatedly missing one line upset girl (8, two words) | |
Without an L (… missing one line) DRIL[l] (exercise repeatedly) + backwards (upset) GIRL | |||
2d | SONATA | Musical arrangement of very good national anthem’s first part (6) | |
SO (very good) + NAT (national) + Anthem’s first part | |||
3d | BARRACOUTAS | Fish rocky coast south of Hebridean island, keeping up at the front (11) | |
An anagram of (rocky) COAST under (south of) BARRA (Hebridean island) containing (keeping) the first letter of (… at the front) Up | |||
4d | ALAR | Carcinogenic treatment of malaria missing fragmented target on the rise (4) | |
[m]ALAR[ia] missing in two parts (fragmented) AIM (target) reversed (on the rise) | |||
5d | PATENT | Long-suffering, abandoning one lying open (6) | |
PAT[i]ENT (long-suffering) abandoning I (one) | |||
6d | LEER | Prize heartlessly sly glance (4) | |
LEvER (prize) without the central letter (heartlessly) | |||
9d | PUG | Boxer originally getting up after keeling over (3) | |
The first letter of (originally) Getting and UP reversed (after keeling over) | |||
10d | LAWN | Behold shroud of woven linen (4) | |
LA (behold) + the outer letters of (shroud of) WoveN | |||
11d | DESERTS | Trees shed extremely distorted leaves (7) | |
An anagram of (… distorted) TREES with SheD extremely | |||
12d | NEEDY | Will’s necessary, interrupting nominee dying (5) | |
It’s inside (interrupting) nomiNEE DYing | |||
15d | APE | Copy opening half of brief outline (3) | |
The opening half of APErçu (brief outline) | |||
17d | SEE | Realise aspirin relieves headaches in seconds (3) | |
Second letters of (… in seconds) aSpirin rElieves hEadaches | |||
19d | INFANT | Child actually caught out about name (6) | |
IN FA[c]T (actually) with C (caught) removed (out) around (about) N (name) | |||
20d | ATTEST | Most profitable folio disregarded manifest (6) | |
[f]ATTEST (most profitable) with F (folio) disregarded | |||
21d | RHODIUM | Skin in rash? Blame metal in catalysts (7) | |
The outer letters of (skin in) RasH + ODIUM (blame) | |||
22d | SPILTH | Excess overflows backing up onto emptied trench (6) | |
LIPS (overflows) backing up + TrencH without the inner letters (emptied …) | |||
24d | OSSEIN | Basis of bone regularly possessed on wearing (6) | |
Alternate letters of (regularly) pOsSeSsEd + IN (wearing) | |||
27d | POSSE | Power denies soprano’s ascending bars (5) | |
In reverse (… ascending) deniES SOPrano’s surrounds (bars) the answer |
There is a setter’s blog for this crossword here: https://bigdave44.com/2025/05/08/ev-1692-setters-blog/#more-214776
Thanks, Ifor, and Kitty. This looked fairly daunting to start with (a silent prayer that it wasn’t my turn to blog!), but I had some similar ways in to Kitty, with BALADINE and BARRACOUTAS, and a bit of persistence and some lucky/educated guesses and judicious erasing and repositioning paid off…
An educational subject and a moving tribute – I will think of this when I next pop open a bottle of Wainwright’s Golden Ale down here in the softy South, and who knows, I may even make it up to t’tarn some time…
My thanks to both Kitty and MC. I do hope that the relative paucity of comments on EV puzzles isn’t seen by either of you as a reflection on your excellent blogs. Let’s hope there are plenty of lurkers out there.
Thanks Ifor, much appreciated, and thanks MC too for taking the trouble to comment.
I always feel more for the setters than on my own account. The EV blogs are generally enjoyable to do. Unlike with blocked puzzles, where to do so would fragment the solve far too much, I add the parsing notes as I go. So that part never feels like work; the only bit that does is expanding any rough notes into a (hopefully) comprehensible introduction.
Getting no comments at all might make me wonder what’s the point, but a couple of nice ones – as here – is all I need. I’m very much a quality over quantity person!
I can only trust that you and the other setters get enough feedback from sources other than the main blogs to know how much your work is valued and enjoyed.