“The grid represents the situation approaching halfway through the FINAL SCENE of an opera. Six entries (none of them words) are formed from clue answers by a representation of the events of the scene. The wordplay in eleven clues refers to an extra letter not entered in the grid: these letters spell out what is being sung. Seven other clues each contain a single misprint in the definition – the correct letters spell the name of the composer. Solvers must highlight the two key words (19 cells in two straight lines) in the opera’s title. Numbers in parentheses are the number of spaces for the entry.”
The six non-word entries each have the “head” removed from the word NUN contained in the clue answer.
The eleven unentered wordplay letters spell out SALVE REGINA.
The seven letters that correct misprints spell POULENC.
These are references to DIALOGUES DES CARMÉLITES (Dialogues of the Carmelites), Act 3 of which apparently concludes with a series of nuns being beheaded one by one, while all sing Salve Regina. We therefore highlight DIALOGUES and CARMELITES – perhaps in the form of a scaffold?
Sounds like your kind of thing? Here’s a version where the performers do a sort of reverse Stop Making Sense.
I thought that this included a good mix of clues. There were some easier clues, but SOE in 7ac threw me off and I hadn’t come across the Australian term NANA from 23ac.
Thanks, Kcit!
Let me know what you thought of it and your favourite clue by posting a comment below.
| Notation | |
|---|---|
| Definition | word |
| Indicator | [word] |
| Anagram | WORD* |
| Reversal | <WORD |
| Homophone | “WORD” |
| Headless NUN | NUNCIO |
| Extra wordplay letter | WANTS |
| Misprint | Shone |
| Across | |||
|---|---|---|---|
| 1 | CARL (Old farmer) [fencing] A (acreage) CA (around) wildcat (7) | CARACAL | |
| 7 | SOE (Crack military team) [limiting] US (our group)’s impact (5) | SOUSE | |
| P | 11 | Shone? With < AID (help), [returned] L (luminance) (4) | DIAL |
| 13 | “GUEST” (No regular performer) [on the radio] suspected (7) | GUESSED | |
| 14 | Marine creature, [swimming] ETC*, needing A |
CETACEAN | |
| S | 15 | Item in newspaper WANTS (failed to appear) AD (before the day) (6, two words) | WANT AD |
| 16 | [Tail missing from] BASSE |
BASSE | |
| 18 | Messenger NO (never) [seen around] C (college) [in] UNI (university) (5) | NUNCIO | |
| O | 19 | Antique cheval mirroR brokE [finally] [after] FIE (show of disgust) (5) | FIERE |
| 21 | NON-U (Lower-class) NON (refusal in Paris) [to accept] I (one) from outside trade agreement (7) | NON-UNION | |
| A | 23 | < NANA (Head for Australia), [returning] [in pursuit of] M (male) Nobel prize-winner (4) | MANN |
| 24 | D (Germany’s) ALE (beer)? Give it to Spain! (4) | DALE | |
| 26 | Forgetting CINEMA’S* [being redeveloped] (7) | AMNESIC | |
| 28 | I’M IN (Please include me) when getting E (energy) – this is a reactive substance (5) | IMINE | |
| 30 | Fragrant substance < {IE (that is) [containing] MEL (honey)} [given a swirl] (5) | ELEMI | |
| U | 32 | Improve on previous skit? Director about to continue without change after reflection (5) | REBID |
| L | 33 | Theatrical villain’s wife < {[mostly] AIME |
EMILIA |
| 35 | AN I (Independent) SETTE |
ANISETTE | |
| 37 | INN DATE (Tryst at pub possibly) [interrupted by] U (University) soak (7) | INUNDATE | |
| 38 | Man or woman? < { |
ESME | |
| V | 39 | < LOVES (Likes) [turning] [to embrace] G (good) Hebrew character (5) | SEGOL |
| E | 40 | Former shipping magnate [wrecked] {A SESSION}* (7) | ONASSIS |
| Down | |||
| 2 | Irish fellow‘s N (name) [linked to] AIDA (opera) (5) | AIDAN | |
| 3 | Flowering plants RAN (showed) UNCI (hooked forms) [around] [middle of] |
RANUNCULI | |
| R | 4 | Source of drug < [upsetting] {A CROC (reptile)} (4) | COCA |
| L | 5 | Odd < DEGA |
AGED |
| 6 | Yellow UTE (Aussie truck) [found in] LIN (ravine) (6) | LUTEIN | |
| 7 | SEAN (Fishing-net) [catching] {EA (each) B (black)} piece of shell (7, two words) | SEA BEAN | |
| E | 8 | Character on radio, say, < {RACES (hurries) O (over)} [after turning up] (5) | OSCAR |
| 9 | [Odd aspects of] UlStEr custom (3) | USE | |
| E | 10 | Tidy SEAS (amounts of water) [getting] ON (drunk) (6) | SEASON |
| 11 | Maybe feathers concealed by emu in nest – here? (8, two words) | DOWN UNDER | |
| G | 12 | LAG (Convict) [with] TIN (money) from ancient Rome? (5) | LATIN |
| 17 | Utter [ruin of] {AUNT and NIECE}* (8) | ENUNCIATE | |
| I | 20 | {SEE LASSIE}* [bounding about] without rest (8) | EASELESS |
| 22 | IRL (Ireland) [accepting] IDEA (suggestion) regarding flowering plants (7) | IRIDEAL | |
| 25 | Way to approach A VENU |
AVENUE | |
| 26 | < {OTT (Excessive) ANA (talk at table)} [raised] orange dye (6) | ANATTO | |
| N | 27 | < NIL (Love) [climbing] [in] ETE (summer in Grenoble?) That’s the best (5) | ELITE |
| N | 29 | MISO (Japanese food) [that’s eaten] D (day) six (5) | MISDO |
| A | 31 | AMI AMI (French friends) in US city (5) | MIAMI |
| C | 33 | Big move no longer [occupying some of] thE TENants (4) | ETEN |
| 34 | Arizona hill – S (singular) A (area) [if adjacent to] ME (Maine) (4) | MESA | |
| 36 | Northern meadow |
ING | |
| C | A | R | A | C | A | L | S | O | U | S | E |
| D | I | A | L | O | G | U | E | S | S | E | D |
| O | D | U | A | C | E | T | A | C | E | A | N |
| W | A | N | T | A | D | E | B | A | S | S | E |
| U | N | C | I | O | F | I | E | R | E | O | U |
| N | O | U | N | I | O | N | A | M | A | N | N |
| D | A | L | E | R | A | M | N | E | S | I | C |
| E | V | I | M | I | N | E | E | L | E | M | I |
| R | E | B | I | D | A | E | M | I | L | I | A |
| A | N | I | S | E | T | T | E | T | E | A | T |
| I | U | N | D | A | T | E | S | E | S | M | E |
| S | E | G | O | L | O | N | A | S | S | I | S |
There’s a setter’s blog here: https://phionline.net.nz/setters-blogs/final-scene/