HolyGhost

Started on cryptic crosswords as a late teenager and completed the Times daily until the Independent started. (Didn't do the crossword - just stopped reading the Times.) Often tackled the Independent weekend magazine crossword in the early and late 1990s (spent mid-90s in Bruxelles), and then most of them since moving out of London in summer 2000. I must say that my forays into the Listener used to prove more satisfying (except the number ones) - estimate 98% successful - but usually don't have enough discretionary time for both. Now that the Listener and the Inquisitor seem pretty level I rarely stray from tackling only the latter.

Inquisitor 1892: Woodcuts by Dysart

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Dysart, sadly his last puzzle here, as he died last July.
 
Preamble: The unclued entry is the title of a work (minus its definite article). 12 clues contain a misprint in the definition; correct letters give the name of its author. Six answers are shorter than their allotted space, and will leave empty cells.

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Inquisitor 1888: Pictures at an Exhibition by Harribobs

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Harribobs takes us through into the new year …

Preamble: Wordplay in 45 clues leads to the answer plus an extra letter, not entered in the grid. In clue order, extra letters give two instructions. Eighteen artists (three using given names as well as surnames), are represented in the exhibition. Each artist’s piece is square or rectangular and marked in its top right corner by ‘*’ (or ‘A’ for a key piece). The solver must frame all pieces. The website WikiArt.org is recommended.

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Inquisitor 1884: Odds & Evens by Kruger

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Kruger, notching up his sixty-second puzzle in the Inquisitor sequence.

Preamble: Every clue contains a definition and wordplay. Odd-numbered across clues consist of definition/wordplay for another odd-numbered across entry and wordplay/definition for an even-numbered down entry. Likewise, even-numbered down clues consist of definition/wordplay for another even-numbered down entry and wordplay/definition for an odd-numbered across entry.

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