Ground Force by Ifor
All clues bar five contain either a single or two consecutive extra letters to be removed, always from a single word, and leaving a shorter word. When read in clue order letter-pairs spell a quotation, ignoring some words, in ODQ; single letters identify cells to be highlighted. Solvers must apply the mutilated quotation to the five normally-clued entries (to be left unchanged in the grid) and select the outcome which (in its last appearance in its original form) predated the connection seen in the highlighting, writing it under the grid.
What a confusing preamble. Ah well, let’s just dive in. I don’t tend to bother reading through all the clues. Instead, I just tend to let my eyes rest wherever they want and this time they rested on 9d, which I solved straight away. BUT, it could be either EISEL or ESILE. It does mean that I can write the E in the grid, for what it’s worth. I hope that the rest of the clues aren’t the same.
Anyway, before I knew it, I had most of the SW quadrant, then NE and SE. NW took ages to fall.
By the time I had the grid filled, I had the inevitable mix of wrong extra letters and a few that I was unable to justify. I opened a Google Sheets document, which I shared with my daughter (elmac, some 250km away) and between us we were able to get things sorted. One thing I didn’t notice during the solving stage was that the mix of extra letters was always 1-2-1-2-1-2. This information lodged itself somewhere in my brain and helped with the endgame.
The single letters gave us: TRIPLES FROM EACH ROW
The doubles gave us: THE DETECTIVE IS ABOUT THE RESTORATION OF ORDER
The full quote is: What the detective story is about is not murder but the restoration of order. From PD James (or Phyllis Dorothy James, Baroness James of Holland Park, OBE, FRSA, FRSL)
Looking at the unmodified clues, I spotted LEWIS (7d) and MORSE (31d) quite early. I then saw Slater as a possibility. I never really watched Only Fools and Horses but I vaguely remember the name SLATER (15a) associated with it. LESTRADE (12d) took me a little longer and RESNICK (27d) was really stubborn.
So the order of the detectives had to be restored. And that also takes care of the instruction to leave them unchanged in the grid. Of course, I realised that after I’d rubbed them all out and rewritten them.
Next we have to to identify the “triples” from rows 1, 3, 5, 7, 9, 11 and 13. As shown in the grid. These spelt out WHITEHALL ONE TWO ONE TWO (Whitehall 1212) which was, before the introduction of 999, the number for calling Scotland Yard.
The only one of our detectives who last appeared in print (in his original form) in 1924 is LESTRADE in The Adventure of the Three Garridebs and Whitehall 1212 was introduced in 1934. So we have to write LESTRADE below the grid.
I guess that the title has a double meaning. The “force” are ground and the police are a force who (largely) operate on the ground.
That’s about it really, many thanks to Ifor.
Usage note:
We’ve noticed that, since the new site theme came along, some tables don’t quite fit onto a mobile phone screen comfortably.
I can’t vouch for other phone models but on the Apple iPhone, pinching the screen until it “snaps”, let’s you see the entire table, where, hopefully the font is readable.
Alternatively, switching to landscape mode should help.
| Across | ||||
| Clue |
Entry |
1-letter |
2-letter |
Wordplay |
| 1 Quail with hideouts concealed by black decoration (8) | BOBWHITE | T |
Black+OBE (decoration) around WITH (anag: hideous) | |
| 7 It holds piles of criminal wealth (4) | WALE | TH |
WEAL (anag: criminal) | |
| 10 Sent back house lodgers in each end on a regular basis (6) | ECHOED | R |
HOuse inside EaCh EnD (regularly) | |
| 11 Poem of wronged suicide after loss of rights (6) | HAIKAI | ED |
HA[r]I KA[r]I (incorrect form of HARA–KIRI: suicide) minus two Rights | |
| 14 Shades sun after expression of discomfort with cry in vain (7) | YELLOWS | I |
YELL (cry; in front: in adVANtage)+OW (expression of discomfort)+Sun | |
| 15 Exclusively male hobby, perhaps of sad wastrel avoiding women? (6) | TARSEL SLATER |
X |
X |
[w]ASTREL (minus Women; anag: sad) |
| 17 Perfect budgeting led one to keep active (5) | IDEAL | ET |
LED I (one) anag: budging containing Active | |
| 19 Noseband out of the ark has to mostly enwrap after end’s spliced (6) | MUSROL | P |
MUS[t] (has to; mostly)+ROL[l] (enwrap; minus end letter) | |
| 22 Unimaginatively late rally after recent game (8) | MEAGRELY | EC |
GAME (anag: rent)+RELY (old word for rally) | |
| 24 Lad receiving religious support document signed with lass’s protection (6) | GODSON | L |
GOON (ass) around DS (document signed) | |
| 26 Mean motives after former partner’s review of conscience (6) | EXAMEN | TI |
EX (former partner)+MEAN (anag: moves) | |
| 28 One’s morale destroyed after name fails to appear where lots are visible (8) | SALEROOM | E |
ONE‘S MORAL (anag: destroyed) | |
| 30 Severe switches in practice for games with start already planned (6) | PRESET | VE |
PT (practice for games) around SERE (anag: switches) | |
| 33 Uncovered holes with, occasionally, inch of soil (5) | OLEIC | S |
[h]OLE[s] (uncovered)+InCh (occasionally) | |
| 36 Obsessive launched ark, Noah having no hoist (6) | ANORAK | IS |
ARK NOA[h] (minus Hot; anag: launched) | |
| 39 What block vessels from birth, leaving heart failing (7) | THROMBI | F |
ROM BI[r]TH (minus centre letter R; anag: failing) | |
| 40 Acting strangely normal when leader’s about having no ethical basis (6) | AMORAL | AB |
Acting+[n]ORMAL (minus first letter; anag: strangely) | |
| 41 Prose set on stringed instrument (6) | SITTAR | R |
SIT (pose)+TAR (set on) | |
| 42 Explored hideous doctrine of the dead (4) | LORE | OU |
expLOREd (hidden: hides) | |
| 43 Catches opinions calling for connected groups (8) | NETWORKS | O |
NETS (catches) around WORK (calling) | |
| Down | ||||
| 1 Outstandingly good betting, staying outside of limit (7) | BELTING | TT |
BEING around L[imi]T (outside of) | |
| 2 Section of cloudy sky that colour partly transmits (4) | OCTA | M |
thAT COlour (hidden: partly; rev: transits) | |
| 3 Troubles in Rheims from well-to-do emigres (4) | WOES | HE |
W[ell-to-d]O E[migre]S (outsides: rims) | |
| 4 Work of rustic simplicity, ideally dismissing Environment Agency in emotion (5) | IDYLL | E |
ID[ea]LLY (minus Environment Agency; anag: in motion) | |
| 5 Hot breaths after completely uncovered busts (7) | THERMAE | RE |
[af]T[er] (completely uncovered+HERMAE (busts) | |
| 6 Evil in Hamlet maybe leads to action aloft in the walls of Elsinore (4) | EALE | A |
E[lsinor]E (walls of) around A[ction] L[oft] (leads to) | |
| 7 Won bid after revealing fewer losing spades tricks (5) | WILES LEWIS |
X |
X |
Won+[b]I[d] (revealing)+LES[s] (fewer; minus Spades) |
| 8 Rustles scores of old people (4) | LAWS | ST |
(double def) | |
| 9 Old vinegar that is not acting in shifting scale (5) | EISEL | C |
IE (that is) inside S[a]LE anag: shifting | |
| 12 Footplates either side not seen in older steam loco (8) | TREADLES LESTRADE |
X |
X |
[o]LDER STEA[m] (minus both sides; anag: loco) |
| 13 Steer ship, edging around port side of orlop (4) | HELM | OR |
HEM (edging) around L[op] (left (port) side) | |
| 16 Debut prior to Ifor’s returning here (8) | PREMIERE | H |
PRE (prior to) I‘M (Ifor is; rev: returning)+ERE | |
| 18 Recess in template where space keeps going up (4) | APSE | AT |
wherE SPAce (hidden: keeps; rev: going up) | |
| 20 Small print of court house in summer (4) | OLEO | O |
O[f] (curt)+LEO (house in summer; astrological sign/house) | |
| 21 Rise high in distress from oratorio (4) | SOAR | IO |
Sounds like (to the orator) SORE (distress) | |
| 23 Revile bard (4) | RAIL | D |
(double def) | |
| 25 Dignitary’s halo bent badly following withdrawal of honour (7) | NOTABLE | NO |
[h]ALO BENT (minus Hour; anag: badly) | |
| 27 Casually pounds little balls of clay for fun (7) | NICKERS RESNICK |
X |
X |
(double def) |
| 29 Contracted disease that could result in national doom after spreading (4) | MONO | D |
National+OOM (anag: this could result) | |
| 30 Planet forecast to lack northern part of corolla (5) | PETAL | FO |
PLA[n]ET (minus Northern; anag: recast) | |
| 31 Society rather put out in Balmoral (5) | SMORE MORSE |
X |
X |
Society+MORE (rather) |
| 32 Stray outside square’s narrowest part (5) | WAIST | R |
WAIT (stay) around Square | |
| 34 End of discord after hush money for sucker on Wall St (4) | SHMO | RD |
SH (hush)+Money+[disc]O (end of) | |
| 35 Federal agent among shoot after killing nothing (4) | G-MAN | O |
AM[o]NG (without O: nothing; anag: shot) | |
| 37 Aware of scooter noise when turning up throttles (4) | ONTO | ER |
scoOT NOise (hidden: throttles; rev: up) | |
| 38 Spirit now missing from poorly-regarded enthusiast (4) | ARAK | W |
A[no]RAK (poorly-regarded enthusiast; minus NO) | |
I missed the 1212 alternation of the extra letters, but got all the rest. It took quite a while though and quite a lot of Googling. I found the preamble confusing, as you said Ken. You have to be of a certain age to have heard of Whitehall 1212 don’t you?
Thanks to Kenmac and Ifor.
P.S. The “pinching” technique works on my Android phone as well, so seems to be pretty universal.
I consider myself a reasonably intelligent chap but I had (and still have) no idea what “…select the outcome which (in its last appearance in its original form) predated the connection seen in highlighting” means. Why ‘outcome’? I’m afraid this irked me quite a bit despite completing the grid and the highlighting
Same as bingy @2 except I didn’t even manage to highlight anything, despite finding the partial quote. Obviously more intelligent chaps and chapesses than either of us did solve but to me the preamble was gobbledygook. Frustration. Oh, that’s this week’s, and it’s done.
I solved a fair bit of this but feel consoled by Bingy and Norman
I do remember FLAXMAN though-was it NW?
Thanks for blog.
An easy grid fill followed by a frustrating end game was my experience. As noted above Whitehall 1212 is quite… old, and the “outcome” left me baffled and guessing, albeit correctly, at the close.
In fact, as the detailed analysis shows, the single letters read TRIPLES FROM EACH ODD ROW, although I only got there with some reverse engineering. The detective quote had me searching Raymond Chandler quotes, and I couldn’t find the James quote in my old ODQ, so had to rely on the internet. Filling the grid was relatively straightforward, but it wasn’t always so easy to identify the letters to be removed, particularly the doubles, where there was often some ambiguity (e.g. at 22 and 30 across, where it could be ec or ce, ev or ve). Like Hihoba I missed the 1212 alternation, but fortunately I am old enough to be familiar with the telephone number and once I had cracked Resnick, it wasn’t too hard to enter Lestrade below the grid.
I’m afraid I’m with Bingy@2 and Jon_S@5. The endgame reminded me of hiking in mountain; each time you think you’ve got to the top (scrambled detectives, ‘triples from each row’ – which threw me for ages, Whitehall 1212), another crest appears beyond. I didn’t summit.
On a more positive note, I really enjoyed the grid fill and clueing.
Thanks to Ifor and Kenmac.
All of the above, plus not being from the UK = an incomprehensible endgame after an enjoyable gridfill.
All thanks to Ifor and Kenmac. I found this fairly challenging but when the grid was full had no trouble “ungrinding” Lewis, Morse and Lestrade; the others weren’t so familiar. It took a while to work out the triples: I’ve read so many old detective stories in which the magic number was called that I wanted to kick myself for not seeing it more or less at once.
I got LEWIS, MORSE and LESTRADE easily enough, but had to Google to confirm SLATER, and gave up on the last one having tried RICKSEN.
Also didn’t see the point of selected an “outcome”.
Another marathon, as expected, from Ifor but for me a satisfying one in the end, with a few nice PDMs on the way . Like bridgesong @6, some rev eng. was needed to complete the grid fill and the two messages. Internet was needed here, as my ODQ also predates the quote – I really must splash out on a new one. I’m afraid I am just old enough to remember hearing Whitehall 1212 in public announcements on BBC radio, so found the highlights without too much difficulty. I agree that the word “outcome” was mystifying at first but I cannot think of a better way to describe choosing one of the 5 anagrams without revealing too much in the preamble.
Thanks to Ifor and to Kenmac/elmac.
As usual, many thanks for the detailed and accurate blog and to those who commented. I’m afraid I can’t agree that the preamble is “confusing” – it comprises a set of clear instructions, the last of which becomes comprehensible once the theme emerges and so provides an intermediate PDM. The bracketed insertion is unfortunately necessary to cover Lestrade’s appearance in modern adaptations of the Holmes genre. And as to “outcome” Dave@11 puts it exactly as I would have done – thank you, Dave. NNI – the other option is to require all five to be written under the grid. Far tidier, I think, to provide an unambiguous selection requirement, as here.
To end on a more positive note – I’m glad the clue-solving process proved enjoyable!
This certainly was a bit of a work-out, but that’s what we expect from Ifor. I did notice that the types of non-standard clues alternated but didn’t make the link to the phone number, which I remember from No Hiding Place (on ITV in the early 60’s) featuring Lockhart of the Yard.
For a while, I was a bit mystified by the last sentence of the preamble (“… select the outcome …”) but as Sherlock said “When you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth.” Except here, LESTRADE wasn’t that improbable.
Very pleased to finally finish this after failing on possibly every Ifor puzzle in 2020. I had a completed grid reasonably quickly but it then took a very long time to identify the two messages and work out what was required. A lovely PDM when MORSE and LEWIS appeared. The phone number was new to me and it is always nice to learn something via an Inquisitor.
Thanks Ifor (and no concerns with the preamble here).